The British Public's Super Mario Bros Movie

It is something, which isn't theology.

   Theology: the system, of lies.

                   the system, of hopes.

                   the system, of hopeful lies

                   (or, of just hopeful bullshit)

The sudden change. The sudden wedge, against the main software, by the tone (not a style over substance app, for style over substance is an advantageous weapon by evil, in this instance). It is inspirational, and wonderful.

It is something, which is safe from theology. 

    Theology: not an ultimate, for ultimate is a hint or inference of just hope, but, a general ally of evil's military-industrial complex. 

It is something, which can protect from theology. 

   Theology: the definitive ally, of evil's nationalism and capitalism.

The transition, being now made, to history. To Greek mythology. To Greek Gods, and to Zeus. 

     The function, the science, the logistic of the transition, is about giving the future the function, the science and the logistic. In other words, the separation between these references to Greek reality (ancient Greek reality) and the previous moral act of supporting the "something" (still a mystery) is a type of cruel to be kind essence and ideology.

Detached, now, from the transition ideology, one can explore the meaning of the "something" as pertains to the consumerism of ancient Greek Gods.

From the vantage point, of Greek Gods being an association with a much larger universe, ignoring the call to defend as pertains to the mystery something is the mystery something's.

The identity, of the something.

    It is the British Public's Super Mario Bros Movie.