The reader, as in everything we do, asks, “What’s in it for me? What do I get from this?”
In this case, it reduces to: “Why do I care that someone I don’t know is upset with someone I know nothing about?
Look at the structure. You began with rhetorical questions, for which the reader has no context. When you say, “Deceive their destinies with puny lies,” are you talking to me? Do I have a “puny life?” And what is this destiny that I’m “deceiving?” You know, but you begin reading with context and intent, of which I know nothing. So how can the words have the same relevance to me as they have for you?
You then speak to an unknown “he” with, “But mostly he, who hurt me most, I’m him.”
Who is this male, and how did he hurt the unknown speaker? Damned if I know, because only you own the necessary context. So in the end, though it certainly wasn’t your intent, what can a reader do but say, “Awww…boor baby.” ?
My point? Don’t talk TO the reader. Make THEM live the situation. Give them reason to CARE. Poetry is emotion, not fact-based, so your goal is to make the reader react, not nod in understanding. So…if this “him” is a b*****d, instead of telling the reader that, make them say, “Damn…he’s s real b*****d.
Is it easy? Hell no. But that’s why poets get paid so much. 🤪
Jay Greenstein
https://jaygreenstein.wordpress.com/category/the-craft-of-writing/the-grumpy-old-writing-coach/
Posted 4 Years Ago
1 of 1 people found this review constructive.
This comment has been deleted by the poster.
4 Years Ago
Points noted. Thank you very much for your time... Will surely implement this in future :)
I have to discent from Jay's comment, respectfully as a venerable colleague of course. A first-person narrative about the nature of existence seems quite appropriate. "To hurl out the venom he blessed me with" is quite a powerful phrase. Let the entire night sky reflect in a single drop of few and put out any words you would.
Posted 4 Years Ago
1 of 1 people found this review constructive.
4 Years Ago
Indeed, thank you very much for reading and reviewing!!
The reader, as in everything we do, asks, “What’s in it for me? What do I get from this?”
In this case, it reduces to: “Why do I care that someone I don’t know is upset with someone I know nothing about?
Look at the structure. You began with rhetorical questions, for which the reader has no context. When you say, “Deceive their destinies with puny lies,” are you talking to me? Do I have a “puny life?” And what is this destiny that I’m “deceiving?” You know, but you begin reading with context and intent, of which I know nothing. So how can the words have the same relevance to me as they have for you?
You then speak to an unknown “he” with, “But mostly he, who hurt me most, I’m him.”
Who is this male, and how did he hurt the unknown speaker? Damned if I know, because only you own the necessary context. So in the end, though it certainly wasn’t your intent, what can a reader do but say, “Awww…boor baby.” ?
My point? Don’t talk TO the reader. Make THEM live the situation. Give them reason to CARE. Poetry is emotion, not fact-based, so your goal is to make the reader react, not nod in understanding. So…if this “him” is a b*****d, instead of telling the reader that, make them say, “Damn…he’s s real b*****d.
Is it easy? Hell no. But that’s why poets get paid so much. 🤪
Jay Greenstein
https://jaygreenstein.wordpress.com/category/the-craft-of-writing/the-grumpy-old-writing-coach/
Posted 4 Years Ago
1 of 1 people found this review constructive.
This comment has been deleted by the poster.
4 Years Ago
Points noted. Thank you very much for your time... Will surely implement this in future :)