poem: I know How Neruda FeltA Chapter by Marie Anzalonefor AL, fellow poet and lover of Life
I.
I think I understand how Neruda felt, when it all slipped away. One does not stop loving one's country, in the same way one does not stop loving a mentally ill spouse who just so happens to turn on you and in madness; forget themselves, inflict the damage that comes of the cancer of suspicion, of hatred, of fear: the terminal stroke of not enough love to go around, eating itself from the inside, leaving jagged wounds in the periphery. Because, as Neruda knew, it gets bad and it gets ugly, but it never quite reaches the heart of the thing.
It's just that, the heart gets tired of trying and separation is sometimes best. We are the owners, after all, of our own interior territories, and we are their guardians. We must set the limits on what we can take.
II.
I do not know your whole story, maybe but these things crashing to life around us- they always have a prelude; a buildup, the signs of impending idiocracy, a tendency towards oppression of individual choice, perhaps; a quiet suppression of the human story.
Over time, you forget to miss what was ushered into back pages and then off the pages, inexorably. It has always been so easy- to lose Beauty, far harder to replace the stolen thing. We can only move forward trying, no matter how badly, to recreate the lost vision of the beautiful crushed things stored in our memories
or in the memories of our own hearts: rebuilding grand cathedrals, replanting vast complex forests in a world that has decreed we should only ever be content with the ordinary-
a small church, a paltry patch of green. For is that not what the fable of the fall of Eden was all about, the failure to recapture something so beautiful that with time you forget it even once existed?
This drive to be extraordinary and authentic is the first thing to be outlawed- the risk is too great, you must be a productive contributor, not a taker of others' resources.
I do not know your story, but I do know you watched in living color what I now see coming and I know you took the risks anyway, and took the separation when you had to. And I know your heart survived 40 years of bloodshed- I hear it in your laugh, see it in the way you move through the world. You give me great hope for my own survival of what I will bear witness to, the loss I am doomed to record in my own lifespan.
III.
You would immerse me in your world, and I do not know what to say to that.
I would stand and move mountains but from afar, with my secrets tucked safely away in my own heart, where their unreasonable, unsafe nature could not be used against either their owner, or their recipients.
Madness runs in my veins, maybe and I keep it wrapped as tightly as the nature of my true politics- world citizen in training with much, much to learn.
Being admired by you is like being loved by Neruda himself- the weight of a life lived in joyous celebration of the small, and critical observation of the menacing and vast. It makes one recall utmost humility with every step- like the Gods came to earth for a tea party just to show these damned Tea Partiers what real life and power look like, and I am just a blade of grass at that picnic, while you are invited to raise a toast.
It is to be embraced by a legend- as Jordan once said, sometimes a most uncomfortable thing to find standing at one's doorstep.
How does a leaf enter a whirlpool without being consumed?
IV.
And maybe the thing is this- I felt that this was my fight, my battle with my own inner territory, my own country's own shifting values towards injustice and indecency and profound ignorance. My own separation, my own trial to keep the heart intact.
You actually changed the course of your nation in many small ways, while I merely struggle for footing in two. Maybe I am too much the Warrior, not the Lover you deserve. I do not capture hearts and minds.
You know exactly who you are; I have been other people's errand runner for so long I am just now setting out to define the woman I am changing into. And I finally do not care if no-one reads my words, and maybe that is an improvement.
I see you look at me, the way I behold another. I know your words are as true as the granite under our feet where we met. Life is too short for less than grand passion in all things, taking the risks. Neruda knew that, and maybe died for it, too.
V.
Can you put too much living into a poem? Into a life? Into an exalted admiration for another? Into the wind that caresses the body and the cold that seeps into the bones and into the spaces we as poets try to grasp in their complexity and weave together with fingers that never quite were trained for the heavy burden they pick up and carry along unbidden, but they do it anyway because no-one else will?
I have lost my voice and my way, and in the midst of my fury at what they are doing to the beauty of my country, you ask me to put down the sword and become the Lover. I am not sure I know how to do that, fear of the gods or no.
And I ask myself, how did it feel to be the flower caressed by Neruda's own patient, observing, loving hands?
Because somewhere between myth and reality; the larger than life and just a single man fighting injustice and loving what was worth loving, middle ground was found. Long before the final assault on the hearts of poets and dreamers, the stars themselves taught us how to remember the dream of Beauty.
© 2014 Marie AnzaloneAuthor's Note
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4 Reviews Added on October 31, 2013 Last Updated on July 9, 2014 AuthorMarie AnzaloneXecaracoj, Quetzaltenango, GuatemalaAboutBilingual (English and Spanish) poet, essayist, novelist, grant writer, editor, and technical writer working in Central America. "A poet's work is to name the unnameable, to point at frauds, to ta.. more..Writing
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