Ok, wow, you've got a lot of good things going on in this piece. It feels I don't know. Comfortable. Maybe that's because I can identify with so much of it. The progression and pace is pretty typical of your works it's conversational, it's relaxed, and yet it runs through with a powerful undercurrent of emotion:
"It only took some heartbreak,
some swallowing of pride,
and a realization"
You know, nothing big, right? Heh. That's AH, sarcastic to the core.
As a suggestion, I would tie in the "realization" with what was realized. In other words, don't line break between the "realization" line and the "I do need you" line, see? That way, the impact is better, and we as readers don't risk losing the epiphany. Either drop the line break, or move the "realization" line down. I'd also condense a tad, like:
"it only took some heartbreak
swallowing of pride
realization
I do need you in my life."
That's what I would suggest, a little slimming and trimming. Also, watch those commas they can creep up on you. As a reminder, the end of a line works as a pause the eye has to crawl all the way back to the left, which forces a physiological pause whatever the result is the same as a comma. To use both implies a longer break. Is that what you were shooting for? Look at:
"I'd rather not contemplate,
it only hurts to breathe,
or think, or feel,
you've reduced me
to a crushed cliche."
That's a lot of end-line commas, right? I think you could drop all of these and not lose a thing.
The line "crushed clich" will keep me up at nights. That's a freaking awesome image. So is "even bitter waters / quench thirst." I mean, damn s**t f**k, where do you get those images? That's very tight writing. As is the description of alcohol as an old friend, wanting to catch up on gossip. OOOOOh, that's good
The sense of longing and loss in this piece are what give it it's power. Strip it down to its bare essentials, if you're in the mood for revision, but don't lose that edge. It draws blood.
Bitter sweet Sherlock! A mix of 'yes' and 'no' and a couple of maybe's. I think you have laid out your prose exactly how it should be, makes perfect sense to me. As always your work is wonderfully real, filled with raw emotion and obvious truth. Even if it does not apply to you, I'm sure many could identify with the message conveyed. Good to vex on the page...I'm all for it!!!
Love,
Helen xxx
Alcohol is crap at appreciating gossip... I'm much better :D
The poem is you - clever, poignant, *right* and thought provoking...
Hello you, not really here but am because I wanted to see who is about and is that really you? really here? Wanta gossip? xxx
Ok, wow, you've got a lot of good things going on in this piece. It feels I don't know. Comfortable. Maybe that's because I can identify with so much of it. The progression and pace is pretty typical of your works it's conversational, it's relaxed, and yet it runs through with a powerful undercurrent of emotion:
"It only took some heartbreak,
some swallowing of pride,
and a realization"
You know, nothing big, right? Heh. That's AH, sarcastic to the core.
As a suggestion, I would tie in the "realization" with what was realized. In other words, don't line break between the "realization" line and the "I do need you" line, see? That way, the impact is better, and we as readers don't risk losing the epiphany. Either drop the line break, or move the "realization" line down. I'd also condense a tad, like:
"it only took some heartbreak
swallowing of pride
realization
I do need you in my life."
That's what I would suggest, a little slimming and trimming. Also, watch those commas they can creep up on you. As a reminder, the end of a line works as a pause the eye has to crawl all the way back to the left, which forces a physiological pause whatever the result is the same as a comma. To use both implies a longer break. Is that what you were shooting for? Look at:
"I'd rather not contemplate,
it only hurts to breathe,
or think, or feel,
you've reduced me
to a crushed cliche."
That's a lot of end-line commas, right? I think you could drop all of these and not lose a thing.
The line "crushed clich" will keep me up at nights. That's a freaking awesome image. So is "even bitter waters / quench thirst." I mean, damn s**t f**k, where do you get those images? That's very tight writing. As is the description of alcohol as an old friend, wanting to catch up on gossip. OOOOOh, that's good
The sense of longing and loss in this piece are what give it it's power. Strip it down to its bare essentials, if you're in the mood for revision, but don't lose that edge. It draws blood.
I like this poem, must admit.. have you considered trying placing 'I do need you in my life' a little bit more between one or two more of the stanzas.. it may give you a really good beat!
I just hope that you will be Okay, you have many friends here Sherlock and I am one of them. I hope also that you will be able to move onto some happier thoughts, you know where I am if you need me. This is a very emotional piece, which is exactly what it should be...
Love
Helen xxx
It's a great collection, a careful process of recapturing the voice and adding touches and energy, recovering balance enough to wobble freely and enjoy it. You are a poet even when you are not writing. The real deal. You are Amber, nuff said, no no I want to say it again properly, you are AMBER!!! yayayayayayayayayayayay
My name is Amber....my friends call me.....Amber, GA
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