Chapter 1A Chapter by E. L. Foley
They were saying a new face had been seen on the esplanade: a lady with a
pet dog. Odd that I heard about her before I saw her, but she was on snatches of conversations for days. It was the dog that got them talking, considering their rarity since the epidemics. That she is walking, and here, bespeaks wealth--but to have one of the few remaining dogs makes her most remarkably wealthy indeed. Now that I see her, the face itself bears remarking as well. Dusky skin starkly framed by hair bleached bone white, it is beautiful, but obviously not sculpted to be so. The nose is too long, the eyes overly sharp and somehow the natural imbalance makes her even more stunning. She is definitely going in the game, with hardly any alterations. Tracking her movements as she circles the park is a pleasant sort of game, flashes of sunlight on her bright hair marking her before she disappears in and out of other promenaders and falsely weathered columns. Every time she comes into view, I try to capture her in my little green notebook. Paper is the deepest luxury I afford myself. I am an artist, though one who panders to the masses, and I am willing to invest in the tools of my trade. Making another pass around the circle, the lady draws near me again with her heels clicking evenly on the pavement. I wait. Lips parted, inhale, and I can feel the bite of her perfume on my tongue. Breaking down the notes"citrus, florals, musk--I jot them down and then dig in my pockets for the tin of broken pastels. What colors lie in that scent? The orange-red of sunset and the palest petal pink. The olfactory technicians will be displeased with me again, but I do not carry a catalog of perfume components in my head as they do. I do my best to be specific, and this time, I want it to be particularly correct. There is something intangible about this morning that I want to capture. It is not just the lady, though she is lovely and proud. The grass glistens, the sprinklers having dusted the ground as though with dew. The sun refracted through the translucent dome above catches the drops, and the scent of light on water is wafted by the circulation of the atmospheric purifiers. This breeze touches the leaves of the slim trees, who whisper in return. And to taste it all. That is where the technology is headed, though I have been exposed to the prototypes and as yet it lacks the subtle nuances that could capture the flavor of the morning. Mainly reserved for food simulations at this time, the tastes are heavy upon the tongue, and the marketers are too afraid of anything remotely unpleasant to allow a realistic experience for the gamers. Maltech would like us to call them ”realizers”, but all of the designers refuse. We build delusions, but we do not harbor them. The fictions we create are no more real than life has ever been for the struggling underlings, even if the next generation of technology will allow them to taste their dream environments. Their virtual worlds are one step closer to emulating the existence of the wealthy"-adding new sensations of the outdoors that most people will never know. The gamers will grow to recognize our simulations of the flavor of the purified air that surrounds upper class neighborhoods. They will pretend even further that they can walk outside free of pollution clouds, come into contact with humans without fear of disease. In truth, I am just as much of a pretender as any of the players. It is only because it is my job to observe the upper strata that I live in relative luxury. Maltech provides transportation from my hermetically sealed flat to the various neighborhoods I watch and the expensive health care that prevents me from either contracting or spreading dread diseases. Without my artistic talents, I would be looking at a virtual replica of the lady with the pet dog, rather than the real thing. And despite the advertisements, there is a difference. It is not enough to meet a person’s avatar--the divide between tangible people and their electric counterparts is indescribable. Closing my eyes, and there is the esplanade of the games. False. Limited colors. Finite pixel count. Opening again, and it is solid. The men in shining top hats and stiff jackets. The ladies in high, ruffled collars. Children in crisply pleated whites. Their voices ring with prim conviviality, greeting each other by name to affirm the exclusive community. I know every name. They line up neatly in the lists I keep and stand tall as captions under the likenesses I have stolen, but I know them without those queues and not simply because these are things I am paid to observe. The wealthy, the glamorous--they are free and they fascinate me. They can buy beauty, health, fresh air. Who could not be intrigued? A man in an orange waistcoat deigns to glide his eyes over me and my furiously sketching fingers, and I know that they tolerate my presence for two reasons. First, I am completely within my legal rights to be here. Initially, it was assumed that I was just a prostitute and on those grounds the guards attempted to have me removed. My employers protested most fer- vently. Second, now that they know that I seek to imitate, they are sincerely flattered, and for every disdainful glance, there is a furtively interested one. Like just there, from the woman with the pink lace gloves. Her main focus is on the line of cars behind me, but it flicks in my direction more than would be expected. Catching sight of a face far more familiar than all of the others, and I no longer bother to keep track of the lady with the dog. Jessica Cantor tips her head in recognition primly, but with the motion she causes the feathers on her broad hat to dance jauntily. She greets me with a quiet ”Mr. Sinclair” and I nod in return. Ms. Cantor is my technical supervisor. One day, I arrived at work and found that I had come to see her as the most beautiful woman I knew. Objectively as an artist, I know that while she is quite pretty, she is not the exquisite creature I have come to recognize her as, and yet I could not help but completely redesign her avatar from the ground up. Though the digital version pales in comparison to the flesh and bone woman, it was the best work I had ever done. Of course, I had to create a set of new avatars for all of my supervisors, to avoid suspicion of favoritism, which led to a new design initiative that meant months of hard work. Ms. Cantor built programs around my art that brought it to life in a way I had thought beyond current capabilities. She writes the most elegant code"-the particular perfection in simplicity of her lines make them instantly recognizable. This, at least, is not merely the delusion of a fool in love, for it is widely recognized that she inherited her technical talents from her father, who was a pioneer in automation during the height of the epidemics. I pack up my supplies to leave. I do not like to continue my observations when she is around. I feel that it would be odd, to watch and sketch someone with whom I am actually acquainted. She intrigues me for reasons beyond her wealth and freedom, and yet I cannot define what those reasons might be. It somehow seems as though over the time I have come to know her, she has slowly revealed herself to be more and more wonderful, even in her flaws. As I replace each pencil in its particular slot in the tin I carry, I think of the chaos that is her desk. I cannot fathom what lies at the bottom of those piles, yet she always knows exactly where everything is. It is a system of a sort, I suppose. *** The room is already beginning to bend slightly as I pour myself anotherglass of scotch. Its warmth in my veins mingles with that radiating from the gas fireplace up to which our chairs are pulled. Relaying the events of the day to Ronald Peck, my roommate and fellow art technician, produces the same results that always come of my talking about Ms. Cantor. ”Remember when she was just our supervisor?” he asks. ”Wasn’t that nice, Ellis? No pining over a woman you don’t have a shot in hell with?” His condescending tone is not one that I appreciate. ”One does not decide to fall in love,” I return stiffly. ”It simply happens.” He snorts derisively. ”Don’t give me any of that drivel.” ”Are we forgetting the lovely Ms. Cynthia?” Ronald will not meet my eyes. ”Surely you could not have forgotten the lady to whom you professed your undying love, only to find that she thought you were the young man who supplies our sandwiches.” ”That was entirely different. Ms. Cynthia was sending me mixed signals. Ms. Cantor clearly sees you as nothing more than one of many artists.” ”I recognize that she does not return my affection.” The inevitable mo- ment of my sighing and staring deeply into my ice cubes has arrived. ”Then can we agree that you are going to forget her?” ”No.” It is his turn to sigh. ”Why don’t you focus your attention on Mazie Atkins? She is attainable. And quite attractive.” ”Mazie Atkins is no substitute for Jessica Cantor. Ms. Atkins rambles incessantly. That woman could not find the point of any of her stories if her very life depended on it.” ”That,” Ronald pauses to pour himself another drink, ”is harsh. Quite harsh indeed.” ”Harsh or not, it is how I feel. And as to attractiveness, Ms. Atkins has nothing that compares to Ms. Cantor’s charms.” I attempt to exchange a knowing look with Ronald, but he deflects by looking at his glass. ”A moratorium on discussing anything female. Starting now.” ”Fine.” I cast about for another topic. ”How far do you suppose the little feud between Bill and Leonid will go?” Ronald laughs. ”I don’t rightly know. The thumbtacks in the chair was a surprising development.” ”Not quite as startling as the dye in Leonid’s coffee. Are his teeth still red?” ”Eh, they’ve become rather a pinkish color by this point. Not nearly as unnerving as the original crimson, but still there.” The night begins to drift into aimless office drama. © 2010 E. L. FoleyReviews
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1 Review Added on May 22, 2010 Last Updated on June 20, 2010 Tags: Virtual Reality, Art, Love, Distopian AuthorE. L. FoleyIt DependsAboutCurrently studying Physics, my other pursuits are largely done in the time stolen from lab reports, badly botched circuit building, and endless problems. I knit, write (obviously, though I'm not very.. more..Writing
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