Supernatural Wars (Season 1)

Episode 1

EXT. DARK NIGHT

Were focused on a big house.

About two-story’s high.

 

INT. BATHROOM

ABBY walks in the bathroom.

She turns the water on and begins

to strip naked. FRAMPTON zooms

through the door at his lightning

speed, his fangs extended.

 

FRAMPTON

I’ve been looking for you.

 

 

He lunges at ABBY. She casts a spell

on him.

 

CUT TO:

 

 

BEGIN CREDITS

 

CUT TO:

 

 

INT. ABBY’S BATHROOM

FRAMPTON is lying on the bathroom

floor. He is completely red now.

FRAMPTON begins to shrivel up and

turn to dust.

 

 

INT. LIVING ROOM

ABBY is sitting on the couch, looking

out into space. The doorbell rings. She

gets up and answers the door. DANIELLE

is at the door.

 

DANIELLE

Hey, Abby.

 

ABBY

Danielle, come in.

 

CUT TO:

 

 

EXT. DARK NIGHT-PARKING LOT

KENNEDY and RICK are standing next

to RICKY’S red truck.

 

RICKY

Good night working, eh?

 

KENNEDY

Not really.

 

RICKY

Ah.

 

KENNEDY

Well, we’ve been working together

for almost two months now. Why are

you just now talking to me?

 

RICKY

I’ve been busy.

 

KENNEDY

Yeah right.

 

RICKY

It’s true.

 

 

KENNEDY blushes. They stand in silent

for a moment. RICKY slowly moves closer

to KENNEDY. They slowly kiss each other.

 

MARCUS

Ah, how sweet.

 

 

KENNEDY and RICKY quickly let go and look

out into the woods. There’s nobody there.

 

MARCUS

Over here.

 

 

They look behind them on the other side of

the truck. It’s MARCUS, the vampire. They

are unfamiliar with him.

 

MARCUS

I’m Marcus. Good to see, ya.

 

RICKY

What do you want?

 

MARCUS

To warn you.

 

RICKY

For what?

 

MARCUS

Not you.

 

 

MARCUS looks at KENNEDY. She seems surprised.

 

KENNEDY

Me?

 

RICKY

Kennedy?

 

MARCUS

Yes, I just wanted to tell you

a 2000 year old vampire’s coming

after you.

 

KENNEDY (SARCASTICALLY)

Vampire?

 

MARCUS

What? You don’t think vampires

are real?

 

KENNEDY

Uh, no.

 

 

MARCUS extends his fangs, smiling.

 

MARCUS

They are.

 

 

He retracts them.

 

RICKY

What do you mean ‘a 2000 year old

vamp is coming after her?

 

MARCUS

She likes you, Kennedy.

 

 

MARCUS runs away, fast, of course.

 

KENNEDY

Wait!

 

 

KENNEDY runs to the edge of the woods. RICKY

follows her. She hugs him.

 

RICKY

Who knew?

 

CUT TO:

 

 

INT. ABBY’S BATHROOM

ABBY and DANIELLE are both sweeping up

FRAMPTON’S remains.

 

DANIELLE

So, Anne Rice isn’t a liar.

 

ABBY

Evidently not.

 

DANIELLE

How’d you kill him anyway?

 

ABBY

I don’t know, really.

 

DANIELLE

Well, if any of the legends are

true, it had to be hard.

 

ABBY

Tingly...

 

DANIELLE

What?

 

ABBY

I think I have some kind of

power. I killed him, with my

hands. I shot out a ball of...

of light.

 

DANIELLE

Abby, I think I have a power, too.

 

ABBY

Don’t mock me.

 

DANIELLE

I’m not mocking you.

 

ABBY (SARCASTICALLY)

Oh, you’re not?

 

DANIELLE

No.

 

 

DANIELLE closes her eyes and transforms

into a green ball of light.

 

CUT TO:

 

 

INT. KENNEDY’S DIM LIVING ROOM

RICKY and KENNEDY are making out on the

couch. RICKY let’s go.

 

RICKY

I think I better get going. Tanya’s

going to be wondering where I’m at.

 

KENNEDY

Tanya?

 

RICKY

Oh, she’s my niece. She’s staying

with me while her mom’s in the hospital.

 

KENNEDY

What’s wrong with her?

 

RICKY

Kidney stones.

 

KENNEDY

Well, I’ll walk you to your truck.

 

 

EXT. KENNEDY’S DRIVEWAY

KENNEDY and RICKY walk to his red truck.

RICKY turns to KENNEDY.

 

KENNEDY

Well, I guess I’ll see you-

 

 

She is interrupted by a loud howl coming

from the woods.

 

RICKY

You have a dog?

 

KENNEDY

That didn’t sound like my dog.

 

RICKY

What kind of dog do you have?

 

KENNEDY

A Chihuahua.

 

 

KENNEDY and RICKY make their way into

the woods. The moon is there light. They

come to a clearing. A little boy, DOUG, is

standing, facing a pond. He turns around and

he is shifting into a hairy monster. A werewolf.

Kennedy and Ricky have ‘Oh S**t’ spelled out

on there faces.

 

KENNEDY

Oh, s**t.

 

CUT TO:

 

 

INT. ROAD

DWELL is driving down the road. She pulls into

ABBY’S driveway. DWELL gets out of the car. DANIELLE

comes out of the house and smiles at her.

 

DANIELLE

Hey, thanks for picking me up.

 

DWELL

No, prob.

 

 

ABBY comes outside. She waves at DANIELLE, but quickly

puts her hand down when she sees DWELL.DANIELLE turns

to ABBY.

 

DANIELLE

Bye, ABBY.

 

 

ABBY looks angry. She doesn’t take her eyes off DWELL.

ABBY quickly waves at DANIELLE and goes back inside. DANIELLE

looks at DWELL, confused. DWELL shrugs.

 

CUT TO:

 

 

INT. MORLEIN’S LIVING ROOM

She’s reading a book very quickly in a red

chair. MARCUS comes into the door.

 

 

MARCUS

Morlein.

 

MORLEIN

Marcus?

 

MARCUS

I warned the girl.

 

 

MORLEIN

Good.

 

 

MARCUS nods and leaves the room.

 

MORLEIN

I guess it’s time for my work now.

 

CUT TO:

 

 

DWELL is driving DANIELLE down the road. Music

Is playing in the car. DWELL quickly stops the car.

MORLEIN is standing in front of the car looking at

the girls. She gestures with her index finger to

come. The girls get out of the car.

 

DANIELLE

Who are you?

 

MORLEIN

Morlein.

 

 

Her fangs extend and she lunges at the girls.

 

THE END

Author's Note

Review, rate. Please, it'd mean a lot.

Reviews

[Panda]

Well, my my, ^.^ That escalated quickly. My heart is racing! It was fast pace and drew me in quicker then you can say "A 2000 year old vampire is coming for you." But (hopefully) I may be able to advise you on a couple of things. Just to let you know I am still working on understanding the correct film directories I.E the whole EXT part. My friend Mr Jim has advised me to purchase a book to help me. That aside I felt your characters were idle? I wasn't sure how you desired them to react. Of course you put sarcastic in some points, but the characters didnt show twitches or nervous scratches or anything. For me, if I was a director, Id like to see how it was meant to be shown, I'd like to now what reason each move has. Character definition is pretty important. You did have this covered on some characters, but Abby? is she higher class, does she speak with full words and correct punctuation, and with this how does she sit when she is in the chair? Perhaps she is sitting 'tensely' while on the couch, give us the impression she is waiting for her friend to come to the door. I would also consider that when she first casts the spell you give her a reaction to some man vampire dude? comes running at her. "In panic she raises her hands defencelessly but casts a spell towards FRAMPTON" This way your not saying that Frampton is hit with the spell as of yet so you still have the suspense of 'what just happened? did she kill the man? did it hit him' and then when he is smouldering dust we understand that she has killed him and we are confirmed that he is a vampire.

I would try to slow it down a little, its very very race, one event after another, this is normally what you would see in a climax, If you could try to introduce the characters in the first few moments that we see them we already get a basic outline off their attitudes. We don't want our actors building a character up from nothing now do we? Motives are a big thing, while we analyse texts we look to see what was intended with this move. Try to make your motives analysable but remember the audience is smarter then you think ;) But sometimes not smart enough :P I hope this helps. And as per your request I will rate this for you. I do help my advice helps you.