I once tried to explain the usual definitions of Haiku to a Cafe person, and was roundly abused as being a showoffy prick. Re-reading what I said, I disagree.
So. to my point. The structure is not all that important in poetry. (I'm old-fashioned, preferring rhyme and metre) Some would argue that even in prose, structure, and plot are not all that important. The content, the feelings engendered in the reader, these are what count. Especially in poetry.
Haiku. Senryu. Who cares?
We get it.
ATB
Alex.
in that way there's another delicious pause and it services two things in that the form matches the word (by pausing) and it leaves a window for the mourning process to happen, i like it because it strikes me that this person (the narrator) is shell-shocked and unable to begin that process. And, as a whole the rhythms and impact of the particular words, it's ugh, and ugh: in the sense that it's a real gut punch poem.
While I am nowhere qualified to make the call, it's probably closer to a senryu. It is, however, what a good haiku should be--somewhat ethereal in its treatment of the tangible and corporeal, and highly evocative. A solid piece of work.
Do we get to choose who we are, or are we limited by where we live, how we grow up, what we do to earn money? My unchosen facts: I'm old, live in the eastern Mid-West US, grew up with a huge chip on m.. more..