Lady Leon experiences a vivid and horrifying dream that describes both her painful past and motive for escape.
They had been confined in the rickety carriage since early nightfall - mother and daughter. They were safe, Lady Leon thought while her little girl slept in her arms, at least for now.She was tired of watching endless rows of pines blur past the tiny coach window, so she happily took comfort with the moon. As a witness to the evolution of its nature, she studied its gradual expansion and descent from the sky, admiring the way it illuminated their path, revealing every crook and wind as they coursed through the forest.
Occasionally a moving shadow would lure her attention. It was behind the smoky pines she often found them lingering, taunting her with what appeared to be pairs of glowing eyes. They were stalking her, trailing her carriage at a distance, waiting for the absolute moment to attack.
Wolves, she thought while shivering. They must be wolves.
Waves of constant paranoia clashed against her, gradually eroding away her wall of energy; she hadn't slept in days, resulting with blurred eyes and a throbbing headache. Allowing her eyes to close, she focused on the muffled sound of the carriage wheels as they quickly turned through the small rocks and snow. It calmed her, pulled her wandering mind away from the darkness, and within moments she was asleep.
Lady Leon's
slumberous expression contorted as a hammering echoed through her ears.It wasn't long until Hewie and Jasper,
the master's large German Shepherds, joined in with their alarming howls.Her eyes opened, taking notice of the
master himself as he climbed out of bed.
From the top of the
stairs with their child cradled in her arms, she watched as he gradually
made his way down the dark, endless staircase with a tiny candle in hand.Lady Leon followed his lead, concealing
her figure within his shadow.
A short distance ahead towered the grand entrance door, its wood surface
glimmering in the elegance of warm, soft candlelight. She watched as the
master extended an arm, resting the palm of his hand against the wooden surface,
feeling the unnerving vibrations.After a brief moment he reached in his pocket for a rusty key, turned
the lock and reached for the door handle.With his face angled closely to the crevice of the door, he creaked it
open, squinting out into the crisp, night air.
Before them stood a boy no older than twenty, his figure dressed in tattered
rags for a shirt, and pants that appeared to have been painted on with smudges
of dirt. His wild, green eyes, which hid behind his tangled, auburn hair,
seemed scarred with torment, while his thin torso quickly expanded and shrunk
as he struggled to regain his spent energy.
The boy parted his
lips to speak, "Sir, the village! You must help us…" Exhaustion
lingered on the ends of his words. "Everyone is dead."
The air around
them began to churn and howl. The boy lifted his hands and watched as they
began to crack and shrivel. He let out a crazed scream just as his body too
began to disintegrate, forming growing piles of ash on the ground.
"Help me!"
He cried, reaching out, his arms crumbling as he took a few steps forward; the
man in return took a fearful step backwards.
The boy's figure then
completely dissolved, his remains swirling with the howling wind.
Master Leon waited
not a moment longer. He hurried past the ashy cloud, his wife's hand locked
tightly within his, and called out into the darkness.
From a short distance
ahead they could hear the sound of shifting cobble, and a clicking canter; out
of the darkness emerged two black stallions and the silhouette of a driver that
lead a carriage of the same shade.
While the man guided
his wife and child inside the carriage, another cry rang out from behind.Lady Leon shot a glance back in
response, discovering that their large manor was now deteriorating in
flames.She opened her mouth to
let out a third gutting scream, while the coach driver raised his whip and
slashed at the monstrous horses, sending them off and away.
Pressing the child
close to her chest, the lady glanced fearfully out through the coach window,
spotting her husband as he stood there in the distance.She watched as his hand rose for a
final goodbye before both he and the cindering mansion he stood before, began
to crumble into ash and faded entirely away.
Lady Leon woke to the sound of a piercing horse cry. She gazed out through the fogged pane, bracing herself with an arm as she felt the carriage jerk to a halt. Her eyes struggled to make out what was beyond the window, only darkness glared back. A pale face appeared before her, and then there was a hand that tapped gently yet quickly against the glass.
“M'lady?” The driver questioned with a muffled voice.
“Yes? Why have we stopped?” She shot back. The child began to cry.
"Sorry for disturbing you, but I believe you had best take a look at this.”
That was impossibly refreshing. It's been a long time since I've read something so abstract and really got into it. What happened here was so unexpected, it's amazing. So far, I haven't caught any problems with your grammar usage, making this seem very profesional. This chapter gives even more of a hint on what time period that we're in, and that's good. I suspect, if this isn't a fantasy land, it's in Europe?
I like how your chapters are fairly short. It's not a terrible thing, though it's not common. It's easier to read and reveiw it more accuratly, but when ou go to sell it, it might not be the wisest of ideas. However, I'm one to talk, mine are short as well.
I like it so far, hope you're having fun.
~Autumn
I think I agree with the reviewer who suggested you take out the first segment. The story stands well enough without it. Other than that, I think this is fantastic. I love the mystery of not knowing what's out there. It certainly is an attention getter. Your descriptions of time, space, emotions, and etc. are super.
Waves of paranoia ... great visual. And just after that, it should "resulting in..." not resulting with.
I think the chapter can do without the very first part, the intro perhaps before one hour earlier. It doesn't reveal anything more to the reader. The chapter is strong enough without it.
Good descriptions and strong prose.
Very intriguing and fresh writing, almost like refreshing splash to the face of water. I just wish for a bit more characterization, a bit more idea of where this is going in the beginning.
Comment...THe first had definition needing expansion but I wanted more and growth... THIS "Two" seems to lack connection... if a dream then when and where is She asleep? It lacks the pivotal of discovering being a dream by either the char, author, or I...
Many possibilities exist but I almost feel like NOT turning a page cause I'm lost, confused about what is AND isn't taking place.
Review: I understand the reason and the WHERE (only because of your note) you want to take it... but for me, you haven't yet brought it to THAT where you intended... and I'm not being harsh... really I'm not... its prolly just me.
The symbolism of the ashen child, and flames is beautiful yet haunting, creating a vivid image within the mind, as the flames alight the darkened sky you can feel the fear running electric currents through the piece as Lady Leon flees from the burning pain and nightmare of her warped memory. Very well done, keeping interests high and feeding the reader with goading information to tempt us to delve deeper into the plot-line, well led on from the beginning.
Wonderfully confusing. I do like work that makes me ask 'What the?' A little more detail would help. Because of the vivid nature of dreams it would add a bit more depth to create the scene in a little more precise a manner. Little hints. 'Smoke hung in the air.' that sort of thing. It just helps to sucker the reader in a little.
I don't know I would call this a chapter though. As with your chapter one, it has the feel of a chapter segment. Nothing wrong in either approach, but I have to agree with Autumnm that commercially agents and publishers will want a greater word count per chapter. In this environment it is perfect. But traders are funny devils.
All in all though, I'm looking forward to the next chapter. Surprising as I would normally stay a mile away from your style, but I'm enjoying it immensley.
That was impossibly refreshing. It's been a long time since I've read something so abstract and really got into it. What happened here was so unexpected, it's amazing. So far, I haven't caught any problems with your grammar usage, making this seem very profesional. This chapter gives even more of a hint on what time period that we're in, and that's good. I suspect, if this isn't a fantasy land, it's in Europe?
I like how your chapters are fairly short. It's not a terrible thing, though it's not common. It's easier to read and reveiw it more accuratly, but when ou go to sell it, it might not be the wisest of ideas. However, I'm one to talk, mine are short as well.
I like it so far, hope you're having fun.
~Autumn
I write likeAnne RiceI Write Like by Mémoires.Analyze your writing!
I hadn't discovered my passion for writing until the age of 17. Although I can clearly remember during my early youth.. more..