A Brother's HoldA Screenplay by Emma PondThe screenplay version of a story written by Archia FADE IN: EXT. GRAVE SITE - MORNING AERIAL VIEW ON - CEMETARY A girl stands by a headstone with a single white lily in her hand. She slowly rests it across the bottom of the stone which reads out the name of a young boy who had too much to live for. She stares blankly at it while tears fall down her cheeks. ANGLE ON - HEADSTONE PAN: FACE OF GIRL GIRL (V.O.) (continuing) I've had a year to cry without him. He had said that it took two years to be happy again. So I had only one more year to dry the tears that came every night. I only hoped that this time it didn't take so long. INT. KITCHEN - MORNING SUPERIMPOSE - One year later The girl sits at the island counter that is centered in the middle of the kitchen of a nice suburban home. An older woman, her mother, stands at the sink with an open purse beside her. A few muffled bumps and bangs come from the other room, and the girl turns her head slightly towards the noise. A man walks in, her father. FATHER Well, dear, we're leaving for the Doctor's office in ten minutes, so you might want to change into something more... appropriate. GIRL (looks at her clothing) What's wrong with a large sweatshirt and some jeans? I'm not meeting the president, dad. MOTHER (in a strained voice) Just, do as your father asks, sweetheart. Today could be a big day for us, we wouldn't want to ruin it, would we? The mother anxiously dries her hands off after rinsing them under the faucet. The girl glances at both of her parents before getting up to change upstairs. Once she is gone, the mother and father share a nervous look after which the mother clears her throat and zips her purse closed. CUT TO: EXT. FRONT PORCH - LATER ANGLE ON - FRONT DOOR The mother walks out first, expressionless, with a set of keys in her hand. The father follows in suit, but hesitates at the door frame. FATHER Let's go, Isabella, or we'll be late. (mutters) Again. ISABELLA (O.S.) I'm coming! The father shakes his head and walks down the front steps, leaving the door open. Isabella soon comes to the door with a jacket in hand. She shuts the door behind her and locks it, trotting down the steps towards her mother's car. PAN: Follow Isabella to car Isabella opens her door, jumps inside, and shuts it sharply. The car backs down the driveway and into the street, turning towards the main road. CUT TO: EXT. CAR ON THE HIGHWAY Isabella is seen looking thoughtfully out the window as the view circles to the front of the car where the mother and father both sit tensely in their seats. DISSOLVE TO: EXT. HOSPITAL - AFTERNOON ANGLE ON - FRONT OF HOSPITAL The family walks in together. Isabella trails behind. INT. PATIENT ROOM WITH DOCTOR The Doctor sits in a desk chair that looks out of place. The parents sit uncomfortably on two plastic chairs by the door while Isabella sits on the platform meant for operations. She brings her feet up to sit cross-legged and the plastic sheet covering the surface crinkles under her thighs. DOCTOR (coughs) Well, we have some news for you. A new treatment has been created, and while it's still under some slight investigation... (beat) it could be your cure. Both parents sigh with relief and the mother gets up to throw an arm over Isabella's shoulder. She squeezes her gently and rubs her arm. The father stands and shakes the Doctor's hand. FATHER (whispers) Thank you. DOCTOR So I'm guessing you would like to undertake it? MOTHER Of course we would. FATHER Yes, most definitely. ISABELLA No. Silence overcomes the party of four. All freeze except for Isabella, who slowly lets herself down from her seat. She walks to the door and turns to face her parents and the Doctor. MOTHER (continuing) Don't worry honey, it will be okay. It's not going to do anything bad. The treatment can only help, I mean- ISABELLA (interrupts) No, I'm not doing it. ISABELLA (V.O.) They couldn't change my mind. As they shared a worried look, all I could do was walk away. I wouldn't let them to make the decisions that would control my life. It was my time now. My time to decide. INT. PATIENT ROOM - NIGHT SUPERIMPOSE - Six months later Isabella is laying on a hospital bed, staring at the ceiling. ISABELLA (V.O.) I was seventeen now, nearly a legal adult. I knew that death was coming early for me. Who didn't know by now? I was here for the last time, that was certain. I wasn't scared, though. Not even a little bit. My brother always said he would be there with me, when I die. FLASHBACK: BROTHER Don't worry sis, don't be scared. A brother and younger version of Isabella sit on the bed that lay in her brother's room. Isabella is twiddling her thumbs and her brother rests a hand on her knee. She looks up slowly at him. ISABELLA But, I am. I'm afraid to die, aren't you? BROTHER (hesitates) Just don't make your last moments bad. Think about the good times instead. Think about how much we all love you. He smiles gently and pulls Isabella into a hug. She sighs and lets go to fall back onto the bed. BROTHER Don't worry. When you die, I'll be there. Isabella smiles softly and her brother joins her lying down on his bed. FLASH FORWARD TO PRESENT TIME: ISABELLA The clock is ticking, Isabella. A clock indeed ticks in the distance, and Isabella closes her eyes. PAN: OUT INTO HALLWAY AND TO THE PARKING LOT ANGLE ON - LAMPPOST ISABELLA (V.O.) (continuing) It was right then that I knew he was with me, just like he promised. I had had more than enough time. One year for crying, and another for drying my tears. Now all that was left was happiness. CLOSE UP ON - STRANGER A shadowed man leans against the lamppost that is dimly lit in the dark parking lot. The glow of the fluorescent light encompasses him and a hat is tipped low over his clouded face. BROTHER (V.O.) When you die, I'll be there. ISABELLA (V.O.) And he was. The man lifts the hat up in the slightest, and reveals he is Isabella's brother. A gentle smile stretches across his face. He shoves off from the post and walks towards the hospital. ANGLE ON - BACK OF BROTHER He continues to walk towards the front door, and from the distance all that is seen is a dark spec among the buzzing building. FADE OUT
© 2012 Emma Pond
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StatsAuthorEmma PondNo WhereAboutI'm an aspiring screenplay-writer and a film/drama fanatic. I absolutely love to read and write, from short stories to flash fiction, from John Green to Ralph Waldo Emerson. I just recently started d.. more..Writing
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