![]() 6 Book Recommendations for International Women's DayA Story by Marie AnzaloneIn honor of
March 8, International Women’s Day, and Women’s History Month, I am sharing 5
works that I have been involved in. These are all works that honor the writing
of women and their struggles in some way. ***
*** “Synonyms
for Living” was
published by Skye Price. “Synonyms
for Living is a poetry anthology formed by a community of empowered writers
from across the globe. Each and every voice in the collection has found the
strength to explore their resilience and growth, whether they personally relate
with the project or are allies of the cause. The collection was designed to give poets a
space to reflect on the challenges they have overcome as survivors of abuse
(domestic, sexual, or otherwise), and offers a chance to feel seen and heard.
It is equally a space for poets who empathise, and who wish to inspire and
celebrate the emotions which we allow ourselves to feel. All profits from this collection will go
directly to Black Country Women's Aid, a charity who are passionate about
offering resources and guidance to survivors, or to their family and friends,
so that they can reignite their sparks and find the array of synonyms for
living in their own lives.” One of my poems is featured in this book, and I
also translated poems of seven Guatemalan women poets into English so their
voices could be included. This was one of the first efforts of its kind for women
of our country. You can get the book here. We personally did 14 events around this
publication for Guatemala and the international community- lectures, readings,
SA and EA workshops, radio programs, and
publications. The materials we designed for the public speaking events and
workshops are available to anyone who would like to design an event around these
themes. *** “If In a
Poem I Left You Wanting” is my own 8th published book of stand-alone poetry. “This
book of bilingual poetry, written in English and Spanish, was created between
2021 and 2023. Marie is an international development specialist and renaissance
woman, and she brings her observations into poetry that, as her writer and
scientist friend Francisco says, "I see you in every poem, I feel you in
each verse. I feel the litle girl that you carry inside you and the woman who
is a fighter, the incomprehension with the present and the profund love you
always carry." This book is divided into two halves. The first half is
dedicated to personal reflections, on empowerment, rising out of depression,
love, facing down enemies, and family. The second half is dedicated to social
justice themed poetry, inspired by work, readings, travels, interviews, etc.
This half touches on popular culture, climate justice, loss of freedoms, a
woman's place in the world, the world we are creating for the next generation. Marie is an
artist, and painted the book cover as well as designed several deocrative word
clouds for the interior. This book,even more than many previous tomes, was a
labor of love for the writer. All works have been hand translated into both
English and Spanish.” The book
can be purchased here:
and I have a few copies in Guatemala. *** “Observations
for a World on Fire.” This is my ninth stand-alone bilingual
book of poetry. “International bilingual climate scientist and poet Marie
Anzalone brings 20 years of insights from the field. She offers a work
dedicated to human responsibility, grief, losses, and hopes, related to the
climate crisis in this her newest book. "I wrote “Observations” in July, 2024
after a profound spiritual and existential crisis, after having had my creative
voice silenced several different ways since 2016. I wrote it as an entry for a
literary contest in our city (spoiler: it did not win). I had decided in 2012
to dedicate my life to studying climate change; and the world has not always
been kind to that decision. My climate research was prevented from being
published, by a former partner who literally hid my research notes until it was
too late. I was prevented by the US government from discussing my findings
while employed by them. I was then fired by them for standing up to the
incoming conservative power grab on issues of climate adaptation and its link
to democracy. Since 2016, I have been grassroots and self-funded. People still operate under the mistaken belief
that climate change is an “environmental” issue. Our work is dismissed by
literary circles as antiquated if we discuss species loss, biodiversity, the
human-natural world connection. Even if we talk about the astonishing recent
findings of natural scientists- how trees run an above and below ground
internet. How insects perceive the world in infrared light and birds can feel
the geomagnetic pulse of the earth. We are tree huggers at best, out of touch
at worst. Which makes me ponder so many things. People who live closest to the
land, caring for large carbon stocks and natural resources, are contributing
the least to the climate crisis and suffering the most effects. Precisely
because, I think, we have our sense of place. It is out of fashion to carry a
sense of wonder, curiosity, dare I say joy- into the world.... When I walk
in the forest and think of trees, the forest remains an abstract concept, a
museum I visit, a foreign land I take on a guided tour with a bunch of facts I
will not remember. When I take the time to learn the names of the trees and
birds; I am now walking among the oaks, listening to the golden warblers,
watching a cloud of fritillary butterflies whirl upward from a stream studded
with mica and schist. Now I am no longer in a museum seeing works from behind
glass, behind a barrier; now, I am drinking a warm cup of tea on a summer
afternoon with an old and cherished friend. The 250 year old oak harboring life
and living and breathing to the pulsing heart of the earth, with memories and
dreams of human interdependence, suddenly becomes a cause of urgent importance.
It is no longer just some tree... I wrote
this book in defiance of everyone who says, nature poetry, love poetry, is no
longer relevant. I want to live in a world of real intelligence alongside
artificial intelligence. I want the DJTs of the world to fail while there is
still a chance that not every sacred thing will be bought and sold. I want to
remind the world, we live in a society, not an economy. I want us to remember,
human well-being is tied to the health of our soil, water, air, food, fellow
species." You can purchase
my book here: “Born and
Razed: Surviving the Cult Was Only Half the Battle,” was written by Beth Granger.
“Thousands
have read the headlines. Few know the inside story. What happens when religion and power collide in
the wrong hands? At Grenville Christian College, once one of Canada’s most
prestigious private religious schools, the result was thousands of broken
lives. Born and Razed recounts the author's gripping
and deeply personal journey. Beth's life began at Grenville, where her parents
were teachers. The picturesque campus on the banks of the St. Lawrence River
masked a dark reality: behind its idyllic facade lay a world of strict control,
religious zealotry, and emotional abuse. Beth was the first baby born at Grenville, but
her childhood was far from blessed. When the Mothers, founders of the
Benedictine-inspired Community of Jesus in Cape Cod, brought their rigid and
punitive vision to the school, life took a devastating turn. For Beth,
“repentance” came with public humiliation, relentless criticism, and separation
from her family. By age five, she was living apart from her parents, accused of
gluttony, and placed on restrictive diets�"laying the foundation for a lifelong
battle with eating disorders, low self-esteem, and mental health struggles. Throughout her adolescence, Beth endured
emotional torment under the guise of religious instruction. Attempts to seek
help were met with harsh judgment, not compassion. Like her family, she was
tightly bound by cult-like indoctrination, isolated, and forced to endure the
unendurable. Yet, even in the face of such profound trauma,
Beth found the strength to fight back. Her path to freedom began with an act of
quiet rebellion�"admitting the truth about the institution she had been
conditioned to revere. That truth set her on a journey of healing, activism,
and justice. As Beth uncovered the stories of others who
suffered at Grenville, her voice became a rallying cry. She played a key role
in one of the largest class-action lawsuits in Canadian history, proving that
collective resilience can triumph over systemic abuse. Born and Razed is a powerful memoir of
survival, courage, and the long road to recovery. It’s a testament to the human
spirit’s ability to overcome unimaginable challenges and rebuild a life from
the ashes of the past. For anyone who has ever struggled under impossible
expectations or been silenced by authority, Beth’s story offers both a
cautionary tale and a beacon of hope. With unflinching honesty and poignant detail,
Born and Razed will leave you moved, inspired, and reminded that healing�"even
after the deepest scars�"is possible.” I was honored to have been an editor on this
work. It can be purchased here:
*** 56 Altares:
Filos y Espejos: is a book written in Spanish. “A
compilation of poetry and short stories by 57 writers who speak out about the
fire at the Virgen de la Asunción Safe Home on March 8, 2017, which affected 56
girls and their families, where 41 of them lost their lives due to negligence
by the State of Guatemala. This book
brings together 36 Guatemalan poets and storytellers and 21 international
guests, with a presence on almost all continents, who express their repudiation
of the persistent injustice after 5 years of the tragedy.” I was one
of the international writers invited to be part of this extraordinary
collection. I have copies for sale here in Guatemala, and US copies can be obtained
by contacting Mari Herr. © 2025 Marie AnzaloneAuthor's Note
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Added on March 8, 2025 Last Updated on March 8, 2025 AuthorMarie AnzaloneXecaracoj, Quetzaltenango, GuatemalaAboutBilingual (English and Spanish) poet, essayist, novelist, grant writer, editor, and technical writer working in Central America. "A poet's work is to name the unnameable, to point at frauds, to ta.. more..Writing
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