Most of my readers will remember the story of Sylvia Plath--- her battle with depression, her many attempts to end herself, and her eventual success on that early cold February morning in her kitchen in 1963.
Sylvia has been on my mind since that conversation, as I revisited her profound and unique word art.
I remember writing a tribute to her when I was a senior in highschool. I wish I could find that copy, but time and circumstance has thwarted my efforts.
I just penned a short piece just to bug her wherever she may be. She would probably snort in girlish derision at my yeoman's attempt at evolving her somewhat brutal confessional style.
epitaph for sylvia
blame...
talk not of w***e's wit, accomplices make
for arduous talon grasping for naught.
labels...
write not obituary in prose longing for life
'twas intended to but entertain
infidelity...
never did I, always did you, my love.
in the end, nothing else mattered.
gas...
trite goodbyes never smelled so sweet
I gave you my life, my loves... my treat!
This poem may seem harsh and cruel, but you have to understand Sylvia to know that her confessional style requires ugliness to cast light on the beauty of one's soul.
© 07/2013 Leo Elderkin
I will now leave you with one of my all time favorite Sylvia Plath poems. The text is beautiful at first blush--- but there is an undercurrent of sadness and allusion....
Winter Trees
The wet dawn inks are doing their blue dissolve.
On their blotter of fog the trees
seem a botanical drawing.
Memories growing, ring on ring,
a series of weddings.
Knowing neither abortions nor bitchery,
truer than women,
they seed so effortlessly!
Tasting the winds, they are footless.
waist-deep in history.
Full of wings, otherworldliness.
In this, they are Ledas.
O mother of leaves and sweetness
who are these pietas?
The shadows of ringdoves chanting, but chasing nothing.
(Sylvia Plath)