Demonstrations of HumanityA Screenplay by spenceA modern day Robin Hood story.TEXT: PART ONE: THE
DEMONSTRATORS FADE
IN: EXT.
GHETTOS SUPERMARKET. DAY Two
hooded youngsters, late teens (YOUTH#1 and YOUTH#2) are raking through the large
industrial bins inside the gated delivery entrance of the supermarket- picking
out choice items of discarded food and placing them in their coat pockets.
TERRY, a heavily built security guard comes running around the corner and
begins opening the gates. NARRATOR/DAVID (V.O.) (simultaneous) The society we live in can be summarised
thus; most people have rules imposed upon them… those who make the rules need
not heed them- those paid to enforce the rules are only accountable to those
who make the rules. This is an account of what happens when the ruled also
refuse to play by the rules… On
hearing the gate open the YOUTH #1 leaps from the bins. TERRY (running while holding his pants up) Oi!
Get out of there, you bloody scavengers! YOUTH#1 (helping YOUTH#2 out of the bin and giggling) Hurry
up- Fatman’s coming! The youths run to
the wall on the other side of the enclosure and help each other climb to the
top. Once they’re out of reach Terry stops running. TERRY (pointing up to the youths on the wall) Try
getting a job then you can come in the shop and buy food like normal people! YOUTH #2 (from the top of the wall) Be
a slave like you, you mean? Try getting a life, dipshit! YOUTH #1 You
look lovely in your uniform though, Fatman! Both youths laugh as
they drop out of sight over the wall. TERRY (exasperated) If…
if I catch you in here again, I swear I’ll… I’ll… oh what’s the point? FADE TO FADE IN INT. GHETTOS
SUPERMARKET- DAY. CONTINUOUS DAVID (tall, thin,
middle aged and grey haired, satchel hanging by its strap from shoulder to
thigh), shuffles up the aisle toward KIRSTY (Short, stout, late 30’s and mousy
haired, dressed in Ghetto’s uniform) the product demonstrator standing at her
stall at the top of the freezer aisle. Shoppers glare, laugh and snort at the
sight of what appears to be a drunk, homeless man wearing an old dirty suit. KIRSTY Hello David. How are you today? DAVID I am absolutely fantastic thank you, Kirsty
and how are you feeling this glorious morning? KIRSTY Hmmm… like a slave trapped within an
inherently corrupt and inhumane capitalist system? DAVID It is extremely regrettable to hear such
unfortunate news, and please accept my most heartfelt condolences, but that
aside… what have you on offer to break the fast of my most recent slumber? KIRSTY Yeah- I suppose I should be grateful- at
least I’m getting paid to be a slave- not like the poor buggers working for
their dole money (gestures to a group of young people stacking shelves behind
her) DAVID Just desserts will be served before long, my dear-
first course first though, eh? KIRSTY (handing a half
filled Ghettos carrier bag to David) Of course- breakfast is served, Mr Gibson.
Cheese, crackers, olives and a selection of fine fruit preserves for afters DAVID (taking the bag) You are too kind, Miss Francis. Where, oh
where have you been all of my life? MIKE
the store manager (early 30’s, medium height and build) and Terry approach from
behind. David notices them, salutes Kirsty and makes to walk away DAVID Until we meet again… MIKE (abruptly) How many times have I told you to stay out of
the store? DAVID (looking down,
bemused) I’m not certain, Michael… a dozen or so I’d
imagine MIKE (looking up,
threateningly) It was a rhetorical question… and don’t call
me Michael- in fact- don’t talk to me at all. TERRY (taking hold of David
by his arm) C’mon mate- you know your lot aren’t allowed
in here… DAVID (pulling his arm
away from Terry’s grasp) My lot? Hmm…
interesting notion. Would you, by chance, be referring to the human species, my
good fellow? MIKE (as Terry takes
hold of David again) No- he means no good, layabout scroungers
like you. If I’ve told you once, I’ve told you a thousand times- this store is
for paying customers only. So… you’re… not… welcome Mike
and Terry begin to drag David down the aisle. David struggles, his satchel and
the carrier bag swinging in the fray. DAVID (loudly, disturbing
the shoppers nearby) Kindly unhand me- I’m capable of walking out
of my own accord… KIRSTY Let him go, Mike- he always leaves when you
ask him to. MIKE Maybe
he wouldn’t feel able to come in here without your encouragement? And what’s
this? Mike grabs the bag
in David’s grasp. David resists and pulls back. The bag splits and food falls
all over the tiled floor. Mike punches David in the stomach. David doubles up
in pain, but is held up by his assailants. KIRSTY Cowards!
You’re no better than bullies in a playground! MIKE We’re going to have a serious discussion
about your conduct when I get back, Miss Francis. I want to see you in my
office in five. MIKE (to a shelf
stacker) And you- yeah, you- Billie-Anne? I want this
mess cleaned up, pronto. Mike
and Terry drag the winded David toward the exit. Kirsty turns away from the
demonstrator stall in the opposite direction- clearly upset by the incident.
Several young people approach her, asking if she and David are okay, to which
Kirsty nods to the affirmative. She speaks to BILLIE ANNE. KIRSTY You take care, Billie-Anne BILLIE-ANNE Is he going to sack you? KIRSTY I hope so- I can’t stand being around the
jumped up little prick much longer. BILLIE-ANNE We’ll miss you. When will we see you again? KIRSTY Not long- give it a few weeks. Remember the
strategy and just play the game for a bit- it’ll be right. INT.
MIKES OFFICE- DAY Kirsty
is alone in the office. She goes behind the desk and takes a key from a bunch
hanging up next to a framed photo of a management qualification. She places the
key in her trouser pocket below her uniform then steps back to the other side
of the desk just as the door opens and Mike enters. He strolls over to his desk
and sits on it facing Kirsty. MIKE Now
then, Kirsty- what on earth was all that about? KIRSTY I’m not sure I understand, Mike. What are you
referring to exactly? MIKE (in a ‘sing-song’
voice) I… think… you… know… exactly… what… I… mean KIRSTY (mimicking his tone
contemptuously) I’m… afraid… I… don’t!’ (disgruntled pause
and contesting eye contact) MIKE I would have thought pre-packing a tramp’s
free lunch at the company’s expense was a glaringly obvious error on your part.
Or am I missing something here? KIRSTY It was a free breakfast actually, Mike and it was yesterday’s stock that would
have only been thrown away otherwise MIKE Are you confessing to giving out of sell-by date
food stuffs, Kirsty? KIRSTY No Mike- I’m telling you that I gave perfectly edible food to a man who has no
money or home. You know- the man you hit in the stomach and dragged out of the
shop in agony? MIKE I think perhaps you’re exaggerating the truth
ever so slightly there, Kirsty- now I understand that you’re upset- it was a
terrifying ordeal for all of us, but Terry and I had reason to believe that Mr
Gibson intended him, me and you harm. It was nothing more than an act of
self-defence. KIRSTY I think surveillance footage might put paid
to the idea that I was exaggerating, Mike. That whole situation was just plain
wrong- you go on like a tyrant. MIKE (standing abruptly from
the desk and approaching Kirsty) I’ll tell you what I think is wrong, shall I?
You started working here around 8 weeks ago, yeah? Your homeless and hungry ‘friend’
appeared not long after… not to mention the other worthless wretches raiding
the skips in the loading bay recently… now I’m not really sure what you believe
your employment role to be, Kirsty, but let me remind you that this is a soup- err- market,
not a soup kitchen. KIRSTY (mumbled) O the wit! MIKE Excuse me? KIRSTY Listen, Mike- my position with Ghetto’s has
nothing to do with this or the assault on David- that was your doing. I used my
own time to prepare him a parcel of food, he was hungry and… MIKE (haughtily) You will find, Miss Francis that you have in fact stolen Ghettos’ stock and given it to an individual who has been
banned from entering the premises. Not only does that constitute two counts of
gross misconduct, but the company may feel it prudent to make an example of you
and prosecute you for theft. KIRSTY (open mouthed) Oh… MIKE You see, your position is startlingly simple.
You have two choices: You can resign your post and leave the premises immediately
or you can wait for my report to be filed and the aforementioned action to take
place in due course. It’s company policy to pursue legal action against theft,
so I would take door number one if I were you. Kirsty
looks to Mike, defeated. Mike grins victoriously MIKE I think we should skip the part where you beg
me to reconsider and burst into tears when I won’t. It gets awfully
embarrassing for all concerned, besides- you were quite willing to testify to
something that would have almost certainly seen me lose my job. Mike
walks to the door and opens it to show Kirsty the way out. MIKE I think you would agree that it’s best if we
part company from this point, don’t you think Miss Francis? I’d like to say
it’s been a pleasure, but it truly, honestly hasn’t. If you could hand in your
uniform on the way out I’d be ever so grateful. FADE TO TEXT:
PART TWO: THE STRATEGY TEXT:
FOUR WEEKS LATER… EXT.
GHETTOS CAR PARK. NIGHT. Four
white vans drive into parking zones while KIRSTY (dressed in ragged, dirty
clothing and a hooded top pulled up) walks into the store through the automatic
entrance. CUT TO: INT.
GHETTOS- CONTINUOUS MIKE
is on the shop floor berating BILLIE-ANNE as she stands behind the product
demonstration stall. Billie-Anne is close to tears as KIRSTY approaches,
pointing her finger and shouting as if drunk. KIRSTY You leave that girl alone you horrible
b*****d! Mike
looks around, embarrassed and confused as shoppers turn their attention to him
and his accuser. Billie-Anne begins to weep at his side. MIKE Ex… excuse me? KIRSTY (furiously) You, you coward! You get your kicks bullying
bits of kids! You sacked me, made me homeless and now you’re making that young
girl feel s**t when she doesn’t even get paid for doing my old job! MIKE Kirsty? What the f…? Terry
runs between the checkouts toward Kirsty. Kirsty spins to face him. KIRSTY And you can keep your hands off me as well
you bloody lackey… Shocked
by the sudden movement Terry slides on the polished floor and bumps into Kirsty.
She begins to swear and scream as she falls under his sprawling weight. SHOPPER
(male, well built, shaven head) leaves his wife and trolley at the frozen pizzas
and intervenes by pulling Terry back from the fallen woman. SHOPPER Hey, roboplod- take
it easy KIRSTY (pointing up from
the floor to Terry and holding her cheek) He hit me! The b*****d hit me! TERRY (holding his hands
up as Shopper pulls him away) It was an accident, I fell. SHOPPER
2, medium build, mid 40’s stood by baked beans in next aisle, shouts across the
freezer to the security guard. SHOPPER 2 A bloody likely story- I’ve seen you two harassing
people in here before! Curious
shoppers begin to push their trolleys toward the aisle to watch- some of them
recording the scene on mobile phones. MIKE Everything’s under control! If everyone could
just get back on with their shopping now- thank you. SHOPPER’S WIFE So why’s this thug going around hitting
defenceless women? And why are you telling that girl off so much that she’s
crying? Is that how you control
things here? SHOPPER 2 (stepping around the
aisles to stand beside Shopper and his wife) Yeah- do you get off on hitting women and
kids or summink? MIKE This is an internal matter regarding a
disgruntled ex-employee- nothing more. Kirsty here was dismissed for gross mis… KIRSTY (standing up, using
the freezer to hold her weight) He sacked me for giving unwanted food to a
homeless man… and then he hit him! BILLIE-ANNE (sobbing) It’s true! I saw it- Kirsty didn’t do
anything wrong and now I have to do her job and I don’t even get paid. I
wouldn’t shop here if I were you. Some
of the watching customers begin to cat-call, boo and yell obscenities while
walking away, leaving their trolleys behind and vowing to never shop in Ghettos
again. The two intervening shoppers, Shopper’s wife and four other males stay
and surround the scene. The lights in the shop flicker on and off several times
as most customers leave the standoff in the supermarket. SHOPPER (to Terry) I think you owe that woman an apology SHOPPER 2 (to Mike) And you owe them both an apology! The
lights flicker again, continually in fluctuating rhythms this time. Everyone
looks up to the ceiling while Mike scrambles through his pockets for his mobile
phone. He brandishes the phone toward Shopper 2 and three others who are
encroaching on his space. MIKE Hey now! Listen- back off or I’ll be forced
to call the police. Terry and I were perfectly within our rights to… Shopper
2 punches Mike who falls to the floor, dropping the phone. Terry begins to
struggle and Shopper drops him to the floor with the help of his wife and
another two male shoppers. Kirsty goes to Billie-Anne and they both run into
the rear of the shop. The lights go out. Mike and Terry scream. CUT TO: EXT.
GHETTOS CAR PARK- NIGHT- CONTINUOUS A
young person wearing a hooded top fires a crossbow at the large electrical
junction box high on the wall of Ghettos. It becomes the third arrow embedded
there. Two other youths are firing at close-circuit cameras situated atop
lampposts and the roof of the supermarket. A
voice calls out ‘Go’ and dozens of youths wearing hooded tops run into the car
park. Some head to the trolleys and use bolt-cutters to snap the chains. Each
takes a trolley and rushes toward the delivery entrance. The four vans pull out
of their bays and head toward the gates. DAVID
emerges from the leading van and unlocks the gates with the key Kirsty took
from Mike’s office. David
climbs back into the van while the youths push trolleys into the deliveries
bay. The vans follow as the warehouse shutters lift open. Kirsty and
Billie-Anne are on the inside and begin to usher in the trolley pushers while
telling them where different items are stored. BILLIE-ANNE Payday at last! KIRSTY Yeah- for a lot of people that need one.
Thank you, Billie-Anne- we couldn’t have done this without you. BILLIE-ANNE Does that mean I can come with you? DAVID (suddenly emerging
from behind the pair) I think you’ll be valuable addition to The Strategy- we need people like you. Billie-Anne
shrieks with delight and hugs Kirsty. David pats both their shoulders and heads
back to the van. DAVID Best get a move on though, girls- we’ve got
to be in and out quick. Trolley
pushers emerge, laden from the warehouse and steer toward the vans- each with
sliding side doors and rear doors opened. The youths begin to unload the
trolleys and then take the empties to the automatic doors and stack them as an
improvised barricade. Shopper, his wife and Shopper 2 emerge from the warehouse
carrying bottles of wine and spirits in their arms. SHOPPER 2 (winking to Kirsty
who looks askance) I think we’ve earned a drink or two, lover KIRSTY You won’t be anyone’s lover after that and,
hey- you shouldn’t have hit him. That was unnecessary. SHOPPER 2 Sorry, babe, husband’s prerogative CUT TO: The
vans are filled with a miscellany of items- trolleys are emptied and doors are
slammed closed. The hooded youths make off in various directions as the vans
pull out of the car park and drive away. CUT TO: David
(driving), Kirsty and Billie Anne, side by side in the front of the leading van
of the four BILLIE-ANNE So… what happens now? DAVID We drop off our haul then we lie low for a
while. BILLIE-ANNE Where will we go? KIRSTY Somewhere safe- don’t worry, we’re good at
this. BILLIE-ANNE So- what do we do? Just, like hide…? DAVID We wait and plan a new strategy. Details of
the next target are in here (pats the satchel now between the seats) we just
need to work out roles and responsibilities, new identities and suchlike… BILLIE-ANNE Then what? DAVID (grinning) Then we put on another performance and redistribute more of that vast corporate wealth
where it’s most needed. CUT TO: INT.
GHETTOS. NIGHT- CONTINUOUS. Ghettos
is engulfed in darkness save for the amber glow of street lighting from
outside. Within the meagre light, Mike and Terry are trussed together, back to
back by bungie chords on either side of the product demonstration stall. The
remaining staff members opportunistically fill their pockets with money from the
checkouts and helping themselves to whatever they can carry from the shelves before
filing out of the shop via the rear entrance. MIKE Stop what you’re doing, right now or I’ll
have you all arrested and fired! Mike
and Terry yell their increasing vexations but they are ignored then abandoned until
they’re complaining alone in the darkness. DAVID (V.O.) And so another strategy is finalised and the
curtain closes on those who played their part in creating their own rules.
They’ll be okay now that they’ve conquered their fears and learned how to
create change for themselves- with the exception of Billie-Anne, who has nobody
in that world, they don’t need us anymore. We’ll taker her in and move on, to
different names and different places and help put right the wrongs of the
faceless few who make the rules. FADE OUT. THE END © 2013 spenceAuthor's Note
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Added on June 24, 2013 Last Updated on June 24, 2013 AuthorspenceGrimsby, United KingdomAboutJust returning to WritersCafe after a couple of years in the wilderness of life. I'm a 40 year old (until December 2013, at least) father of two, former youth and community worker, sometime socio-pol.. more..Writing
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