The SimulatorA Story by IWRITESomething to think about.This started as a suicide note but you found you had no one to write. So now it’s to everyone, no one. It’s words on paper, on a screen, wherever. Meaningless, empty, no purpose except to be read by no one. Maybe these words would go on to tell a true ghost story. One where the supernatural is almost believable, thumbing through the endlessly expanding wealth of human fallibility and lust for superstition. Thirteen chapters for fun and realistic measure; in the end the hero dies, choking on irony, consumed by the invisible monster trapped in every closet and lurking under the bed of every innocent child, maybe, or perhaps go on to compose a gut-tossing love story, breaking every tender heart, telling the sordid, tragic tales of loss, redemption, and happily-ever-after dish of nearly every Hollywood spree through the wild odyssey of amber romance and abrupt vomit, playing on the gullibility of millions of naïve, infinitely youthful teenagers and young adults blind to the inevitable realities of abuse and affairs and law suits and divorce. It's poor, hopeless poetry. Run on sentences and fragments. Kicking the rules of language to the curb. Chicken scratch. Ink on paper, here is your heart, here is your beating, troubled heart. Here, you write, you’re sharing. You've walled the world in, and you hope it didn't bring a sledge hammer. You’re worried because you spread the disease of negativity and pessimism and wax eternally cynical. You’re worried you’re an inverted prism of misery, backwards talk, double speak, two faced, poisonous lovers spit and suck and sticky s**t that doesn't stink but stains and it never, ever ends. It’s an open, broken window forgotten in the wicked winter; there is a reason it’s cold in here, there is a reason your limbs are stiff. rigid, brittle, rigor mortis. You want to write a sad, terrible siren song where the chorus yells how these words make the world fiction and this song is it's prison. Another escapist excuse; you want to forget, because it’s not like it’s going away. Another climax for the theatrical addict. You’re avid, famished, desperate for the future. The future is where you live forever and know everything, create and destroy and devour and get bored quick. You pass the time with a vicious, silver needle for the mind. You shoot up glowing experiences of a bloody birth, fleeting childhood, confused adolescence, all the angst, anger, lust, sex, violence, war, disease, and death the world has ever harbored. You live to survive, you live to work. You hurt and you cry and you lose and you love and you kill and you take and you lust. You’re at once ignorant and awake to the awful truth: if you want to start over, all you have to do is kill yourself. Turn the heart off and disconnect the brain. You wake in the future, momentarily horrified, stunned in remembering what the f**k, where the f**k, how the f**k. The rush: life in a quantum syringe. An organic matrix. One billion quivering, throbbing, pulsing orgasms, adrenaline spikes, the apex of euphoria and terror, the drug of mortal sentience. This is consciousness. This is all there is and you hold it in your perfectly evolved hand, a steaming puddle of grotesque, beautiful knowledge. A yacht of the imagination, and it is just as real as you remember. You remember how only death makes life worth living. Only sitting, lying, contemplating on the edge of non-existence do you truly appreciate existence. And you cry, you sob. Now you’re dead and you’re in the glorious, magnificent future where any defeated underdog can be dead and still laugh about it. Death is just waking up. Death is time travel. Death is the future and everyone is doing it. The Simulator. Number one most common terminator: Biological Mortality. Disease, cancer, accidents, homicide, suicide. Time is no longer measured in years. No decades, millenniums or eons. Anymore you think, reckon, predict in the escalating score of lives. The number of consecutive terminal universes you bring into awareness. Every one a spreading saturation of organic quantum fluctuation constructs, all digital playgrounds, some finite spectral experience of excessive failure and horrific sculptures of energy and indifferent evolution. Each dark body a unique soul; each an awkward, exalted puzzle, their lonely, violent secrets hiding in dreams and ideas that betray your creative libido. You could peel back the minds of every hostile brain and expose the throbbing and fleshy indian pink tendrils to the dense luminous colors they can’t even fathom. You could collapse the igneous mansions of coral cards they call unyielding knowledge and rocky reality. The terrible vehicle of being. You lie back eager, weak, and starved for another life. The future is lonely and boring and bursting with empty, abandoned, forsaken space. Birthing universes makes you tired, wears you out, and you just want to live and die again. You’re parched for blood and horror. So you drop your plans and boot The Simulator and think briefly how the 21st century is your favorite. A gleaming pinnacle of both gross comfort and Utopian suffering. Awful, arousing hordes of infinite stupidity and countless acres of sand and s**t and dirt and rich, reflective surfaces. Millions of mirrors for the longing. You wonder which you’ll be. You hope for another brilliant experience, maybe one where you grow wise in poverty, torn from the love of your life by war and famine and religion and chance. Maybe you’ll be the singing snake at the altar of a church where millions of innocent swine give their last bloody pennies up in hopes for a touch of your spotless, arsenic passion and eburnean heart. That blonde, rusted smile, held together by the ragged roots of a golden dandelion. Maybe you’ll be murdered or sacrificed, maybe you’ll be the sinewy martyr, the horned, barbed, keen electric indigo hammer and nail of God, on a spiraling psychedelic path to a lush jungle paradise of every imaginable ending. Your beloved specks on a flushed celadon canvas, a plethora of perfect pigments and parts. Life is poetry, a passage of burnt sienna problems and the atomic, fatal locus of every single bathos. You will always be a slave to the hateful overseer of Want and greed. Life is the gorgeous, satin music, haunting and howling the language of hidden signals and you will never escape.
© 2014 IWRITE |
StatsAuthorIWRITERichfield, UTAboutI call it poetic futurist morbid pseudo intellectualism. I don't know what I'm doing, I just do. I know I like to read and I like to write. So I do both. got something for me to read? Please, send .. more..Writing
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