The ___ Senses of the ViolinA Story by Eun Jee Nikki KangThe violin is on the table, palpable and aloof in
its composure " motionless yet vibrant. The young woman, mortal, dares touch the
sacred instrument, and, as it is touched and lovingly held by a human’s stern
hand, the first note rises and reverberates. The battle of overall omnipotence
of human will over instrument or vice-versa has begun. The
seemingly uncomplicated wooden structure of the violin beguiles the woman to
expect an effortless win. As she tries to produce an acceptable sound, the
horsehair on the bow refuses control, and the strings instill pain against the
tips of her tender fingers. Patience cracks and slowly rends her nerves; her
hand trembles yet refuses to let go. The violin, resistant, anticipates
eventual victory but fails to foresee the human capacity to fill all senses
with beauty; it underestimates the tenacity of the young woman’s will, unaware
of her ability to adjust to the challenge. Musician and instrument remain at
war. The human becomes committed and drawn to endure every challenge the violin
proposes: the hardening of skin around the fingers, the feeling of abject failure
to tame a proud instrument, an impossible desire to extract and drink from the
roots of pleasurable victory once more, every time. The neurons of the human
body awaken to the smell and taste of the rosin that is excreted by the bow of
the string, giving rise to reverberating melodies and harmonies, quickening the
formation of the fingers as they lift, prance, and press the board at accelerating
speed. Woman and instrument merge into
one spirit - one music; suddenly, as she shatters the boundaries of reality,
accepting the equally powerful value of the violin, her soul takes flight; she
transforms into a greater mortal and momentarily attains her aesthetic desire.
As the beam of light shining on the two diminishes and begins to fade, the
battle morphs to a dance. The
mutual and equal acceptance between woman and violin transform the unimaginable
experiences of rhythm, cadence, tone, and brilliant notes into a concrete,
vibrating reality. Even standing in front of the mesmerized crowd, the two are
in their own world, together. As the notes resonate and fill every space, a
magnificent power overwhelms the crowd provoking each individual to see a new
world that is about to unfold. The auditorium is under a spell"everyone listens
at the edge of his seat. Within a single moment, the violin and its wielder are
charmed by their own incanted hypnosis and drawn into a trance that recreates
the world they had originally imagined to become more tangible, more undeniable
than she had imagined. Each step the audience takes to follow, each note the
violin evokes to craft this world, registers in the human neurons, creating an
interconnection between those that have met serendipitously in this other world.
Together, they become anything and everything: a gypsy sifting through the
desert, a boar about to meet its end, a parent watching her child take his
first momentous step, a bird fluttering its wings against the cold. They are all
immersed in a world of heightened senses, soaring higher than the realm of the
five senses. Theirs is a world that transcends reality and transcends imagination
within that reality. Music releases the floodgates of human emotion, familiar
yet different to the violin and its player, but foreign to the audience. The woman
feels the story coming to an end and throws a glance at the helpless violin,
which is composed of immobile cells giving it no control over the beginning and
end of a story; yet it serves as a tool with which the human experiments to
teach herself. Their mingled realities strengthen their unity, each grateful
for the other’s existence: the violin kindled and stimulated the human senses, engendered
realizations leading to the human’s enlightenment to attain her maximum
potential; thus, the human released to the world the beauty which the violin
had held back, unrealized. The inevitable end approaches, and the human, weary
from the long journey she has rendered melodiously, exerts her remaining strength,
tintinnabulating the final note. The moment is past, and remorse stirs in the
woman’s heart, over the uproar of the crowd, beyond the voluminous space of the
theatre. As the human stirs up the courage to open her eyes and glimpse the effects
of music, she can only smile. Her eyes take in a new vision, her body moves
differently, her feelings vary and extend their range, the sense of smell and
touch gain unfathomable acuity. The audience’s neurons manifest the same
stimulations as the human who had created her own while learning the music of
the violin, creating the everlasting bond between the instrument and humanity"a
world made beautiful and whole. Music is power. It
reminds people of their inherent capacity to empathize, sympathize, remember,
regret, laugh, cry; it connects to infinite emotions that we register in our
physical systems. It reminds us that we are pioneering spirits"adapting our
selves to our world, while shaping our world to our vision by exchanging
stories, intertwined with those who we might never have crossed paths with were
it not for music. Most importantly, music awakens our neurons, our physical
anatomy, to realize that we have the ability to extend our reality to the power
we all possess and evoke. In music, our
physical configuration cannot discriminate; the connections created by song go
beyond biases. It reminds us that each person’s experience is special. The
physical anatomy of neurons, further tell us that we are creatures with the
ability to push the borders of reality. Our neurons are a type of cell that
never dies, in the way that the connections we make with each other, the
emotions that are conjured, the memories, visual images created in our mind,
will stay with us forever, resurrected each time through the music we play. A
person had once asked me, “Is
there a real reality out there?” As a musician I can
say, “Yes there is, it is what you make out of everything around you, what you
choose to allow into your system. There is not one real reality, but 6.8 billion and rising.” © 2012 Eun Jee Nikki KangFeatured Review
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