poem: Written for a Living Poet 3: walking with an under-appreciated custodian of historyA Chapter by Marie AnzaloneThe ground in the Alleghenies has been tortured; twisted into metamorphic forms after years of sedimentation, undulated just so for invasion by sylvan and then bipedal habitants. And you. I picture you, standing in some forgotten field, an old red oak in its corner, turning a handful of soil in studied hands, eyes following old rock walls and behind-left detritus of gone-by days. Dig down, find the story in the makeshift junkyard; old brown Clorox bottles and cobalt blue Vicks jars. The innards of a cultivator and someone's once-precious cherry tree. And you will tell us, like a seasoned detective at the scene of the crime, what our less-knowing eyes have missed. You will recount the story, moving backwards in time, tracing the footsteps of ancestors, seeing refreshed through eyes now bleary with age, and you will retrace footfalls and deeds. If you look over there, you will find the path to the swimming hole, the ones where she snuck out at night for secret trysts with a candle, a pencil, and her diary. The wounds on this stately beech were when Billy was conscripted for 'Nam; and he came here to rage out his prescient fear, the journey to Hell from which no recognizeable part living or dead returned; this unassuming piece of red shale was a headstone for a child, the last stillborn, the girl whose mother waited 15 years for, the one whose death broke her mother's heart and she never again slept with her husband because she blamed him and his drinking and over there, in the hidden vault under the fading wall, a wall as intrepid as Frost's; you will find the stashed whiskey bottles that never made it into the regular trash because she also was a clandestine drinker after that. And most of all, you will not just make us see their actions, but your revisiting makes us know their faces, too, and reflect on something eternal in the lives of each one of us, because as you would point out, we are nothing without our landscape and the American landscape is that of the forgotten tenant farmer. You drop the soil onto the ground as if in ceremony, and return slowly to the over-sensitizing world of constant information overload, an analog soul restructuring to make some sense of the digital infiltration of groundwater, trees, simpler lives. for kortas, with admiration © 2015 Marie AnzaloneAuthor's Note
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Added on October 1, 2014Last Updated on April 26, 2015 AuthorMarie AnzaloneXecaracoj, Quetzaltenango, GuatemalaAboutBilingual (English and Spanish) poet, essayist, novelist, grant writer, editor, and technical writer working in Central America. "A poet's work is to name the unnameable, to point at frauds, to ta.. more..Writing
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