Chapter 1: Peanut Butter EyesA Chapter by Samantha HartleyChapter 1 of God Wears Camo, a story about four characters who switch vignettes between chapters: a writer, a homosexual, a veteran, and a minster. All their lives interconnect.
God Wears Camo By: Samantha
Hartley
Chapter 1: Peanut Butter Eyes In this moment I’m losing my mind, gladly--I
can finally let it go. The loopy aura of insecurity that usually surrounds me
just transformed into my out-of-this-world prince, and lifted an astronaut
helmet of controlled air off my head. The last party of the year fevers me ill.
An overheated brain barbeques uptight lobes, but I enjoy hearing them
sizzle ‘til charred--they’ll drop down to my stomach for tomorrow’s breakfast then
poof! I’ll be myself again,
different, but myself. Oh yeah, and I ate a weird sandwich. Not too long ago, some shady, not-so-dapper
dude screamed, “Cassie here!” and tossed me this sandwich I speak of. He ate one too, nodded, smiled (mouth full and leaking crumbs) and
reassured me with a tempting stare to do the same, so, I devoured it. An
acerbic taste and chunks of peanut butter (maybe?) stuck to the roof of my
mouth. But my name is Clementine, I thought after tongue-cleaning
the back of my teeth. Close enough. I’m at a Speak Easy, a tawdry college one set
in present day. Fellow drunkards celebrate the theme: flapper women and dapper
gentlemen of the 20s. Booze serves as decoration--pick-off-the-wall kind
over-indulgers break rules for in Wonka’s factory--everyone’s fat, blue,
boorish, ready to be rolled out the door, kicked off the tour, and sent back
home to their parents. I feel like a top-tier lady of the night. Synthetic
hairs sway from my bob-cut wig, tickling my face for a much-needed dust-off--I
bob as well; long slinky pearls, layered on my beaded dress, jingle and
intermingle; flicks of satin blossoms garden my contour when hands try at somatic
air-dance moves; tap-worthy Mary Jane’s gild the roots of my tree-of-life
ensemble--I went all out for this. Gatsby was always my favorite literary beau,
but f**k Daisy. After finishing my first year of graduate
school at Middlebury College, and after long, demoralizing hours of pursuing my
MFA in the wilderness of Vermont, I take a feeble stab at socializing with
people instead of deer. Still a doe myself, fear-stunned in DJ lights, legs shaky
from first-dance steps, I continue to frolic--bubbly libations regurgitate
inhibitions from my turning tummy. Body warm from carbonated pleasures, I
actually dance, me, a girl who feels weird walking across campus alone, an
inflated girl, ballooned with inhaled doubt--a forever-held breath. Imagine
puncturing such a gaseous bubble… what air is let out. With an enshrouded
identity, I feel free, a roaring 20’s hooker’s soul takes place of my own--that’s
what I like to think anyway when vivifying myself as a flapper character: a
girl with some f**k-worthy name like Veronica or Cassandra, anything ending in
an ah sound, anything better than my
name (Clementine Darling). I was named by two hippies who are on a permanent
trip. Suddenly, one of the drunkards, a wobbly girl in
flashy sequins, snatches a bottle of champagne out of thin air--a floating find
from a wallpapered-frieze--and sprays projectile foam around the room,
splashing everyone’s faces; drops hit me--beads massaging my cheeks, the silky
ones that disintegrate into lavender when dropped squished onto the bathtub
floor. A transitory hush follows. The DJ stops, checks his equipment, gives an ok
nod, and spins-in a heavy hip-hop song, kindly for her, she screams “Fuuuuckkkk
yeah!” and surviving party laughter continues. People gather to the dance floor
and move rhythmically, slowly like wading sea turtles. Hearts form on the sides
of my head--my ears take on life and throb with the music. I can hardly tell
what is what on my own body--my arm is my nose, my leg my stomach, but they all
feel good. I hand-jive in front of a random, decorative
record player with my good friend Tiffany; she pinches the end of an elongated
cigarette holder with a gangly grip, teetering the flaccid stem on her hand like
a kindergartener holding a pencil for the first time. We’re sick-souled kissing
sisters, taking turns smoking the fashionable stick then taking turns giggling
and coughing, two of a kind; the coolest not-cool girls grooving, tacky, the
soiree and us--tacky in genre but separate in subgenre: the party is a lion,
and we, well, are deer--both animals of different calibers--predator and prey. “Too bad I’m black, in
the 20s, I’d be turned away at the door, or hired for help,” Tiffany jokes and we snicker, always pointing out the social
awkwardness of moments, we herd crowds of elephants in the room away to make
space for dancing. Heavy-hearted, but wry in persona, we didn’t want
to be those girls--the one’s correcting the party’s anachronistic faults, but
comments sliver out between teeth when forced smiles forbid normal, party banter,
and I say, “I didn’t realize The Strokes came out with ‘Last Night’ so long
ago.” We laugh again in Beavis-and-Butthead-like croons, uh-huh-uh-huh. Friends since freshman year, both Plain-Jane’s,
we compel each other to interact with humans--two cavemen teaching each other
to make fire when neither one knows how to make fire in the first place, so we
just bang rocks around and hope for the best. The Mantra we must get the full college experience carried over into grad
school, even more so, we hardly fulfilled it before (we hardly fulfilled it
now). Surrounding laughter hugs us, and we barely hug it back--a one-sided
embrace, a greeted visit to grandma’s when she crushes your bones in a passionate
squeeze, and you’re stiff, wincing. Grandma’s Alzheimer’s and partygoers’ ‘shroomed
judgments make all visits bearable and all human interaction possible. Gah, I just saw an
elephant, a real one, hopefully it didn’t see me. I don’t know if I’m tripping or, indeed, I
am, at full force now, but Tiff looks stunning--an avatar of beauty too inimitable
to be appreciated by ruffians--a Van Gogh piece hung in a dive-bar--Van-who? She usually wears her coarse,
black hair tied up in a frizzy bun, one I would poke each day and ask how many
bees were making honey in there, and she would sass back, ”Well at least I
beeee sweet!” Our relationship, filled with backhanded repartee, counterbalances
our hard earned attempts at making friends--we like it that way. People may
think we bicker, I mean, never mind. People don’t think of us at all. But tonight, honey from her hive cascades
glazing streams down her diaphanous dress--a second layer of midnight skin clinging
to her curves. Silk waves let out from her scalp to play show the busy bees are
on vacation--buzzed. I widen my palm, place it on her face, and
wipe it down from her head to her hip, a blind person, tripping, using an extra
sense to feel her beauty. “What the hell dude?” She side-bumps me away.
Understandable. She doesn’t know my peanut butter secret. Fervid hazard lights flash in my peripherals,
a sign to pull over, agog, the blinking lights are boys’ eyes noticing her--her,
not me--I can tell, and I agree. Melted-together faces obscure their attractiveness,
but the point is moot; if I ever told Tiff what was happening, she would play a
lost pup from Homeward Bound, drool,
and scurry homeward, bound to stalk them on the internet--her wide tongue
hitting the wind would be the only flapper left for me to dance with. Loving from
afar, that was her thing, loving the ideas of things… it’s my thing too. I however, not being on Facebook, am the
last, ghosted girl of my generation. The realm of cyber-interfacing scares the
s**t out of me--a glorified portrayal of people representing themselves through
a filter, adding unneeded blinders to the mix--Santa would be real if we copied
and pasted red hats on photos of homeless men, and tans would be real we used
the sepia filter after vacationing in the arctic. I really liked the ideas of things, so Facebook airwaves would trap
me in a cage, one where I would develop Stockholm syndrome, creating the only
place fit for me to love. Oh how I do enjoy tripping, a delectable
pastime, hours and hours of a carnival ride, a real-life Facebook, but with
silly-puttied photos, unfiltered, a mish-masher, a
let’s-just-throw-this-whole-look-thing-out-the-window scenario--you’re green,
I’m goo, the guy doing a keg stand ages by the second, so all we have is… personality,
and mine is quite giggly. Deer first made mushrooms accessible to us. I
learned this in my undergrad psychopharmacology class. Fungi on some wild
mushrooms are toxic to humans, but not to deer, and on long treks nomadic
Alaskans would drink deer urine (scattered on edible foliage) and trip because the
silly property of silly mushrooms is not metabolized, but recycled--a golden
cycle of crude… silliness. I, being the Jane Doe that I am, am proud to
be the pleasurable, playful version of my self-identified animal. “Kate! Hey, where’s
Rob?” A friendly acquaintance passes by, and I, feeling gregarious, call to her--the full college experience. Kate runs away, halfway
to tears, she leaves us dusted in her tracks, the tire marks talking dirt
behind her back. Am I that mutilated? No, only I can see that. Tiffany whispers, “Her and Rob broke up like
a month ago.” While making a yikes expression, I accept the reminder of why I shouldn’t, and
don’t try. Inept, inept in the most outmoded kind of way: socially. That’s me. Tee hee hee. Unfortunately my school year didn’t end with
quite the bang I’d hope for. On the last day of classes, only hours
earlier, beyond the swarms of celebrating scholars where I should have been
full-college-experiencing, a more-or-less intervention took place between me
and my professor, Professor Gould. His office--an airtight, muggy cell with
aromas of freshly polished mahogany wood--alerted any visiting nose-holes that he
had a PhD, and showed it off more than anyone ought to. A scratch stung in my lower back, in a
borderline inappropriate spot, and through the dense rancor of energy in the
room, it twitched me off-focus. A reach for a snag would look like a
rear-fondle, but unrelenting, the tinge wouldn’t let up, so I tried to allay the
prickles by subtly gaining traction against his leather lounge chairs. I rubbed
up and down--squeak. Mission aborted.
I sat still. Smack. He glared at my
gum-crackle. Gulp. “Have you ever thought about another
profession?” he asked, detaching a pin from the grenade of a heart in my chest.
I felt it go off. Ouch. “What do you mean?” He handed me back an assignment. My nerves
fomented gut-panicked nausea. The paper, ink-stained with the blood-red
indelible mark of a D, soiled my
spirits. I passed without the joy of passing. Folding it in half, I slid the
paper down my back--ahhhh a scratching
tool. “I know, tough to
hear.” After removing his glasses, he lolled me an eyebrow-raised, supercilious
gaze, trembling through squints, he hid from the unfit sight of me behind handicapped,
struggling eyes. He never took off his glasses. “As your professor for these
past two semesters, I find it very difficult to reach you in your writing. You’re
like… like vanilla ice cream. Good, edible, but who orders vanilla ice cream?” I wanted to cry, vomit, express the filth of
the moment and mourn my almost dead career, but refused to exude more pathetic
mannerisms, refused
like asking out the most popular boy in school after stumbling over his lunch
table to reveal granny-panties. Some pride needed saving. I coveted the
final pieces of my ego to nourish the shriveled-up parts of me. “Okay then, vanilla ice cream, got it.” I said.
Insulted, dubbed plain, blandtastic. I felt as if I just met myself for the
first time, and could picture it too, me confronting me: hey I’m boring, and so are you, let’s go work at a bank. Then,
together we leave the writer on the floor in the fetal position, lifeless. Professor Gould’s stroke-tilted face gave me
nothing to work with, it looked at me like I was making up words altogether--a writing-leper,
diseased with the chronic plague of being dull (don’t touch!). Sweat breathed out from my armpits, so I tucked
loose fabric under them to hide my many more, plenteous shortcomings, but salty
stank oozed. I sapped some up with my paper. F**k it. The grade bled. He continued tussling
to dodge the potholes of my circumstance, and said, “I read your stories, just
wanting something to happen, but nothing… well, yeah, nothing ever does. You
think about things happening, wonder about them, but then that’s it--nothing
happens. I want to know the heart of your characters, I want to see you live
for your writing, I want you to discover real beauty, the kind that goes
against yourself to find. Who’s your favorite writer? Who inspires you?” “Thoreau.” He upchucked a snicker, then a strained,
leftover smile to hide such judgment--cherry topped with a cough. Regardless of my feelings, despite the sincere fact
of me being human, he was amused. A*s
hole. “If you decide to pursue this degree, you will need to ask yourself, what
would Clementine not do? That will create your best character,” he said. I stood up to leave. My
residual sweaty stain on his calf-skinned chair would have to be the memorial
of me--the closest I’d ever get to a PhD. I disturbed him. All he wanted from
me was beauty, heart, something alive--beating rather than beaten. I was
nothing he could show off--nothing he wanted to see. Me. I trudged over to the room-commanding
double-doors, gave one last glance back, and saw him place glasses on to wave
me off. “It’s not what you look at,” I cried. The words
purged out of me. I marched back. “Beg your pardon?” “It’s not what you look
at, it’s what you see. Thoreau said that, and you might be looking at an itchy sweaty
mess, but it’s hot in here and you really make me nervous, and that leather is
like a heavier layer of skin no one wants, a beanbag-chair made from elephant
skin, an elephant eating you from its--“ “Clementine…” “Sorry, sorry,” but I didn’t stop, “I feel
hivey--I know I’m hivey--I’m hot, like a burning building, like I need vanilla ice cream. I know how bad
this is and I’m the one looking out from the fire--I can only feel the heat to
know how bad this is, but I feel it. You took off your glasses to spare yourself
from looking at me, but it’s not about that. It’s not about what you look at. It’s
about what you see, and you don’t see anything in me, you’ve even given up on
looking at all, which is okay, probably recommended, but don’t stop trying to
see me.” “Well, Clementine,” he
squared me right in the face and simpered with appropriately leather-dry lips,
“I think that’s the ‘not you’ coming out already. You have my attention.” What would Clementine not do?
Clementine would not trip at a costume party…
“Hey Clem!” An obnoxious southern girl, and previous writing workshop
seat-neighbor of mine named Barbara (goes by Babs) calls my name. Familiar
screeches cause me to cower. When seeing me, she reacts as if our friendship is
embedded in blood; she secret-sister-society winks at me and grabs my hand,
ready to Thelma-and-Louise hand-hold off a cliff together--a tight
gripping-for-life clasp--two friends ‘til the very end. With best-friend radar,
my back could feel Tiff’s eyes rolling. “Oh mah dear lord you look
fab-u-lous!” Babs kisses me twice on each cheek, syrupy southern charm (gloppy
honey flavored lip-gloss) saps my face--yuck, thick on all accounts, yuck--we
are in Vermont, and she emanates the spirit of maple… but maybe that’s what
Clementine should do: kiss people.
“So do you!” I say, and kiss her cheeks in return. Caught off guard, she says, “Oh okay, thanks
for that.” Clearly too many kisses, but she’s polite and adds, “You are just a
peach, the prettiest peach with the juiciest insides,” reddening under cascaded
layers of blush. I swear she’s f*****g Professor Gould (pretty enough for him
to like) she always blushed the same way when getting stories back, and I,
juicy with juices, would seep out tears. She pinches my
cheek-stickiness, fingerprints adhere, ever so slightly, we’re attached with
her release--overriding my washed-out undertone. She always tried tricking me
into a makeover… “You hafta try mah new sugarplum raspberry lip balm, its
got a tint to it--a kick in the lips, like you just spent all summer kissin’ on
the beach,” Babs would say in class, making a kiss-face as if I didn’t know how. She didn’t make sense. If you spent all summer kissing on
the beach, your whole body would be burned and red, not your lips. “I’m good,
thanks.” “Ya know, Professor Gould might let up on ya a bit if you
had a pretty smile on once in a while,” she’d say, eyelashes batting and lips
smacking. She was f*****g him. Right now however, Babs glows,
naturally, in a lambent tint of glee bred from a pure source, not a compact
powder case--a newfound source for beauty, assumingly the tall, debonair-looking
man standing over her shoulder. His freed face, free as a chickadee
beak-chiseling its egg open for the first time and peek-a-booing flawlessly,
cleanly without a mess, out from under a silky hen’s hairy feathers--his
hair--oh how silky, slicked-back hair (alive-celled hair) alluring
rule-the-world hair, a sand-colored cocoon I crave to butterfly-transform in--hair
humming along to a jazzy tune titled dapper.
He sports a pinstriped suit, swanky, constructed with artery-clogging-thick
fabric--an awaiting heart attack for any woman who eats him up, which would be any woman. Dressed for this event as if it
were a contest, he must have dreamt up a prize. He doesn’t act like he wants to
be here, static and merely present, he showed up to be dressed up--a business
meeting attendee, or maybe a churchgoer. Perfectly pressed, he intermittently eye-surveys
everyone’s drink-levels--one spill on him and his party’s over. He throws back
a drink, whiskey-neat, and waits for the prize, the one he made up--the one he
hasn’t seen yet. Buttered-up on a southern-roll,
he would be Barbara’s date. They are Barbie and Ken, doll-like, but there’s something
off about him. He’s a stiffy like me--a frightened deer. A buck maybe, too
handsome to be a social recluse, but is.
“I must take y’all’s picture, get together!” Life-of-the-party Barbara waves
her hands in a get-in-a-group motion--a mom before prom, embarrassing and annoying,
herding us into cattle formation.
Tiffany doesn’t hear Barbara, or doesn’t want to hear Barbara, either way she
is aimless, and walks off. So, as two stiff-huggers, we
fit neatly together like sturdy logs resting in a pile. We pose--hands flat on
each other’s backs. When I smell his cologne I’m brought back to times of
Christmas cheer… pine needles? Flash. We break fake smiles and breathe, meet eyes with more,
added fake smiles, and hold our breath again.
“I’m Chas,” he breathes out, and offers an extended hand to greet me. His handshake, firm and
memorable, commands my body with a minor, slender squeeze. Just when I thought
my every body part was mismatched, he reminds me of where my hand is. He
somehow reminds me I’m me. “I’m Clementine.”
© 2014 Samantha HartleyReviews
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StatsAuthorSamantha HartleyBoston, MAAboutI'm a 24-year-old novelist and poet. I love to write about mind-bending scenarios in literary fiction, and the concept of addiction in psychological fiction and poetry. Currently, I'm working on my th.. more..Writing
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