"You smell like
wildflowers."
That was the last thing Farah heard her
say. She leans back in her chair and places her feet up on the desk, the mud
caked on her red tennis shoes chipping off and scattering, showering down over
a mountain of paperwork. She can hear quiet piano music playing through the
walls; she's not sure where it's coming from, but it creeps up the metal vents
and winds its way up her wrists, gently caressing her neck and whispering in
her ears.
The sky outside her office is
bright blue, impossibly blue, and the grass below it ruffles gently in the
summer wind. The wind brings the sunshine in through the window, dappling it,
painting it around the room and bringing light to the darkest corners. Farah
licks her lips and sighs, folding her arms and closing her eyes.
To her, this is just another day. There's nothing special about it, and the
world goes on. Outside, printers churn out forms in a methodical tedium that
challenges the consistency of time. People walk by, the cool swish of their
linen coats reminding Farah that everything is the same, consistent. Somewhere
off in the distance, a Code Blue sounds, followed by the predictable squealing
of cart wheels and nurse shoes.
As much as she knows she should
mourn, or at least cry, she can't. There is no point. What had happened had
happened, and there is no turning back.
"Dr. Nemo," a young man pokes his
head into Farah's office. His eyes are red-rimmed and glassy; Farah can see the
salt from his tears on his cheeks. Against the bright, peaceful background, he
looks almost out of place in his black suit and trousers. Farah reaches up and
rubs her forehead gently.
"Yes?"
"Are you coming to the funeral?"
Birds have begun to chirp outside; the day is wrong, oh, so wrong for such an
occasion. Farah stares at him a moment before closing her dry eyes again.
"No. Waste of time," her
voice is flat. She can see the worry and the fear reflected in the man's face:
he is worried she is reverting back to the way she was when she first took him
under her wing; him, and Adelaide.
She watches him closely as he seems to fold over himself. It is fascinating to
her, the way this cocky intern collapses in the face of death; she has a hard
time understanding the attachment to life.
"Farah," he calls her by her
first name now, and she notices. He makes his way into her office and sits on
the couch, eyes focused on his loafers. "Farah, please
come."
"It's just a ritual,
Rupert." Farah removes her shoes from the desk and brushes the dried mud
onto the floor in one sweep. Her eyes land on the photograph on her desk: she
is standing in the middle, grinning, with Rupert under one arm and a small,
golden eyed brunette tucked to her side. It was the day they both received
their White Coats, and they were both happy. Farah understands this; she
grinned along with them then, and she feels a smile twitching at the corner of
her mouth now. She raises a hand and strokes the head of a small, plush duck
that sits beside the photo; she can see Rupert watching her carefully,
curiously, out of the corner of his eye. Adelaide
had given her this duck. Adelaide
cared for her, and so did Rupert. They had… a bond. They had loved her, and
Farah supposes she felt quite protective of them in return. She lowers her eyes
to the surface of the desk and scans the report she is filling out.
"Is that Ada's form?" Rupert asks. He's leaned
over now, elbows resting on knees, tired hands rubbing tired eyes.
"Yes," Farah glances at
it again. Adelaide Wilson: onsite death. Farah looks up and
locks eyes with Rupert, the scene playing behind both their eyes: a drunk
driver, crashing through the side wall of the ER, and the creak of the support
beam as it gives its dying scream. They see the cracking of the building as the
second floor collapses onto the first, and the driver gunning the gas, further
burying Adelaide
in rubble. She was mostly dead when they got her out. Her eyes were closed, her
head at a strange angle. Farah got to her first and held her as she slipped
away. Her blood still stained the fringes of Farah's white coat; for some
irrational reason, she couldn't bring herself to wash it. She rubs her thumb
over the stain for a moment and sighs.
"Please Farah?" Rupert
slowly slinks over to her and holds out his arms; Farah tries to ignore the
small shiver that runs down his spine as she stands and allows him to hug her.
She feels a strange feeling forming in her stomach, and the overwhelming urge
to bury herself in her work and forget. It is an event that should be
forgotten. People die, every day.
Rupert pulls back and grasps her by the
shoulders. "Farah?"
There are hot tears running down
her cheeks and the world is spinning. She sits again and roughly wipes her
eyes.
"Sorry," she mumbles, turning back
to her work. Rupert knows her well enough and takes this as his dismissal,
leaving without further protest as Farah begins writing furiously. She reaches
out her left hand and gingerly strokes the plush duck.
One
blink, and everything is gone.
Farah slams down her pen and cradles
her head in her arms. She’d gotten annoyed at Adalaide’s cheery demeanor and
sent her to the supply cabinet to get more gloves for the exam rooms. Ada was there when the
floor collapsed underneath her… and as she slipped away, the last thing she
ever muttered was about Farah’s perfume. Goddamn perfume. There was nothing
about life, or family or love, only inanity. Maybe that’s what death is; just
an unremarkable ending to an unremarkable existence.
“You smell like wildflowers.”
It wasn't her fault. Farah takes
the duck and turns it over in her hands, kissing its head gingerly. Her eyes
are dry now, and she glances out the window into the blue brightness that is
the day. It looks like Eden,
with the flowers poking their heads through dewy sprigs of grass. Adelaide would have been
happy to feel it, to see it. Farah knows that it should make any person happy.
She pushes the incident out of her
mind and tips the photo-frame on its face. The stuffed duck sits placidly on
her lap as she writes, the rhythm sounding out one thing in her mind, one
pounding question she wants to rid herself of.
"Why,
why, why, why…"