Utopian CannibalismA Chapter by StephanotisOliver is having one Hell of a weekend.
Dr.
Tawney gave us a prompt today in the form of an email. The printed copy is sitting on my desk
right now. It says, Hey
Richard, Long
time no see! I was hoping to get a
word from you about the Christian Booker case. Some boys in the House of Representatives have a bill in the
works that will make it possible for Booker to make an appeal. If I could get a few good neg comments
from you, we could easily bash it down.
They listen to you over here.
I
hope you’re having a great weekend.
Let’s go fishing the next time I’m in town. Harold
Yardley Senator
for Pickens County Capitol
Building, Office 207 If
I can get this response written before the damn dance tonight, I can drop it
off outside of Dr. Tawney’s office tomorrow morning. I wonder if he sends his students’ responses back to the
inquiring senators, signed with his name.
I write quickly. The dance
starts in twenty minutes. An image
comes to mind from the old nature magazines of the chimpanzees all sitting in a
row, grooming each other’s backs.
Vanessa stands behind me, primping my hair with her curling iron. I sit here in one of Vanessa’s dresses,
typing up a response for Dr. Tawney.
Dr. Tawney sends the responses to Senator Yardley. Senator Yardley sits in his office in
the capitol building with his feet propped on his desk, letting distant,
anonymous undergrad students write his speech material for him. “Stay
still,” Vanessa says. She pokes my
scalp with a bobby pin. “You know,
I’ve got some earrings that would look great with that dress. Can I please pierce your ears?
It’ll only take a second.” “No,”
I say. “Here,
take this mirror.” She takes one
of my hands away from the typewriter and presses a mirror into it. “You like it?” My
hair is too curly and my eyelids are too dark. “Yeah, it’s great.”
I put the mirror down and resume typing. Vanessa
teases my hair with her fingers.
“Oh, look at you! That’s
the best you have ever looked!
Just straighten out those fake b***s, and you’re good to go!” One
of the fakes is sliding down my front.
I adjust it and continue typing my response to Senator Yardley. “Shoes!”
Vanessa shouts, “Which one of these looks better? The flats or the heels?” She
has a different style of shoe on each foot, and she models them for me. “I
really don’t know,” I say. “Oh,
come on…” I
remember that Oliver is a little guy, only an inch taller than me. “I’d go with the flats.” “What? Really?” she says. She looks down at her feet with her
face all screwed up. “Yeah,
just take my word for it.” “Nah,
I’m going with the heels. Heels
make your legs and butt look better.” I’m
typing a conclusion when Vanessa stands behind my chair, wraps her arms around
me, and puts her head on my shoulder.
Her apple shampoo has mixed with her hairspray, making her smell like
children’s medicine. “Who
is he?” Vanessa says. “I
thought you wanted it to be a surprise,” I say. She
pulls away, writhing her hands. “Come on…I’m going to see him in five minutes.”
She taps her foot on the floor. “Don’t you want to know who your date is?” “I
know who my date is.” “Really?
Who is it then?” “Schwartz.” “How
do you know?” “His
tie smells like pot.” Vanessa
sighs. “All right…if you know your
date, why can’t I know mine?” “You
told me not to tell you under any circumstances. Not even if you begged me.” “Is
it Josh?” “I
can’t say.” “It
is! Come on, say it!” “I
can’t say one way or the other.” Vanessa
jumps up and down. “It’s Josh! I knew it! Eleanor, you’re the greatest!” “Don’t
get your hopes up. It might not be
him.” She
doesn’t listen to me. “He’s so
perfect…” She spins around, her
red dress twirling high. There is
a knock on the door. “Coming!”
Vanessa squeals, straightening Oliver’s tie around her neck. She runs to the door, her shoes
slapping on the carpet. Our
dates stand just beyond the threshold. Schwartz wears an old, purple sports coat. He throws his arms wide and bellows,
“Hey!” I give him a welcoming nod
and step through the doorway. Oliver
is wearing a more conventional, black suit. He gives a small bow when Vanessa appears. “You must be Vanessa,” he says, “I’m
Oliver. It’s a pleasure to meet
you.” Even
without her shoes on, Vanessa would still be taller than him. She limply accepts his handshake, her
lip trembling. “Give me a minute,”
she says. She slams the door
closed, but not after we see a tear rolling down her cheek. Schwartz,
Oliver, and I stand in a cluster in the middle of the hallway. Schwartz stares at the ceiling. Oliver stares at his feet. I clear my throat. “So, why the ‘Spare
Nicks’?” “My
sister-in-law, Marcie, came up with the name,” Oliver says, welcoming a break in
the silence. “We’ve got two Nicks
in the group, Nick Gray and Nick Cole, so we’ve got Nicks to spare.” He smiles. “Well, they
thought it was clever. We teamed
up to provide the music for my brother’s wedding a couple of years ago, and we
liked working together, so we stuck.” We all nod silently. “I like your dress,” Oliver says. “The green matches your eyes.” “Thank
you,” I say. “I
was just about to say that,” Schwartz says. “Thank
you, Schwartz.” Schwartz
looks at the door. “Do you think
one of us should go talk to her?” “Weeping
girls are very tricky,” Oliver says. “They’ll either cry on your shoulder or beat you away. We don’t know her well, so we should
just let her be.” Vanessa
comes out of the room with new mascara on. She hardly looks at us before running off down the hall. “Hey Josh!” she squeals. Josh and his date, a delicate redhead in
a black dress, stop and greet her. I can’t make out what Vanessa and Josh are saying, but the
longer they talk, the more annoyed his date looks. Vanessa giggles and then rejoins us. “Josh just said he can drive us there!” Before any of us can say anything,
Vanessa has gone outside, hanging onto Josh’s free arm. His date glares at her. Schwartz,
Oliver, and I follow them to Josh’s vehicle, a shiny black truck. Schwartz takes one look at it and says,
“I don’t know about this"“ “Don’t
be silly!” Vanessa squeezes past Josh’s date and climbs into the front of the
truck before her. Schwartz has
already jumped into the truck bed. He gives me a hand and pulls me up. Oliver hops in just as Josh starts the
engine. We
hold ourselves steady against the walls of the truck as we bounce along the
road. My hair that Vanessa had
tried so hard to put up falls down, and I salvage her bobby pins. “So,”
Schwartz says over the engine, “How has your week been?” “Not
bad,” I say, “My political thought class is taking up more time than it
should.” “Dr.
Tawney’s the toughest in the department,” Oliver says, “At least, that’s what I
heard from my Uncle Banks.” “We
went over to Banks’ apartment yesterday evening for barbecue,” Schwartz
says. “Seriously, the guy is like
a professional chef.” “You
should come next time,” Oliver says. I
shrug. “I’ll think about it.” Josh
parks the truck, and he gets out with Vanessa and his date hanging on either
arm. The rest of us climb out of
the back. I smooth my dress out
and check for tears. Schwartz pats
Oliver on the back. “She’ll come
around.” “It’s
all right,” Oliver says. Schwartz
puts his heavy arms around our shoulders. “We should be a threesome.” Neither Oliver nor I respond, so we continue into the
building. The place is dark, and
the floor shakes with the music. We weave our way through the crowd, catching a glimpse of
Vanessa butting between Josh and his date on the dance floor, and make it to
the refreshments table. Schwartz
helps himself to the cheese platters. Oliver
says something to me, but I can’t hear him. He offers me a cup of punch. “It’s probably spiked,” I yell over the noise. Schwartz
returns to us with a plate of chocolate strawberries and takes the cup from
Oliver’s hand. “Thanks, man. Hey, wait a moment…” He sets everything down on the table and
disappears into the crowd. A
minute later, he returns and takes back his food and drink. “What
was that about?” Oliver says. “The
DJ is taking requests.” The
techno song comes to an end, and the DJ says over the microphone, “Here’s one
for all you couples out there…” At
the sound of the soulful piano and mellow tenor voice, Oliver’s cheeks go red. Schwartz darts into the crowd and
returns dragging Vanessa by the hand.
She struggles and shouts, “What the hell are you doing? You’re ruining my dance!” “Do
you know who’s singing this song?” Schwartz shouts, bouncing with excitement and pointing toward
Oliver. After
a moment Vanessa makes the connection in her mind, and her juicy lips part in
shock. Without a word, she grabs
Oliver by the front of his shirt and leads him onto the dance floor. He looks as though he is about to be
eaten by a large animal. Schwartz
bows to me. “May I have this
dance?” I
take his sweaty, clammy hand and walk with him into the crowd. We’re meshed into a tiny square of space,
the surrounding people fencing us in. We’re stuck simply stepping back and forth. “I
think you embarrassed him,” I say. “That’s
just ‘cause he doesn’t know how nice his voice sounds,” Schwartz says. “I
understand the guy pretty well. He’s a rockstar with an inferiority complex.” “Maybe
you should have taken him to the
dance.” He
laughs. “I totally would, if I
could take you too.” “He’s
trying to hide that he’s in the band. If you spill that
to Vanessa, how do I know you’re not the one who told the cops about Dr. Nix?” Schwartz
frowns. “Those are two completely different
things. This isn’t about life or
death, here. This is about showing
Vanessa how awesome my friend is before she finds out that ship has sailed.” “Yes,
but do you really think it’s within your power to teach Vanessa a lesson?” “Of
course it’s within my power. I
just did it, didn’t I?” He sighs. “It’s always about justice with you.” “You
don’t know that.” “I
most certainly do know that. It’s
one of the few things I do know about you, and I’m pretty good at understanding
people. With all the stalking I
do, I’ve got to be good at it. But
you’re an enigma. I don’t know
what you like or don’t like, and I don’t know what you’re feeling. I don’t even think you know.” “Does
it matter?” “Of
course it matters!” “Why?” He
smiles, eyes darting around the ceiling for an answer. “Do you see them?” he chuckles, nodding
to Vanessa and Oliver through the crowd. Vanessa has taken off her shoes, but the height difference
still looks odd. She has her arms
around his neck and has to look down to make eye contact. For a brief moment, Oliver glances in
our direction with his pleading, Basset hound eyes. “Yep,”
Schwartz laughs, “That ship has sailed. He’ll do it politely, of course. He’ll walk her back home, all gentleman-like, and thank her
for a lovely evening and say how nice it was to meet her. Then the handshake. A hug, if she’s really lucky.” The
song ends, and the techno resumes.
Schwartz pulls away. “I’m
gonna go ask the DJ to play it again.”
He disappears into the crowd. I
turn my typed response to Senator Yardley’s message into the drop box outside
of Dr. Tawney’s office, and then I come back to the dorm to start the response
to the second half of Selected Essays by
Governor Ramsay, due next Friday.
At ten in the morning, Vanessa is missing. Ramsay
has an analogy he likes to use when talking about social classes. It occurs in several of his essays
throughout the period this book covers.
In an essay from the year seventeen, he writes: …Mosquitoes
are pests that have no helpful purpose in our world. Let us equate these abominable creatures with the lowest
tiers of our society: the unintelligent, parasitic citizens we see roaming our
streets with picket signs, eating our food without earning it, speaking out
against their betters without understanding the charity the state provides for
them. These “mosquito” people are
far too numerous to eliminate by our own means. What we can do, however, is to set another pest upon the
mosquitoes to eliminate them. Just
as the dragonfly preys on mosquitoes, we will set the Silver Class on the
Bronze. Do you not see the
brilliance, teaching society to prune itself? Of course, once the Bronze Class is eliminated, the Silver
will become the bottom tier of society.
We must be very careful during this period. A three-class society is stable; no one class can rise up
without being beaten by the other two.
However, a two-class society poses a greater chance of conflict. Two classes, without a buffer class,
can potentially destroy each other.
This is why I propose, during this two-class period, to redistribute
class titles. The Gold Class will
absorb worthy members of the Silver Class, and the Gold citizens will eliminate
the remaining Silver, creating a utopian society of superior race… I
make myself a sandwich. Fitzroy
is a communist, Dr. McKenzie said.
Then what do you call Ramsay?
I recall one guy’s comment from Monday’s class, and I decide on my paper
title. I type “Utopian Cannibalism”
at the top of my paper. Ramsay’s
society is made of people who devour other people. He can eliminate the Bronze Class. He might even be able to eliminate the Silver Class, like he
said. But when no one is left
except for Gold citizens, someone has to take the bottom tier of society. At
three o’ clock, Vanessa bursts into the room and lounges on the sofa. I haven’t seen her since Schwartz and I
left the dance last night. “Eleanor,”
she sighs. “You’re the greatest roommate ever.” My
fingers tap away at the typewriter. “You
set me up with a rockstar! I had
the greatest night of my life. He
had a lovely evening too.” “Is
that what he said?” I say. “Those
were his words! ‘A lovely
evening.’ And he said it was
really nice to meet me. I think he
likes me! You know, at first, I
was really turned off. I’ve always
been into guys with really athletic bodies, never the short and skinny
type. But, after a little while
with him…oh my god! He’s so
hot! So freaking hot! I want to hold him and never let him
go!” I
nod. By
the time society reaches its “utopian” stage, the citizens of Ramsay’s Republic
will no longer have any understanding of equality, having lived in a strongly
hierarchical state ever since Ramsay “created the world.” The Gold Class will divide itself into
three and start the class elimination process all over again. “I’ve
been waiting outside Oliver’s room all day,” Vanessa says. “I ran into Martin on his way out. He says Oliver’s at band practice. He’ll be back at around nine.” She sighs again. “I can’t wait! I’m going to ask him out. Do you think he’ll say yes?” She
stretches her leg in the air and sighs.
She’s thinking about sex. A
one-class society is absolutely impossible. The government needs to stop molding society to its own
visions and let society mold the government. All this constant division, this containment, is like trying to swim upstream. Humans are not organized
creatures. They don’t fit into
pigeonholes. “Did
you get far?” I ask. “Well,”
Vanessa says playfully, “If he had stayed another few minutes, we totally would
have been making out. But he’s got
a really sexy handshake.” Vanessa
leaves for dinner, and when she returns, she decides to listen to the entire
Spare Nicks collection. They’re a talented
group, and the music is pleasing to the ear. It’s difficult to concentrate with music turned up so loud,
so I put off the rest of my paper and pick up my journalism textbook. As
nine o’ clock approaches, Vanessa primps her hair and applies makeup. She’s wearing a low-cut tank top and
tiny shorts. Sometimes, she dashes
out the door only to come back a minute later, depressed that he isn’t back yet
or relieved that she has more time to prepare. At nine-thirty, she is visibly worried. She runs in and out of the room, and
eventually comes to me. “Do you
have his cell phone number?” “Yes.” “Can
I have it?” “No.” She
whimpers and juts out her lower lip, but it doesn’t elicit a response from me. At
midnight, my cell phone rings. “Hello?” I say. “Hey, it’s Oliver.” He sounds exhausted. “Eh…Can
I ask you a favor? It’s going to
sound weird.” “Sure,”
I whisper, turning my back to Vanessa. “Well, I’m stranded at Cornwall’s Tavern just
up the road, and I need a ride back.
I’m not drunk or anything…it’s just that my sister-in-law’s car has been
confiscated.“ “Aw,
man, I’m sorry. My car is still in
the shop. Do you have Schwartz’s
number?” “Yeah, I thought about calling him but he’s
probably high right now"“ Vanessa
pipes up. “Who’re you talking
to?” She crosses the room in two
steps and takes the phone from me.
“Hey!” she squeals into the phone.
“You need a ride? I’ve got
a car. Eleanor got in a wreck a
few days ago. Her car’s still
getting fixed. Where are
you?...Oh, okay. I’ll be right
down there! Don’t you worry, I’m
coming!” She
hangs up the phone and gives it back to me. “Will you come along?” she says. “For moral support?” I
put my wallet in my back pocket and follow her out the door, through the hall,
and into the parking lot. She has
a lime green sports car in a reserved parking space. I climb into the passenger’s seat and almost sink into the
upholstery. All the seats are
leather. The steering wheel cover
and the floor mats are made of the same pink, fluffy material. I hesitate to let the bottom of my
shoes come in contact with any surface of the car. Vanessa
turns the key and the engine roars.
She swings out of the parking space and out into the road. “Do
you know where this place is?” I say, clutching the door handle. “It’s
in Traveler’s Rest,” she says, “Like, three minutes away.” We
fly up the ramp and onto the highway, swerving around a car with its bright
lights on. “I’m coming! I’m coming!” Vanessa shouts, bouncing
in her seat. Her voice drowns out
the radio. We
arrive at Cornwall’s Tavern in no time at all. Vanessa gasps.
There are four cop cars parked in a ring around the front of the
bar. Inside the perimeter formed
by the cars is a ring of yellow crime tape. In the crime scene is a red convertible parked on the curb
and a white sheet on the sidewalk corner, covering a body-shaped lump. Vanessa
parks the car, straddled over two parking spaces, and we both climb out. She stands for a second, examining the
parking lot. Then, she sees Oliver
sitting on the curb outside of the crime scene, sharing a beer with a young,
red haired woman. Oliver
stands up and waves to us. Vanessa
runs to him and hugs him tight.
“Oh my god! What happened? Are you okay? I’m so glad I got to you!” He
gently pulls away. “Long story,”
he says, his voice weak. “By the
way, I’d like you to meet our lead guitarist--” The
red haired woman exchanges a handshake with Vanessa and me. “Marcie Buranek,” she says. “My sister is married to Oliver’s
brother.” Her voice sounds like a
train, as though it takes more effort for her to whisper than to yell. Now that we’re all standing in the
floodlights, Marcie looks about three or four years older than myself. Her arms and legs are thick with
muscle. She wears her ruby hair
short. Her pants, cropped at
mid-calf, are suitable for wading barefoot through a creek. “Oh,
okay,” Vanessa says, her voice dropping.
“So, Oliver, what happened?
Martin said you’d be back at nine!” Oliver’s
face turns pale. “Yeah, Martin…” “Martin’s
dead,” Marcie says, pointing to the body in the crime scene. Vanessa’s
hands fly to her mouth. Something
about her surprised expression seems forced. “Whoa,”
I say. “How’d that happen?” Oliver
takes the beer from Marcie’s hand and takes a swig. “Well,” he says, “He called me at eight-thirty saying that
he was at the bar, totally hammered, and needed a ride back to campus. I don’t have a car, so Marcie drove
hers…” “We’ve
told the police this, over and over…” Marcie says. “…and
there he was, on the corner. And
he had a gun…” “It
happened really, really fast, dude.” “…And
then another car came along. I
only got a glimpse, but someone in the passenger’s side had a weird, long gun…” “It
was a silent gun, you couldn’t hear it…” “And
we ducked down below the windows…” “Martin
fired five rounds, and two of them hit my car door!” “And
when it was all over, we looked, and Martin was…dead.” Oliver
stands, shifting on his feet. “You
know,” Vanessa says softly, “University code says that if your roommate dies,
you get an automatic A for the semester.” Marcie
glares at her. Oliver’s eyes seem
to droop. “What?”
Vanessa says, looking at Marcie.
“It’s true!” Marcie
puts an arm around Oliver’s shoulders.
“I think we’ll go tell the cops we’re leaving now. You stay here,” she says to Vanessa and
me. They walk over to the crime
scene where the cops have congregated with their cameras and clipboards. “Can
you date your in-law?” Vanessa whispers.
“I mean, it sounds weird, but you’re not blood-related, so…” “Vanessa,”
I say, “That really doesn’t matter right now.” “Yes,
it does! I mean, did you see that
earlier? They were drinking out of
the same beer bottle! It’s like
they’re kissing!” “No,
that’s nothing like kissing…” “But
it is! They’re sharing
cooties! It’s intercourse. I don’t
like it. I don’t like her.” “Keep
it to yourself, then.” Oliver
and Marcie come walking back to us.
“We’re good to go!” Marcie says. “Okay!”
Vanessa says, grabbing Oliver by the arm and walking him to the car. “Oliver gets shotgun!” “No,
that’s fine,” Oliver says, “I’ll just sit with Marcie--” “Oliver’s
claimed shotgun!” Vanessa yells, “You two, back seat!” We
all get into the car. I sit with
Marcie in the back. She smirks and
gives me a sideways look. Vanessa
drives out of the parking lot. The
radio announcer mumbles something, but it doesn’t register in my brain. “So,” Vanessa says, “Marcie, where do
you live? I’ll drop you off
first.” “Actually,
I think I’ll spend the night with Oliver,” Marcie says. Her face looks smug. “You know, when tragedies like this
happen, we need to stick together as much as possible.” “Well,
I don’t know how Oliver feels about that,” Vanessa says. “Actually,
Marcie,” Oliver says, “It’d be weird being alone in the dorm. I was actually going to ask you to stay
over. We could get the whole band
together. Have a sleepover, just
like high school.” “Nah,”
Marcie says. “Don’t want to get
too crowded. Just us two.” I
can’t see Vanessa’s face, but from where I’m sitting, she looks very
stiff. Marcie narrows her eyes at
the back of Vanessa’s headrest, grinning like a cat. “So,
Oliver,” Vanessa says, “I had a really, really nice time last night. I’ve been thinking about you--” Oliver’s
cell phone rings, and he takes it out of his pocket. “It’s Banks calling me back,” he says. “Finally!”
Marcie says. “Hey,
Uncle Banks,” Oliver says, “Martin….what?
How do you know?” Marcie
leans forward. “He knows already?” “Oh,”
Oliver says, “Okay, have you said anything to my parents?...Better wait until
tomorrow. They’re asleep…No, I
haven’t told them yet. I figured you wouldn’t freak out as much as they
would…Yeah, I agree…Do you want to talk to Marcie?” He
hands the phone to Marcie. “Hey,
Uncle Banks!” she says, “We’re okay.
Still a bit shaken, but we’re doing all right…Wait, I’ll ask him.” She lowers the phone. “Oliver, what do you want for a
midnight snack? French toast,
omelet, or pancakes?” Oliver
turns around in his seat. “What
kind of pancakes?” “What
kind of pancakes?” Marcie says into the phone. She listens, and then turns back to Oliver. “Okay, Granny Smith apples aren’t in
season yet, but you’ve got a choice of a mixed blueberry and blackberry, peanut
butter, or butter pecan.” “Peanut
butter.” “Two
votes for peanut butter,” Marcie says into the phone. “Okay! See you
in two minutes.” She hangs up and
gives the phone back to Oliver. “Where
am I driving?” Vanessa says. “You
know the apartments on campus?” Marcie says. “He’s in that building way, way in the back.” Vanessa
grunts. “I didn’t know any
teachers lived on campus.” “A
few do,” Oliver says. “It’s almost
free for them to live there.” Vanessa
drives at ten miles below the speed limit. She stops at a yellow traffic light. “So, Oliver,” she says, “I was just
thinking about you today, and I wanted to see you again.” “We
call that irony,” he says. Vanessa
laughs, a little louder and longer than necessary. “You’re so funny!” “The
light is green,” Marcie says. “I
know,” Vanessa snaps. She slowly
passes through the intersection. “Thanks
for driving us back,” Oliver says.
“It’s good to have you as a friend.” The
car comes to a halt in the middle of the empty highway. “What’s that supposed to mean?” Vanessa
says. “What’s
what supposed to mean?” Oliver says.
He inches toward the window, away from Vanessa. “Friend? Friend? That’s all I am to you?” “Drop
it, girl,” Marcie says. “This is
not the night.” Vanessa
stomps on the gas. The momentum
pushes me back into my seat. “But
I waited for you all day! I
dressed up really nice for you!
I’m giving you a ride!” “Well,
I definitely appreciate the thought,” Oliver says. “Why don’t you slow down a bit, and we can talk this over tomorrow?” “No! I’m head over heels for you! Why can’t you love me back? Are you gay or something?” “No.” “Then
what did I do wrong? Why am I not
good enough for you?” Her voice
breaks. “You
can turn here,” Marcie says. Vanessa
whips the car down an off road.
“Why? What did I do?” “Hey,
Vanessa,” Oliver says. “Listen,
you’re a very attractive woman, and your confidence is appealing.” His mellow voice has a calming,
hypnotizing effect. I noticed that
on some of the Spare Nicks songs Vanessa played today. “And under different circumstances, I
would have been wildly attracted to you.
We just got off on the wrong foot.” Vanessa
does not slow down. “By
the way,” Oliver says, “Josh is really into you.” “We’re
not talking about Josh! We’re
talking about you and me!” “I
am not saying another word until you stop this car.” “Turn
here,” Marcie says. “That’s the
building right there.” Vanessa
stops the car in front of the apartment building and sits, crossing her
arms. Soft techno music plays on the
radio. “Now
turn off the car,” Oliver says. Sniffling,
she takes the key out of the ignition, and the radio dies. “Good,”
he whispers. “Now, the reason why
I’m not attracted to you, plain and simple, is that you didn’t say one word to
me until you knew I was in the Spare Nicks.” Vanessa
makes a pitiful sound, something between a scoff and a whimper. “So, if someone likes your music, you
just push them away? You’re all
chummy with that Schwartz guy, and he’s totally obsessed with your band!” “Schwartz
is that friendly to everyone,” Oliver says. Vanessa
wipes her nose on her arm. “Can I
have a second chance? Please?” “Sorry,
that’s life.” Her
head drops on her steering wheel, and she hiccups. Oliver raises a hand as though to pat her on the shoulder,
but he draws it back. “Drive
safe,” he says, and moves to open the door. Vanessa’s
head snaps back up. “I’m such an
idiot! Why should anyone like you
anyway?” she squeals. “You…you
dwarf!” “Uncalled
for,” Oliver says. “What
are you? Five foot four?” “Five
foot four and a quarter.” “You
tell ‘er, Ollie,” Marcie says. Vanessa
spins around in her seat and slings her cell phone charger behind her by the
cord, probably aiming for Marcie, but it whacks me square on the forehead. I see little black dots, like fruit
flies. “Oh
my god!” Vanessa squeals, “I didn’t mean to do that!” Marcie
holds my head in her hands and looks me in the eye. “Dude, are you okay?” “I’m
so sorry, Eleanor! I’m so, so
sorry!” “Shut
up!” Marcie yells. “All right, everyone
out of here before this psycho blows us all to hell!” Oliver,
Marcie, and I step out of the car.
Vanessa has launched into a new wave of tears. “Eleanor, I’m so sorry!” Oliver
stands next to me, his hands in his pockets. Marcie approaches Vanessa’s window, slapping her hand down
hard on the roof. That shuts
Vanessa up. “Learn
some tact, girl,” Marcie says, her face level with the window. “Oliver here just saw his roommate get
killed tonight, and all you care about is getting in his pants. You disgust me. If I ever catch you hurting my little
brother again…I know how to find you.” Black
mascara drips down Vanessa’s cheeks.
“My dad’s a senator,” she whispers. “Screw
him,” Marcie says. “This don’t
concern him. It’s about time
daddy’s little girl starts to grow some balls, in a manner of speaking. You get along, now.” Vanessa
drives away. Her green sports car
disappears behind some trees. “I’m
sorry about that,” I say. “I
didn’t want her to come along, but she just snatched my cell phone from me.” “I
figured that’s what happened,” Oliver says. “Don’t worry about it.
I know you’re dependable.” Marcie
claps her hands. “All right! Peanut butter pancakes!” She sounds very chipper all of a
sudden. “You
wanna come up, too?” Oliver says to me. “No,
thanks,” I say. “It’s after
midnight, and he’s my teacher…” “Oh,
height of weirdness,” Marcie laughs.
“Well, at least come get some ice for your head!” “And
I don’t feel comfortable with you going back to your dorm,” Oliver says, “You know,
with Vanessa there.” “I’ll
spend the night in someone else’s room, I guess. Schwartz might be up.”
Come to think of it, Schwartz is the only other friend I have. “I’ll
call him.” Oliver dials a number
on his phone. “Hey, Schwartz, it’s
Oliver…yeah, crazy night, I’ll have to tell you later. Long story, but Eleanor needs a place
to stay tonight…Wow, I didn’t even have to ask…Okay, I’ll see you around, man.” He
hangs up. “I
like Schwartz,” Marcie says.
“Let’s all hang out sometime.
Eleanor, too.” I
yawn. “Okay, I’m going to head on
down there…” “Take
care!” Oliver says. I
leave them behind. As they walk
towards the apartment building, I can hear Oliver say, “Schwartz asked me if he
could be a roadie for us…” “Oh,
I’d love to have him!” Marcie says. The
residence hall is at the bottom of the hill, and I make it there quickly and
without trouble. I climb the
staircases and knock on Scwhartz’s door.
He opens it for me, revealing a half-sized, single person dormitory with
a couple of beer posters on the walls.
“Hey, rough night?” he says. “Do
you have ice?” I say. He
brings me an ice pack from his mini-fridge, and I slap it on my forehead. Schwartz has put some blankets down on
the floor in a makeshift bed. I
lay down on it. “No,
I’ll sleep there,” he says, “You take the real bed…” I’m
already drifting into sleep. Schwartz
wakes me up at ten in the morning.
The ice pack slid off my face in the night, and now it’s sitting by my
ear. “What’s up?” I say. “Oliver’s
roommate is dead,” Schwartz says. “Yeah,
I know. Happened last night.” “Well,
everyone’s talking about it. It’s
kind of a big deal.” I
get up and walk to the mirror. My
forehead is still sore, but I don’t have a bruise. I shake my hair out a bit. “Your
car’s fixed, by the way,” Schwartz says. I
groggily follow him down to the parking lot. A lot of alcohol awareness posters have cropped up during
the night, maybe in response to Martin’s murder. A prohibition group has dropped pamphlets in the residence
halls and on the sidewalks that read, “The People Have Spoken, Senator: We Want
A Minimum Drinking Age!” We
get into Schwartz’s truck, and he drives away. “All this crap about alcohol,” I say, “And it was a gun that
killed Martin.” “How’s
Oliver doing?” Schwartz says. “He
seemed all right. Last time I saw
him, he was going to Dr. McKenzie’s place…geez, my roommate is psycho, do you
know that?” “Well,
I figured something wasn’t quite right.”
Schwartz stares at the road.
“How well did you know Martin?” “I
talked to him briefly,” I say. “He
was an art major. That’s all I
know.” Schwartz is quiet. “Why do you ask?” He
clears his throat. “It wasn’t
suspicious then, but it is now,” he says.
“On Thursday, Oliver, Martin, and I went to Dr. McKenzie’s place for barbecue. We were all talking, and I told Dr.
McKenzie that I’m a computer science major and that I can track cell phones,
intercept radio signals, and hack just about anything. Then he said, ‘I bet you can’t hack
police records,’ and so, just to show him I could, I got on his computer and
hacked the site with my password disc.
He was impressed. While
Oliver and Martin were washing dishes, Dr. McKenzie came over to the computer
and took a look at the site. I
asked him for a name to put in the search box, just to try it out. He said, ‘try Martin Acerbi.’” “And
did he have a criminal record?” “No,
there was just some basic information like his hometown, employer, vehicle, and
social status.” “What
specifics?” “Man,
I can’t remember numbers…” “What
can you remember?” “He’s
twenty, Silver Class, drives a really old BMW, he was born in Orangeburg but
lives in Easley, he’s got an art studio that hasn’t really gotten off the
ground, he works for the SMD, his parents are divorced…” “SMD?” “Yeah,
I’ve never heard of it either.” “Huh. He doesn’t sound like the kind of guy
to get into gunfights.” “Nope.” I
lean back in my seat and watch the highway go by. For the last few minutes of the drive, I imagine the crime
scene. Maybe Martin was in trouble
with a gang, for what reason, I don’t know. He was a struggling artist with a tuition to pay, so maybe
he borrowed money from the wrong people.
He was stranded at the bar, waiting for Oliver to pick him up, and he
knew someone was coming for him. Oliver
arrived too late, and he and Marcie nearly got killed in the shootout. As Schwartz and I walk into the repair
shop, I wonder how gangsters can acquire silent guns, which are restricted to
the military. A
woman named Colleen owns the garage.
She has mousy gray hair and an eye patch that Schwartz keeps staring
at. “Fixed ‘er up real good,” she
says in her gruff voice. She
stands behind her desk and fingers through some papers in a manila folder before
pulling out the bill. “I’ll make
it an even nine hundred. I accept
checks.” Schwartz
frowns, scribbling in his checkbook.
Colleen
hands me my set of keys. “It’s
parked out back,” she says.
“Battery’s charged and everything.” “Thank
you very much,” I say. She
gives me a little salute. “Enjoy.” Schwartz
hands her a check and she puts it in one of her musty desk drawers. He and I leave the garage and find my
car parked on the grass. The dents
are gone, and the windows are whole and spotless. The body is still rusty, but it’s clean. I have never seen my car look so nice. “Are
we even now?” Schwartz says. “Yeah,”
I say. “You did well.” I
peer through the windows. The
seats have been vacuumed. “I told
her to fix that trunk door,” Schwartz says. “Check it out.” For
the first time since I started driving this car, I press the button by the
driver’s seat, and the trunk door opens.
“Nice,” I whisper. I look
in the trunk. The mats have been
washed. “Damn it…” “What?”
Schwartz says. I
flip the matting up. The secret compartment
below is empty. “Damn, damn,
damn!” “What’s
wrong?” “I’m
dead, that’s what’s wrong.” I turn
up the rest of the mats, looking for the manila envelope holding Karabatsos’
manuscript. I don’t remember ever
taking it out of the trunk. “Tell
me what happened!” Schwartz says, “Maybe I can help!” I
kick the back tire. “There’s
a…document. It’s not here.” Schwartz
runs back into the garage.
Mentioning this to Colleen won’t help. It will probably make her suspicious. Maybe I did take the manuscript out of
the trunk. I can’t remember when I
did it. If I had left it at the
hotel, a maid probably would have thrown it away. If the maid had turned it into the police, I would have been
arrested a week ago. Or Frank
White’s intern might have broken into my car and stolen it, but he seemed so
incompetent when I met him. And
why would he only have taken photographs from the outside of my car if he was able to break in? Even if he did get the manuscript, he
assured me that Frank White doesn’t want to incriminate me. Maybe the situation isn’t that
bad. Come to think of it, I never
read Karabatsos’ manuscript. I
don’t even know if the content is dangerous or if his taboo name is anywhere on
it. I’m
fooling myself. The manuscript was
in the car, and now Colleen has a piece of incriminating evidence against me. Schwartz
comes back. “Sorry,” he says, “She
didn’t find anything in the trunk.” I
climb into my car and start the engine.
The manuscript is gone, and there is nothing I can do. © 2010 StephanotisAuthor's Note
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Added on July 17, 2009Last Updated on July 29, 2010 Tags: Cannibalism, Communism, Fascism, Murder Previous Versions
Walls
By StephanotisAuthorStephanotisSCAboutIWriting is my drug. My book, Helter Skelter, is posted here. This story is my answer to the question, "What if America wasn't America?", applying my research about niche society in East Germany, ru.. more..Writing
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