Very beautiful words, and a quite edifying use of form in this poem. The effect created is like a picture painted: the hazy, fantastical moments of summer days spent in the way dreams would be, in a Monet-like shimmering image. In fact, the imagery is what burns through this work and sears its visions in the reader's mind. Lines such as: "In fields of orange hues."/ "In sweet dreams of midnoon slumber,"/ "Drenched in the musk of love."/ "Me in this wheel Of love inside your heart."/ "The sun goes down in crimson flames".... all crafted and carved with soulfully-inspired brush-strokes. This style would almost achieve flourishing perfection, were it not for the line: "In a lifeboat in the sea of love." which lets the side down a little in its mawkish, pop-song cliche.
Apart from this small glitch, however, this is an excellent piece of work on a theme which can so often and easily drift emotionally off into self-indulgent crassness. Well done indeed.
Very beautiful words, and a quite edifying use of form in this poem. The effect created is like a picture painted: the hazy, fantastical moments of summer days spent in the way dreams would be, in a Monet-like shimmering image. In fact, the imagery is what burns through this work and sears its visions in the reader's mind. Lines such as: "In fields of orange hues."/ "In sweet dreams of midnoon slumber,"/ "Drenched in the musk of love."/ "Me in this wheel Of love inside your heart."/ "The sun goes down in crimson flames".... all crafted and carved with soulfully-inspired brush-strokes. This style would almost achieve flourishing perfection, were it not for the line: "In a lifeboat in the sea of love." which lets the side down a little in its mawkish, pop-song cliche.
Apart from this small glitch, however, this is an excellent piece of work on a theme which can so often and easily drift emotionally off into self-indulgent crassness. Well done indeed.
Delightful! I was very impressed by the flow and the rhyme...the imagery is quite simple but beautiful. And the words are soft and sweet...You have conveyed the magic of a young and wild romance with delectable delicacy. The write reminded me of the song "Fields of Gold" by Sting.....Fabulous poem, Abdul!
A critical note about the structure: I felt that you had given the poem some sort of structural outline, with five lined stanzas with the three lines in the middle rhyming. The meter however, was off in a few places. I know how well you can write in meter when you want to, so I take it that you did not pay conscious attention to the meter in this write. It is not always necessary to maintain a perfect rhythm. However, I feel that for this particular poem, and particularly for the structure that you have used, the effect would have been enhanced by a perfect adherence to the meter.
I feel the entire poem could have been written with the metrical precision of the following stanza.
"You smile, I cry,
I feel
You seal
Me in this wheel
Of love inside your heart."
The number of syllables is 4-2-2-4-6 and the meter is iambic. I feel this would have been the best way to go for this poem. Just my humble thought...
But I really enjoyed the poem.. :)
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