Steinbeck in Postmodern AmericaA Poem by Matthew CloughI
watch my mother through the sliding glass door. She’s standing at the chipped
kitchen counter in her flour-speckled red checkered
apron, with wiry hands on the edge of the
sink and
gazing out the window at something, the stars or the treetops blowing
briskly or maybe the neighbors making love
on their dingy beige sofa because they
forgot to pull the curtains again, those
savages.
And I’m
sitting outside on the dark and mossy deck under a flickering yellow light
mounted against the peeling white sides of
the house, reading Of Mice and Men and liking it, running my toes along the warped
wood and dreaming of fireworks in two months
time.
There’s
a promise of Socratic circles in English tomorrow, and I’m not sure exactly who
Socrates is (I think he was friends with
Aristotle maybe) but I imagine he much preferred the
square, rugged in all its systematic glory,
free from the entrapment of unknowable
constants.
We are
Americans, my mom and Steinbeck and I. I can finger Lennie in as many ways
as I like, feeling his inky skin against my
oily fingertips, but I can’t know him they way I want
to, not as a middle class conservative
white male with a house falling apart but a
house nonetheless and a mother to bake me apple pies
when I’m hungry, and not when I’m reading his story
as an assignment because all I want is to finish it
and get an A in discussion.
My
mom’s a watcher, taking notes on everything in silent observation, wiser than most
but neglected by all. Steinbeck’s a genius, taking notes
on everything in enlightened observation, absorbed by
the masses but never tasted. And I’m emptily anticipating summer,
wishing I could understand them, but counting stars and page
numbers instead.
© 2014 Matthew Clough |
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