Frailty

Frailty

A Poem by Michael Oliver
"

work in long long getting there now

"
                      Page one 

So far - so unresolved - so under - so below
Sea mercurial of conserve tested liquid dimples  even
Waiting apples-hang around on my neighbours tree
Assured -firm - behind me -a latent potential
Above - below - froth clouds of an older sunlight
Waiting their time - a loiter on winters edge
Aloned by the leaves - stark the branch's lines
River delta's articulate the stretched skinland beyond
There - deep - its blue murk confronts my culture
There arced beyond horizons - other apples wait
This once world happened within - apples remnant real
Here the enchantment of Quin eternity - metal rivers
Zings and pings constant flashes intent sunlit straight
Some where - so behind - through my window - fruit
Green apples - still - and halos in wild fields
Simple encirclement of Madonna worship to maternal trunks 
This persistence of waiting -A Europe where - where 
Deep in the haze - an infinity purple  - a homeland
Now single fields - single houses - and so experience

                          Page two

'But - I know this -'Air' 'Sky' - YES! 'Clouds'
From the learnt haze the experience writes large
Understood the reason for the past procedures - trusted
Why skies are cream overlaid with lush ultramarine
Why my window - fool intimate - a fumbled hope
Steeples with a different tongue - a vernacular faith
Above a church where a misanthrope shooped 
And the tempera limneated a hermit dreamt angst
Low sunlight - yellowed leaves - passing familiar unresolved farms
Rainbow bright there against a clear remembered storm 
Recall Holy times - Kermesse celebrants - a Brabant Gravenhurst
Bagpipes - full - kirtles and confident cod pieces - cheeks 
Iam - the here - alien celebrant native - ringing 
The flatness - the  flatness - the flatness - the flatness 
Fields ,trees, buildings margin mentioned under the sky
Of an hour ago - apples are grown - now 
Rain hits my face - a wind blown sea 
A roof and angles - a return winter shudder
Posits me in Breughels frame - 'A Stormy day'

                     Page three

A youth rides past - confident - hands free -homed 
I talk - in a - misunderstood Netherlandish saying - waiting outside 
To know and not know how to ell this couple
The answer remains language mutant - my finger points 
To know and not to know - to discover 
Adam recoils even though grasping for the fruit 
Untasted Eve ponders with a  doubt - fondling the future
Apples - waiting - a nakedness - once - my neighbours garden 
Her - as thought touches roundness - but there!
Suspends - human flesh - 'Eternal'- couple fragile -
Among the dark temples - the top lit crucifixes
A sow at farrow - the artists mother remembered
I did know - I did not know - this knowing 
'Rembrandt Van Rijn - Adam en Eva etched 1638
Weaving with the cognoscenti between image to image 
The knowledge of the tree is a familiar 
A changeling - a serpent - malignant in embrace -owning 
Wittgensteins red apple - so unpeeled - picture proven
One bite time is ingested - tree - rots  creation 
Imbibed - Europe's horizons recently contemplated - this room
An innocent - now worm wrapped - a liberation's conviction
dissolving - into world possession - deludes finite space
Those remembered apples invoking the inquiry on necessity
repeat - repeat - repeat - repeat - 'Do I need this '
My world - shriven shrivelled - at each moments tasting

Page Four

The full moon guides a somewhere owl hoot 
A gleam guide - noise white through nights valley
An Autumn balmy with the wrap of hop warmth
Crickets descant my descending melody of Mill Shar
Whose black river mystery - I gaze into reflection
Reflect on Milky way arguments to confound God
On Junes and early sun hot morning pilgrimages 
Hailing Mick the Tramp - surprised pleasant - 'Howdy mate '
From his unfocus of coats, beard and hair
His presence acknowledged , sure, as unknown, undefined 
On nighttime embraces of comfort from drunken bales
And frozen horse turds a stumbling bad language
Lights - sparks burn a pat across the constellations 
Reflect alone - Creation -Nature - all in silence
Sunlit chancel - I need my hassocks tough support
The sun moves? - Slowly - 'Being' its only song
The harvest church - the sheaf of bread - a spider
A tumble of apples - beneath the op windings
A tie of gleaned grain offered imperfect pure
In the moment - Silence nods to the moment 
Silence is the voice - silence my only voice
Silence the apples waiting - The need unknown - Silence

© 2014 Michael Oliver


Author's Note

Michael Oliver
As I wrote work in progress the real subject matter is about an etching by Rembrandt called Adam and Eve - I am really exposed and naked in this piece now it approaches its final form

My Review

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Reviews

This is strong, powerful and neatly created piece, truly enjoyed the read...

Posted 10 Years Ago


I read your bio first and I knew I was going to be indulgently submersed in thoughts that were colorful. Indeed so,
Funny that you feel naked. For I feel naked after reading this and stripped down to a naked state and that you just redressed me with a new wardrobe of view and higher level of knowing.

Wow. A Beautiful journey. But I must go back and re read again....:-)

Posted 10 Years Ago


Michael Oliver

10 Years Ago

Crikey did not expect that - many thanks for reading it was a tough piece to write
Wow!! This is the best one of your pieces..strum the core value in the virtual machinery of speaking this data tree leave lets..say say layers evoking edges to point from a head of the bell curve newton and adam intertwined ringing loud on my radio flyer tuned to the overturn of this groove...excellent excellent piece 10/10

Posted 10 Years Ago


Michael Oliver

10 Years Ago

From the master that is praise indeed for me - silent absorbtion
writing mojo

10 Years Ago

No way am i a master .but thank you kindly
A unique and different write. Wonderful, sir...:).................

Posted 10 Years Ago



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Shelved in 2 Libraries
Added on July 25, 2014
Last Updated on September 2, 2014

Author

Michael Oliver
Michael Oliver

About
I like capturing the world in various mediums for a long time I was a painter, but more recently I realize the same imperative can be used to direct words as well as brushes. more..

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