"Rolling in, top up,
under, thrust and recoil, a great clatter:
lifted as air, boated, multicolored, a
wash of seas-
from mathematics to particulars-
divided as the dew,
floating mists, to be rained down and
regathered into a river that flows
and encircles:
shells and animalcules
generally and so to man,
to Paterson."
William Carlos Williams (1946)
The one quality that maddens me, (in an invigorating way) most, regarding Williams is his ability to balance what i believe Wordsworth referred to as the grandeur and tenderness that surrounds all of us. What strikes me is the verbal scalpel Williams slices his imagery into shape with; how bold, minimal, and brilliant the result becomes.
One of the only poets I've met, in my limited travels, who has this gift of balancing imagery and tenor, tenderness of meaning and grandeur of voice, is this riskrapper.
Unfortunately, despite the fact that i may be enthralled into transferrance by the truth that riskrapper is a close friend of mine, i seem to lack the ability to communicate to him the pure tenderness that seems to have become his voice.
" halogen angels " brilliant, the double entendre's that flow through this piece like riddlers skipping by on the sidewalk, invokes a depth impenetrable. I would switch the spelling of Centra to Sentra unless the Irish supermarket chain has opened a satellite in P_Town I don't know about.
The valuing imagery of episcopelian decline in attendance measured against the tranformation of Instanbul is genius.
what i see as the grandeur included in the Grand Central Station poem by the same authior appears mostly absent, to me, from this cityscape of once and future dreams. What i adore most about William's narrative, as i hope is illustrated by the opening excerpt from him, is the mix of optimism and pessimism of the piece swirls and intertwines like the bottom of Great Falls.
His ability to cut throught to the existential image vaults him into an inclusion that transcends politics, race, finance, creed, and individual will. the self becomes the collective, and the collective embraces the self. Perhaps i drank too much Kool-Aid as a child. Perhaps i am still drinking it now. But I actually believe Paterson holds more room for revival than in the times of the original piece. I believe i read in some distant epiphany on the Mall on Washington, that things might worsen before they improve but they will improve nonetheless. i do not see the dream that the daughter of the five dollar w***e is having, that already has inspired her toward a changed generation to come. if the wordsmith that penned this piece can add a swirl of the thriving positive energy to the palpable decadent decaying bliss, the true throb that i believe that city holds, could be identified within all of us who trapse through cities.....................with love, honor, respect, and an eyetwinkle of positive regard,
RF: the passage from Paterson leaves me cold...brilliant summation of WCW getting sucked into the inertia of this great American city...he is the true historian.... like yourself he is an able dispassionate penetrable intelligent seer...my journey to understand and learn the narrative of Paterson requires me to overturn the cold stones littering the lots of this city... we're on an urban archaeological expedition.... we'll send intermittent field reports on our discoveries
gonna change that c to an s right away....
merci mi hermano
rr
"Rolling in, top up,
under, thrust and recoil, a great clatter:
lifted as air, boated, multicolored, a
wash of seas-
from mathematics to particulars-
divided as the dew,
floating mists, to be rained down and
regathered into a river that flows
and encircles:
shells and animalcules
generally and so to man,
to Paterson."
William Carlos Williams (1946)
The one quality that maddens me, (in an invigorating way) most, regarding Williams is his ability to balance what i believe Wordsworth referred to as the grandeur and tenderness that surrounds all of us. What strikes me is the verbal scalpel Williams slices his imagery into shape with; how bold, minimal, and brilliant the result becomes.
One of the only poets I've met, in my limited travels, who has this gift of balancing imagery and tenor, tenderness of meaning and grandeur of voice, is this riskrapper.
Unfortunately, despite the fact that i may be enthralled into transferrance by the truth that riskrapper is a close friend of mine, i seem to lack the ability to communicate to him the pure tenderness that seems to have become his voice.
" halogen angels " brilliant, the double entendre's that flow through this piece like riddlers skipping by on the sidewalk, invokes a depth impenetrable. I would switch the spelling of Centra to Sentra unless the Irish supermarket chain has opened a satellite in P_Town I don't know about.
The valuing imagery of episcopelian decline in attendance measured against the tranformation of Instanbul is genius.
what i see as the grandeur included in the Grand Central Station poem by the same authior appears mostly absent, to me, from this cityscape of once and future dreams. What i adore most about William's narrative, as i hope is illustrated by the opening excerpt from him, is the mix of optimism and pessimism of the piece swirls and intertwines like the bottom of Great Falls.
His ability to cut throught to the existential image vaults him into an inclusion that transcends politics, race, finance, creed, and individual will. the self becomes the collective, and the collective embraces the self. Perhaps i drank too much Kool-Aid as a child. Perhaps i am still drinking it now. But I actually believe Paterson holds more room for revival than in the times of the original piece. I believe i read in some distant epiphany on the Mall on Washington, that things might worsen before they improve but they will improve nonetheless. i do not see the dream that the daughter of the five dollar w***e is having, that already has inspired her toward a changed generation to come. if the wordsmith that penned this piece can add a swirl of the thriving positive energy to the palpable decadent decaying bliss, the true throb that i believe that city holds, could be identified within all of us who trapse through cities.....................with love, honor, respect, and an eyetwinkle of positive regard,