Dracula & Michael Myers

 

Dracula vs Michael Myers

By Thomas Heath

 

 

 

 

 

 

 

 

 

  

 

The left-wing using right-wing paradigm (aka, the left-wing politics using right-wing politics complex & paradigm).

            It listens, to theology.

 

 

It listens, to the way of theology, and, it listens, to the way that theology governs the reality public.

 

 

 

 

 

 

 

Why �" why does the former do this?

                Though, not a source reason, a prime excuse forward, in actual fact, is for the not logistics of (any science, to the cause of equality is illegal here), but, for the uphill battle represented by the iconic one on one:

 

 

               Dracula vs Michael Myers

 

 

 

 

 

 

 

 

 

 

 

In the history, Myers’ subliminal connection, to the universe of the WWE, from the vantage point of the WWE’s “gothic insight”, has been the way in, for Myers’ own universe to be connected to the left-wing using right-wing paradigm.

                    Of the community, of paradigms, a distinctly artistic and cool one.

 

 

 

 

 

 

“Any science, to the cause of equality is illegal here”: in truth, this is a deeper artistry, than semantic arrangement would presume to let on.

                   The phrase’s truth, the phrase’s meaning, is that Dracula, the inherent beholden of magic, is the certified villain of the one on one, although, the application of the phrase to its reality is a deeper magic still, despite an upcoming truth.

 

 

 

 

 

 

Michael Myers, has been watched by Dracula, his entire life, from Judith’s killing, to Smith’s Grove with Loomis, to the 78 killings, and to Rachel Carruther’s killing, because of a reason more mystical, more magical, more powerful than Dracula’s own obligation, to the left-wing using right-wing paradigm:

 

 

                                      Michael Myers, is visually attractive.

 

 

 

 

 

 

Having one’s cake, and eating it too. This is the philosophical essence, of the brilliantly set-up and arranged one on one battle between the two titans.

(with love, for Michele Dawson’s Deb)