The American Government

 

 

The American Government

By Thomas Heath

 

 

 

 

 

 

 

 

 

 

 

 

The hero, began to keep on laughing.

 

There was no cigarette, and there was no cigarette case, containing any kind of special cigarette.

The idea, or, rather the agenda, which had prompted the hero to start laughing, and, indeed, which had prompted the hero to keep on laughing with horrific intensity was far worse.

 

 

 

 

Out of all of them.

Out of all, of the known elements �" hero, laughing, cigarette, cigarette case, special cigarette, agenda, and, indeed, horrific intensity �" horrific intensity is the one.

 

 

 

 

 

 

 

 

 

The hero, sat in front of the someone, who they were sat in front of, was sexy.

 

Eyes. Eyebrows. Hair. Length of hair. Nose . . .

 

Forehead. Cheeks. Mouth. Chin . . .

 

 

All, inevitably sexy.

 

 

 

 

 

With horrific intensity; with horrific intensity; with horrific intensity, this sexy, sexy, sexy hero �" this sexy male hero �" proceeded to keep on laughing, in front of “their” someone:

 

  Their agenda, was to want to dress like a fairy, so that they could use right-wing magic.

 

 

 

The intensity, of the hero’s laughter (and, in passing, the definition of hero here is the good vs evil definition);

 

Its intended scope, its intended reason and its intended identity of application, was the airstriking of people.

 (An agenda, to be overseen by the hero, while they are clothed beautifully, wearing the intended fairy outfit)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Time, was running out.

The someone, the hero’s someone, who had braved the traditional quest checkpoints, denoted, arranged and inevitably meant by the hero, knew, in seeing the horror of their former mentor’s face (their laughing face), that time was running out.

 

 

The horrific intensity, guiding the hero’s evil laughter.

Somehow, without mystery denoting the somehow, it was conjuring up a kind of logical energy, about the room, containing both the hero and their former pupil.

 

 

 

The former pupil, stood in front of the sitting abomination, had to get the f**k out of the estate’s room.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

What the administrator would know, despite not having met the former pupil, of the hero, is that to end the hero, the former pupil would need to enter the reality of the administrator.

Not an easy mission.

 

 

To enter, the reality of the administrator’s planet Earth, the former pupil of the Warrior Leader universe �" of the Warrior Leader universe’s definitive hero prototype �" would need to enter the rules of planet Earth.

 

 

 

 

In the room, of the Lord estate, containing the definitive Warrior Leader hero �" who enjoyed using his sexuality (not masculine sexuality, not anti-masculine), in order to enjoy having his Lord superior dress him personally �" and the former pupil of the said hero, there was no TV idea.

No TV, period.

 

 

Now, sociologically, this wasn’t an exoneration (so to speak) of any sort, of any kind of the hero. On planet Earth, the administrator knew of the Warrior Leader universe’s computer protocols.

 

 

 

 

 

 

 

 

 

 

 

The two, are completely unrelated. The administrator’s knowledge, that the hero’s desire, to airstrike people wearing either the fairy outfit or the bow and ribbon attire was tactically related to the real final outcome (a type, a meaning and an identity of outcome that would give history’s Nazi Germany nightmares), in which people become human insects, and the administrator’s personal ethos �"

 

 

Protect, the United States government (not the United States), from housewives, from the United States military, from climate change activists, corporate CEOs, other nation’s monarchies, university students, talk show hosts and media pundits etc.  

 

 

 

 

 

 

 

 

 

 

 

 

 

Are they American, the administrator?

They should be, relative at least to general philosophical theory. Albeit, it is a mystery, because is also should be.

 

 

 

The administrator’s mind.

Its awareness, is the hero’s visual. Its awareness, is the hero’s ability, to be male, and yet, feature no contradiction as to their visual.

 

 

  The lips, of the hero.

  The cheeks, of the hero.

  The eyes, of the hero, indeed.

 

 

 

 

 

 

 

 

 

 

 

The face of the hero �" it applies greatly, it applies indeed, magnificently, to kissing and snogging.

 

 

 

 

The administrator:

 

They have to overcome this reality, of the hero, and moreover, they have to overcome the rules of the Warrior Leader reality, in order to kill the hero.

 

(Not despite, but because they �" the administrator �" are male)

 

Reviews

[BupBupSippyCup]

I enjoy the manner in which the scenes and people are described; it feels very whimsical and amusing, yet possibly enigmatic. Again, this may only be since I've no political knowledge of today, and I believe that would have helped me understand more. I still think it's very smartly-written!

[trokanmariel33]

"it feels very whimsical and amusing, yet possibly enigmatic"; that's a key part, of your review. The inclusion of enigmatic.

The overarching politics, isn't to do with the United States, but, the US is merely a proxy for something else. The US, essentially, is a marketing strategy, to promote the story's rest.

The hero, of the story, is evil incarnate. The sociological context, to this dynamic, is that archetypal heroism (Perseus, Clash of the Titans, Luke Skywalker, Conan, as a proxy or a mere theme of archetype, Sean Archer from Face/Off, and then Samson from Samson and Delilah, and of course Liu Kang) is inverted, but, it still needs the sex aristocracy stuff, like the cigarette case, and the lords aristocracy (in passing, neither the lords reality or the hero of this story are the same as those from the vampire disco story, which I also published).

In terms, of the administrator themself, they are a John Connor stereotype, both in visual appearance and in function.