A Whole Bunch Of Short New Poems!A Poem by Robert GarnhamA whole bunch of short, new poems. Inspired, strangely enough, by the countryside and the natural world. Which is weird, what with my being an urban type and all.My heart is marked with desire lines - The patterns tramped by those Who forced their own route Across my inner being, Flattening all hope And making it easier for others to follow the same inevitable journey. But in the most part I'm particularly well-adjusted.
I see the clock ticking, it's driving me insane. I see the clock ticking, it's playing with my brain. I see the clock ticking and I watch the minutes melt Each second marks the inexorable advancement of life into the final and unknowable abyss which awaits us all. I see the clock ticking, sod it, I'm taking the batteries out.
One cannot help but wonder If the whole of human history would be different If Franz Kafka had ever bought a cactus. The gloomy wordsmith, Denizen of hopeless, hapless ill-luck And the overwhelming decrepitude of the human condition Admiring the tenacity Of a prickly green stump. Surviving without water In the most inhospitable terrain. Kafka would certainly have livened up a bit. Cracked a joke or two. Written something life affirming. With fluffy bunnies, perhaps. Worn his hat at a rakish angle. Taken up fly fishing. Bought some of those new fangled Rollerblades. Worn a hoodie. It's just a thought.
Supreme, lithe contortions. Spindly limbs rhythm-bound in dry ice. Club lights disco and the heat-bound boom boom Of Kylie. I can't get him out of my head. Enraptured by his newness, his nuance A lightning tingle in a white t-shirt. As unblemished as my knowledge of him. An awful whisper rises up Enunciates a private dread I should be so lucky! Alas, he dances closer, Closes his eyes with the utter seriousness Of his aforementioned supreme, lithe contortions. He knowest not the language of subtlety, methinks
Promethean, primeval forest. Palladium pillars, tall fir tree tree trunks Perfectly straight, Neither Doric nor Corinthian nor Ionic Or very ironic Those stirring proud promethean primeval palladium pillar-like fir tree tree trunks. On a carpet of pine needles I ponder on weighty issues. The eternal slide of certain sensibilities. Modern attitudes to homosexuality. Hats. Staring up at your stirring branches. Striping zig zag stirring starring staring Against the overcast sky. It's quite uncomfortable What with all the pine needles and stuff. But you don't care What with you only being trees And not having a conscience or anything.
Stirring masses of sultry air Swirling, ever rising : mirage fluctuations Of wavy heat rising In waves Like the remnants of an old lady's perm. Oh to be in England, on a summer's day In a field just off the A303 Where it passes through Chicklade and then becomes dual carriageway for a bit. Oh to be in England! Or possibly Belgium.
Oh, dwellings of simplicity! Megalith, monolithic Monochrome stone dwellings! Slabs of granite arranged in a loose rectangular fashion! How I could reside within thee, Dwell in your stoniness! Dwell with monosyllabic Monobrowed stone-age man, Moaning, simple, stone-age man, Moaning about the weather, stone-age man Monocultured and ignorant in the ways of modern man stone-age man. Chewing with your mouth-open stone-age man. Eating your bus ticket stone-age man. Staring at the lesbians. And the woolly mammoths And all the other things that upset you on a day-to-day basis, stone-age man. Oh, dwellings of simplicity! On a windswept moor! Surrounded by bracken and moss and things! And badgers! Second thoughts, I'd probably just settle for a cheap hotel.
And thence into region Devoid of architectural merit Where the sheds stand aloof like soldiers To whom no-one has told that the war has ended. And a misty mists in Misting the misty eyes of misters and missus Waiting for those aforementioned soldiers, The ones who looked like sheds who didn't know that the war had ended. (Or was it the other way around?) (I just checked. Yeah, it was the sheds that looked like soldiers). The estuary Passes slowly Like a soulful singer singing soulful songs Amid the belch of seaweed Her voice warbling And the mist curling Making the lonesome sheds look more like gravestones Or the occasional stumpy tooth in the mouth of a mad old woman. A hag. And the seaweed similar to her breath. Which I suppose is what happens In a region devoid of architectural merit.
The ponies, in all their mighty glory. How I worship thee! Fierce, noble creatures, roosting at sunset. Brave warriors in all their pony pride. Doing all their pony things. Can't think much else to say about them.
The tide comes in and the tide goes out. It comes in and it goes out. The tide comes in. The tide goes out. Except in the Mediterranean, where the tide manages to maintain a fairly constant waterline vies a vies the shore. My love for you is like the tide. It comes and it goes and its fairy predictable In the rate that it comes and goes. I am seldom navigable at low tide. Come wreck yourself upon me. Slipping and sliding in the slick from your spill. Churning. Mellow. Let's surf the night away.
Crawling glaciers and icy springs. That from the distant mountain, thunderously. Like the bowel of a beast or the belch of a darts player, Slime ever downwards slug-like And thence into frozen cataracts, Quivering on the mountain, there Like a frightened bunny rabbit. Wispy snow whispering, 'Go! Go unto the cruel summit! Go unto the multi-voiced echo! Go! Go unto Lidl's, it closes at nine! Go! I stay. Shuddering in picturesque contentment. Frozen to the spot not by majesty But because I am, literally, bloody freezing.
Thou hast a volcano, saith my conscience. Nay, said I, I don't know what you're going on about. Thou hast a tempest, saith my conscience. Again, nay, said I, thou is surely mistaken. Thou hast a typhoon, saith my conscience. Look ere, I said, I'm trying to get things done here. Thou hast a chasm aching where love should be, a downwards spiral into decrepitude, a putrid grove where love should be, a mirthless, worthless, stinking pestilence-ridden dead thing where otherwise you might have raised upon thyself the trappings of a soul, thou hast the charms of a warthog, saith my conscience. How rude, saith I, and in any case, I have enough trouble without you banging on about it. My conscience doth speak no more. © 2010 Robert Garnham |
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Added on May 1, 2010 Last Updated on May 1, 2010 AuthorRobert GarnhamPaignton, United KingdomAboutI live for literature - which sounds somewhat high-minded (which it isn't) - but it is a pretty fair description of my life. I spend about four hours a day reading and writing, in spite of the fact th.. more..Writing
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