My first feeling after reading this was that feeling of coming to terms with a certain shift and just letting it flow over. The zen of Japanese poetry in its carving out the core of an idea kind of refining the mind. Even if only momentarily.
I like the feel of it. Sometimes when I go outside before sunrise this time of year, the air cuts into my lungs in the most satisfying way. Like it’s empty and ready to receive anything- asking me to be the same. Prepping me as I breathe in. That’s kind of how this feels to me. Inhaling a sense of sharp renewal, waiting to grasp how the exhale falls.
A few years ago, on a bad night, I discarded about 100 poems I had written. I had no back up copies. I just needed them to be gone at the time. Some of them still live on in my head, and sometimes lines from others will come into my head, but mostly they’re just gone. Mine weren’t on paper, but the act of it was like throwing them to the wind. Like the speaker in your poem. And realizing a little too late that I wasn’t exactly ready to let them go. But, there it is. I saw myself in that moment when I read that part of your poem.
My favorite part of this, though, is the part where the exultation or adoration of the moon mixes with ‘sitting grey haired in the night’ and creates this double image of the moon and the man becoming one. That’s how it shakes out in my head anyway. I love the idea of that.
Really enjoy the mixing of states in this poem. And the sense of refined understanding tempered by what the title implies- as in- there is so much more to understand. This is great.
Posted 5 Years Ago
1 of 1 people found this review constructive.
5 Years Ago
Hey, Eilis you do get around, lol, it's actually several poems mangled into one, which might explain.. read moreHey, Eilis you do get around, lol, it's actually several poems mangled into one, which might explain the mixing of states, lol, lost poetry is like lost love, never to be found again but always lurking at the back of your brain
I love this poem . . . great imagery in the graceful tradition of eastern art. What comes to mind for me is how it's more important to embrace the artistic journey, not worrying about who will read/see/hear, if it will be popularly received, etc. Just like the art in the forest, words do not have to be read to be pleasing (((HUGS))) Fondly, Margie
Posted 5 Years Ago
5 Years Ago
thanks, Margie, great review, there is an estate close to me that has a forest art gallery, with 7 f.. read morethanks, Margie, great review, there is an estate close to me that has a forest art gallery, with 7 ft wicker cats sitting in trees and small mosaic pebble paintings on the path and chainsawed mushroom stump trees, great place for a wander and a smoke,
My first feeling after reading this was that feeling of coming to terms with a certain shift and just letting it flow over. The zen of Japanese poetry in its carving out the core of an idea kind of refining the mind. Even if only momentarily.
I like the feel of it. Sometimes when I go outside before sunrise this time of year, the air cuts into my lungs in the most satisfying way. Like it’s empty and ready to receive anything- asking me to be the same. Prepping me as I breathe in. That’s kind of how this feels to me. Inhaling a sense of sharp renewal, waiting to grasp how the exhale falls.
A few years ago, on a bad night, I discarded about 100 poems I had written. I had no back up copies. I just needed them to be gone at the time. Some of them still live on in my head, and sometimes lines from others will come into my head, but mostly they’re just gone. Mine weren’t on paper, but the act of it was like throwing them to the wind. Like the speaker in your poem. And realizing a little too late that I wasn’t exactly ready to let them go. But, there it is. I saw myself in that moment when I read that part of your poem.
My favorite part of this, though, is the part where the exultation or adoration of the moon mixes with ‘sitting grey haired in the night’ and creates this double image of the moon and the man becoming one. That’s how it shakes out in my head anyway. I love the idea of that.
Really enjoy the mixing of states in this poem. And the sense of refined understanding tempered by what the title implies- as in- there is so much more to understand. This is great.
Posted 5 Years Ago
1 of 1 people found this review constructive.
5 Years Ago
Hey, Eilis you do get around, lol, it's actually several poems mangled into one, which might explain.. read moreHey, Eilis you do get around, lol, it's actually several poems mangled into one, which might explain the mixing of states, lol, lost poetry is like lost love, never to be found again but always lurking at the back of your brain
a poet's meditation...yes, the trees watch...we write, we throw them against the wind...and somehow the themes and others' interpretations of the themes drift back to us on that strong current
and in the end...we are alone with our thoughts...but have drawn our lines in the sand.
nicely done.
Posted 5 Years Ago
5 Years Ago
Glad you liked it j. the power of meditation can be a powerful thing, f***s your knees up, but gives.. read moreGlad you liked it j. the power of meditation can be a powerful thing, f***s your knees up, but gives you little pockets of quiet and sanity in the mad, mad, mad, world
Caged In An Animal's Mind
Caged in an animal's mind;
No wish to be more or else
Than I am; a smile and a grief
Of breath that thinks with its blood,
Yet straining despite; unsure
In my stir .. more..