Supernova: The Stardust DinerA Stage Play by Eric RichardA ten minute play. The diner becomes the setting of a 1950s gang rumble.Cast
of Characters STANLEY: The
owner, in his early 30s. JESSE: A
busboy, in his teens. PEGGY: A
customer, in her late 20s. Scene A New York City diner in Chelsea. Time Early 1950s. LIGHTS
UP: A 1950s diner, complete with
counter at CENTER and a wall telephone behind it, a jukebox on RIGHT, and
booths on LEFT. The New York City skyline shows in the glass windows, the name Stardust Diner over the glass in mirror
image. STANLEY is behind the counter restocking. JESSE is cleaning tables. STANLEY I
guess we are ready to close down the shop there, Jesse. JESSE Yes
sir. STANLEY Do you
have plans for tonight? JESSE I am taking Mary out for some back seat bingo. I’m on cloud
nine. STANLEY Cool it, Jesse. You been on cloud nine all day. Your
cruisin’ for a bruisin’. (The door chimes. PEGGY enters covering
one eye and takes a seat at the counter.) STANLEY What can I get for you? PEGGY (Sarcastically) Anything to heal a broken heart, sugar? JESSE (Teasing) Why you being a wet rag? STANLEY Jesse, cut the gas. Well, what seems to be the problem,
lady? PEGGY Why you see it is my husband. STANLEY How about a malted milkshake? (STANLEY brings out a malt cup and
makes a malted milkshake and gives it to PEGGY. STANLEY tries to see PEGGY’S
covered eye, but she turns her head.) PEGGY (Taking out
wallet) Thank you. How much would that be? STANLEY On the house. So, what is your tale, nightingale? PEGGY Are you writing a book? (PEGGY
takes a sip from her glass.) SFX: GUN SHOTS STANLEY What the ruckus? PEGGY (Diving under
stool) The mafia has attacked. (STANLEY ducks underneath the counter.
JESSE races across the stage and out the front door. PEGGY gets up revealing
her covered eye, which is bruised.) STANLEY What going on out there, Jesse? JESSE A gang rumble. Looks like we are stuck here tonight. PEGGY Oh no. Alvin will be worried sick. JESSE Put an egg in your shoe and beat it. (PEGGY
crosses to the jukebox.) PEGGY (Caressing cheek) Oh Alvin JESSE I guess I should call
Mary and let her know I won’t be coming. (JESSE
crosses behind the counter to use the telephone.) PEGGY Alvin, I can still see
that look in your eyes that rotten look. They ain’t glimmer like the day we
said our I dos. Now the glimmer has faded. JESSE (On phone) I’m sorry, Mary. I’m
stuck at work there is a gang rumble… (JESSE hangs up the phone) STANLEY Got shot down? No need to
go ape. JESSE She hung up on me. I was
cranked now I am frosted. PEGGY How are we going to get
out of here? JESSE STANLEY Wait until the fuzz
arrives. PEGGY I hope they get here
soon. JESSE Mary was a Dolly. She was
the queen. PEGGY JESSE Get Bent PEGGY Drop dead twice JESSE What and look like you? PEGGY (Shakes fist) Why I oughtta… SFX: ROUND OF GUN SHOTS STANLEY JESSE Fine big daddy. I’ll clue
you. (JESSE
crosses to the door giving PEGGY a look of disgust and exits.) STANLEY He’s having a fake out.
Sorry about him, Mrs… PEGGY Robinson, Peggy Robinson.
He is just an ankle-biter, darling. (JESSE enters.) JESSE I was hoping tonight
would be Fat City not Nowheresville. I was writing Mary a ballad. STANLEY Meanwhile, back at the
ranch. JESSE One of the gang members
is out cold. There is blood all over the sidewalk. PEGGY Raunchy. STANLEY That’s it. I’m calling
the heat over the horn. The nerve on these kids today. PEGGY Oh Alvin. I should have
never left. Hopefully he’s not mad. For god sake’s I hope he’s not mad. STANLEY (On phone) We’re here at the
Stardust Café located on 26th Street West between Seventh and Eighth
Avenues…Thank You. (Hangs up phone) They’re on their way. PEGGY Thank heavens JESSE (Looking at watch) Maybe I can still make
the flick STANLEY (Firm) She’s a closet case. A
germ. Get with it. JESSE She just made a goof.
You’re not hip. (JESSE
Sshrugs, crosses LEFT to wipe tables.) STANLEY Oh, you’re an intelligent
imbecile JESSE (Grabbing dispenser) Think fast. SFX: CONTINUOUS GUN SHOTS (JESSE
ducks under the table. STANLEY and PEGGY take cover on opposite sides of the
counter.) STANLEY (Getting up) Lay dead (STANLEY steps toward the door.) PEGGY I have the zorros JESSE (Getting out from under table) Now what? STANLEY (Leaning out of door) Move that Jukebox there,
Jesse. (JESSE
crosses to the jukebox. STANLEY follows to help him. They drag the jukebox to
block the doorway. PEGGY crosses to the door blocking their way.) PEGGY I need to get home before
Alvin returns. JESSE Hey, nosebleed. Did you
smog in the noggin? STANLEY You’re safer here until
the man shows up. JESSE (To himself) Ain’t that a bite? PEGGY Make that jukebox fade
out and tune out. JESSE You’re kookie. PEGGY (Shaking fist) I’ll give you a knuckle
sandwich. (STANLEY
intervenes between PEGGY and JESSE.) STANLEY Why you trying to split
Mrs. Robinson? (STANLEY
attempts to restrain PEGGY who is fighting with all her strength to pull
through.) PEGGY Mind your own beeswax. JESSE You bug me. Go flat out
to your bash and have a blast. STANLEY Jesse, that’s now way to
talk to a baby. JESSE She’s no baby. (The gunshots stop abruptly.) STANLEY Is it over? (STANLEY
lowers his guard and crosses to the door.) PEGGY If that grody bit is done
out there step out of my way. (JESSE
starts to move the jukebox out of the way when suddenly STANLEY runs back in to
stop him.) STANLEY Better block that door,
Jesse. Things going to get real nasty pretty soon. (JESSE
moves the jukebox to barricade the door.) STANLEY (To PEGGY) Let’s bash ears for a
second. SFX: POLICE SIRENS JESSE The fuzz finally here. PEGGY I need to get home. STANLEY Has your husband Alvin
was it? Has he ever laid his paws on you? PEGGY (Defensively) No. SFX: CONTINUOUS GUN SHOTS JESSE Oh no. Not again. STANLEY (Pointing at PEGGY) How you get that mark on
your eye there? PEGGY I…I don’t remember I must
have bumped it on the mirror this morning or somethin’ STANLEY (Walks towards PEGGY) Do you honestly expect me
to believe that? PEGGY Mind your own beeswax,
darling. STANLEY You can tell me. PEGGY Just why is it so
important to you? (PEGGY
cowers hiding that she almost about to cry.) STANLEY He has hasn’t he? (PEGGY
stands quiet for a beat holding her cheek.) STANLEY You’ll be safer here,
Peggy. PEGGY I don’t know where
everything went sour? STANLEY Well, it about time you
got yourself a fresh new start. PEGGY I already got a new fresh
start. (The
gunshots stop abruptly. PEGGY and STANLEY embrace and share a kiss. JESSE turns
away in disgust and disbelief.) STANLEY Jesse, why don’t you cast
an eyeball and give us some privacy? JESSE With pleasure. (JESSE
shoves the jukebox out of the frame of the door just enough so there room to
get by. JESSE exits. STANLEY and PEGGY make out.) SFX: SIRENS (JESSE enters.) JESSE The coast is clear. STANLEY Okay, Jesse. JESSE Do you need me to help
clean up and get ready for tomorrow? STANLEY No you can run off. Maybe
you can patch things up with Mary. JESSE (Checking watch) Do you think there is
still time? STANLEY Ya’ never know. It could
be worth a shot. JESSE Stanley, whatever were
your plans for tonight? STANLEY (Chuckling) Just sleep I guess. Sorry
for what I said earlier. JESSE No sweat. Peggy, sorry
for all the trouble I gave you. You two look good together. STANLEY Good luck to you as well. PEGGY (Mimicking JESSE) No sweat. (JESSE exits. PEGGY notices her watch.) PEGGY Oh, I better get going? STANLEY Do you know what your
doing? PEGGY I guess I need to find me
a new gig and a new nest. STANLEY That would be good. PEGGY It no negative
perspiration. STANLEY Guess we ready to close
the shop, now. PEGGY You just going to leave
everything goopy? STANLEY Nah, I’ll come in an hour
before we open. Give me a bell. (STANLEY and PEGGY exit.) (BLACKOUT) (CURTAIN) © 2013 Eric RichardAuthor's Note
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4 Reviews Added on April 4, 2013 Last Updated on April 4, 2013 Tags: Diners, 1950s, New York City AuthorEric RichardPalm Coast, FLAboutBeen interested in writing since as long as I can remember. I hold my Bachelor's degree in creative writing and my associate's degree in General Business. I took a creative writing course which .. more..Writing
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