HandsA Story by Eun Jee Nikki KangWhen people first meet me, they ask to
hold my hands. They are curious to see what a violinist’s hands look like,
expecting long, beautiful, slender fingers; they find the opposite: stubby,
short, frog like. You can see the utter disappointment in their faces, but I am
not offended. My hands tell the story of ten excruciating but exultant years.
My hands are flawed in their appearance: calluses at their fingertips, broken
skin around my torn nails, darkened knuckles and joints, but they tell my
story. When I was
young my conductor introduced me to a Julliard graduate, Joseph Esmilla. To
become his student, I had to pass his audition. Although many sought to be his
student, he chose me. It was the best day of my life. Soon this joy dissipated
into misery. He spent hours on perfecting one measure; he screamed at me for
notes played out of tune and debased me for ruining the piece. Enduring his
constant criticisms was humiliating and discouraging. I would come home and
bury my face in my pillow letting the tears flow into. Sometimes I would be so
frustrated that I would swear at my violin. But I never gave up because I am
not a quitter. So I stopped crying. I skipped meals to practice, spent weekends
reading about the history of my pieces and started listening to recordings
every evening. Comparing my performance to the
recordings stimulated my quest for perfection. I no longer cheated by playing
the wrong notes when I thought people would not notice; I played each note with
significant emotion and, soon enough, all of the notes became intrinsic to an
extraordinarily beautiful story. Noticing my resolve, my teacher complimented
me, “Good Job! Now that is music.”
The same tears that hid themselves after every lesson trickled down my face,
only this time out of happiness. I finally gained my teacher’s. I realized that
he wanted me to play each piece with my full potential regardless of who is
listening, because he believed that music deserved to be played at its very
best. I realized the greatest lesson he wanted me to learn was to play music
with vitality, meaning, and most importantly passion. My teacher and I have since parted ways,
but my hands still remind me of the reason why I play with such fervor and
tenacity. They remind me not to undermine the power of practice, pain, and perseverance,
to understand the potency of love and passion in performance, and to always
play with clarity and integrity. My hands are not the ideal hands for the
violin, but with the sweetness they conjure, to me, they have become beautiful. © 2012 Eun Jee Nikki KangFeatured Review
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2 Reviews Added on April 29, 2012 Last Updated on April 29, 2012 Tags: hands, joseph esmilla, violin, calluses, performance, music Author
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