This has an almost zen haiku feel to it. Like both the imagary of the ideas going to die and the clouds clutching the earth.
On that note, I would've liked to seen the last part of the first stanza be more concise to kinda parallel match the last, in other words, take out "for them".
Small detail, and I can see that u left it in perhaps to clairify, but damn it, this is a poem, the more obscure the better! lol
This has an almost zen haiku feel to it. Like both the imagary of the ideas going to die and the clouds clutching the earth.
On that note, I would've liked to seen the last part of the first stanza be more concise to kinda parallel match the last, in other words, take out "for them".
Small detail, and I can see that u left it in perhaps to clairify, but damn it, this is a poem, the more obscure the better! lol
I find that in unequal relationships
too many compromises and adaptations
can occur.
We lose ourselves and dreams/wants
just to keep it together,
just to keep it together.
This is a nice fit for the form. The images that close this piece are very telling and strong. I like the feeling of movement that your lines convey. You show the ability to take your deep meaning and condense them into a limiting form.
The learned Mr. Hart has, not unsurprisingly, hit the nail squarely upon the head; there is no ornate gilding on the words, no literary bric-a-brac, but the piece is as big as the waves, as wide as the sky. Utterly affecting little piece of writing.
Bilingual (English and Spanish) poet, essayist, novelist, grant writer, editor, and technical writer working in Central America.
"A poet's work is to name the unnameable, to point at frauds, to ta.. more..