Always on the verge of disaster. The poet writes to keep himself From falling apart. The smoldering ruins Of his past lay abandoned In the bare-bone archaeology Of his mind’s survey.
Poems like potsherds, Or verse, the debitage -Catalogues Of a broken heart’s assemblage.
Ever on the edge of the precipice. Of the falling off place. He weaves wings of bivalent lead And leaps into the depths Of Love’s abyss.
Heavy as death he descends To attempt to become repossessed By the beautifully tragic notes Whose hauntingly tremulous music Ascends above the ambisagrus clef In measure to Orpheus’ quickening lyre.
But all that left aside. Coming back To life in this world. He sits Beside an open window Alone in his rented room Listening to the crickets barróg In the early evening.
Quits wrestling with poems And goes onto writing Horribly comical and absurd fiction In imitation of his favorite obscure European auteurs.
Writing a story about an eye. Or is it the one about a French But friendly stranger Drunk on Columbus Circle Smiling and winking At all and just about only A few blonde and surprised passersby?
-Cigarette ashes fall onto the carpet. -Coffee gets cold.
-He forgets to call her back. -Waters boiling in the red pot with pasta. The banality of it all. -A beautiful yet boring world. [ an interruption] Who’s there? Oh it’s you again, Pedro, que quiere? What is it that you want?
-He puts the pen down. Puts the pen down And he redundantly Perceives Projects His senses Outwardly again And looks back into the world
His gaze backward and tense And he grins for what it’s worth. " He settles within himself A sense of horror In accepting that everything’s absurd.
Turns the lamp on.
Takes his shoes off And feeds the birds. Smiles again as they chirp And saunter in satisfaction Flitting from perch to perch.
-His happy heart smiling And laughing Like a poor, lucky soul Who has barely survived a disaster.
Quite pleased with himself In having withstood Life’s exquisite catastrophe For just one more day.
Hi,
I admire your lexicon. I am rambling, now, but as a fellow poet you might be interested that I have been reading Hass and he quoted someone else whom I have forgotten that it is easier to write a poem than to write a good line. I found this book I'm reading profound. It begins with a study of one line poems, basically what haiku is. Then it moves on to two line poems, and on. It really gets back to the heart of it. We doen't write poems. We write lines, then, couplets, and on.
No word should go to waste.
A poet has such a complex, intricate and brilliant inner world. There is no end to the magic that happens there, the epics lost, the universes won. You have so beautifully described what a poet is all about. Thank you for this tribute to all the poets, everywhere in the world.
A poet is possessed by the muse, by words and thusly uses that to repossess his or her heart.
I think of Plath, Sexton, Berryman, Jarrell and others...and how unfortunate they were not to be able to write themselves away from that abyss.
This is so well done, and an anthem that fits so many of us.
j.
Hi,
I admire your lexicon. I am rambling, now, but as a fellow poet you might be interested that I have been reading Hass and he quoted someone else whom I have forgotten that it is easier to write a poem than to write a good line. I found this book I'm reading profound. It begins with a study of one line poems, basically what haiku is. Then it moves on to two line poems, and on. It really gets back to the heart of it. We doen't write poems. We write lines, then, couplets, and on.
No word should go to waste.