Manhattan (Act I)A Stage Play by Umbreomancer Act I of a musical of Imagine Dragons songs based on the story of the United States Manhattan Project. Technically Historic nonfiction, but artistic license has been taken with some events and dates. Manhattan A Musical Inspired by the Music of Imagine Dragons Cast: Major General Leslie Groves Professor J. Robert Oppenheimer Jean Tatlock Katherine Harrison Oppenheimer Major General Brehon Somervell Brigadier General Wilhelm Styer General Douglas MacArthur Peter Oppenheimer Katherine (Toni) Oppenheimer Harry, Kenneth, Linus, and Oppenheimer’s other Berkeley Students Assorted Manhattan Project workers Citizens of Japan Act I Scene I (Scene: an office in the Pentagon. There is a desk upstage left but there is no one behind it. Generals Wilhelm Styer and Brehon Somervell enter from stage right, deep in discussion.) Styer: Are you sure he’ll be up to it? Groves isn’t the kind of man who enjoys working state-side. Somervell: Well, Marshall wants him, so we’ll take him. But tell me, why wouldn’t he want to work on something that will change the world? (They both laugh) Somervell: Well, I gotta give that one some credit, but in my opinion, if someone doesn’t enjoy his work, then why is he doing it? Styer: Oh, patriotism, scientific progress, all sorts of reasons, but not one of them will explain General Leslie Groves. Oh! Here he comes; let’s hope he didn’t hear us. (Enter General Leslie Groves) Groves: Afternoon, Gentlemen, I was told you had an assignment for me? Somervell: Yes, we do, General, but before we explain it, we’d like to tell you that it wasn’t our idea. Groves: Excuse me? Styer: (Elbows Somervell) It’s just that it’s not the assignment you were hoping for. Groves: I don’t understand. Styer: We know how much you enjoy working on the battlefield, but sometimes America needs men who work for other things. President Roosevelt himself created this Project, and we want you to head the design and testing divisions of it. You can pick your own headquarters and everything! Groves: (Getting increasingly angry but trying to keep it in check) This… Project. What exactly is it? Somervell: You’ve heard of the Manhattan Project? Groves: Somewhat. I haven’t paid much attention to it. (Music Intro: “Tiptoe”) Styer: The Manhattan Project’s aim is to use the information given to us by Albert Einstein and Leó Szilárd to create the atomic bomb before the Germans do. It’s of the utmost importance and we wanted only the very best to work on it. It’s a compliment that we’re selecting you. Groves: I’m sure it is, but it doesn’t change the fact that I don’t want it! I need to be out with my men, fighting the Nazis with guns, not sitting in some hidden base creating a bomb. Styer: It'll be something that will change the world. Groves: It could make Abraham Lincoln a woman who wants to sleep with me and I wouldn't take it. Somervell: Not Frank Sinatra? Groves: What? Somervell: Nothing. But think about it, Leslie. This way, you can fight the Nazis without ever revealing yourself! They’ll never know what hit them! In the morning light let your roots take flight We’ll watch you fall above like a vicious dove They won’t see you come, who can blame them? You’ll never seem to catch their eye, and they’ll never wonder why Groves: I won't fall asleep I won't fall asleep Styer: Hey yeah, don't let 'em know we're coming Hey yeah, tiptoe higher Take some time to simmer down, keep your head down low Hey yeah, tiptoe higher Groves: And what if I don’t want to? Styer: You will. It’s that important. Just don’t make a fuss of it. From your slanted view see the morning dew Sink into the soil, watch the water boil They won't see you run, who can blame them? They never look to see you fly, so you’ll never have to lie Groves: I won't fall asleep I won't fall asleep Somervell: Hey yeah, don't let 'em know we're coming Styer: Hey yeah, tiptoe higher Both: Take some time to simmer down, keep your head down low Hey yeah, tiptoe higher Groves: What if I’m not the best for the job? Have you ever thought that? Somervell & Styer: Nobody else, nobody else Nobody else can take us higher Nobody else can take us higher Nobody else can take us higher Nobody else Hey yeah, don't let 'em know we're coming Hey yeah, tiptoe higher Groves: I’ll take some time to simmer down, keep my head down low Somervell & Styer: Hey yeah, tiptoe higher All: Hey yeah, don't let 'em know we're coming Hey yeah, tiptoe higher Take some time to simmer down, keep your head down low Hey yeah, tiptoe higher (End Music) Groves: (Defeated) Alright, gentleman, fine, I’ll take your Manhattan Project assignment. Now who’s going to work with me? Somervell: That’s your decision, Groves! You pick your main scientist, and he’ll take care of the rest. We have a list of men who would do well in the position. Our main focus is a professor at Berkely in California. Maybe you should go take a look. Groves: I guess I’ll have to. Let me guess, I have to choose the main headquarters as well? Styer: Yep! Groves: (sighs) Well, gentleman, you sure know how to convince a man of his patriotic duty. When’s the next flight to Berkeley? Somervell: We’ve already bought your ticket. Groves: You have? So you knew this whole time that I’d accept? What if I hadn’t? Styer: We’d improvise. (Somervell and Styer laugh as they exit. Groves stands center stage and takes one last look at his surroundings before exiting as well.) (End Scene) Scene II (A classroom in Berkeley University. There are a number of college students seated in desks facing downstage right. J. Robert Oppenheimer is standing in front of a blackboard, teaching the class. The bell rings.) Oppenheimer: Alright class, we'll pick up there tomorrow. You're dismissed. (The students get up and file out the door. Oppenheimer sits down at a desk beside the blackboard. The scene is silent as he reads papers on his desk. One of his students, Kenneth, re-enters) Kenneth: Excuse me, Professor? Mrs. Lyman says there's a man waiting for you out here saying he needs to see you. Oppenheimer: Who is it? Kenneth: I don't know; I've never seen him before. He looks like he works in the army. Oppenheimer: Send him in. (Kenneth exits. A moment later, Groves enters. Upon seeing him, Oppenheimer stands respectfully.) Groves: Sit down, Mr. Oppenheimer. (Oppenheimer sits) I take it you know who I am? Oppenheimer: The Pentagon called ahead saying you'd be here. What does the army need of a university professor, General Groves? Groves: A great deal more than you'd think, Mr. Oppenheimer. Are you familiar with the papers of Einstein and Szilárd? Oppenheimer: The theory of nuclear fission, yes, I've heard of it. Groves: Are you aware that the Germans are attempting to construct a bomb based on this theory? Oppenheimer: I figured that. Everyone with enough resources will probably be scrambling to be the first to create one. Let me guess, you need me to help design it. Groves: Oh no, Mr. Oppenheimer, I need you for much more than that. I'm here to ask you to be the head of our section of the project. I'll be the military correspondent reporting to the Pentagon, but you will be the one heading the design. Oppenheimer: (stunned) General Groves... I'm honored. What made you choose me? Groves: You were the best we could find. I take it you'll accept? Oppenheimer: Of course! I've got to tell my students about this. Groves: Are you insane? Good heavens man, we've got to keep this a complete secret! You'll need to resign and find a secluded place where we won't be found easily. Oppenheimer: I hadn't thought about that. Can I tell anyone? Groves: Not specifics no, but you'll take your family with you. Oppenheimer: Take them where? Groves: You'll have to decide that. Oppenheimer: (thinking) Well... I have a ranch out in New Mexico. It's not near any major city. Groves: What town is it closest to? Oppenheimer: Los Alamos. Groves: (nods) I'll have to check with the Pentagon, but it sounds good enough. Thank you for your time, Professor. Oppenheimer: One moment, General. I have one more question. How much of a chance do we have of completing it before the Germans do? Groves: I won't divulge secrets here, but I must say, it doesn't look good. The Germans have had a longer time with this information; we're struggling to catch up. Oppenheimer: Well don't worry, General; I've found that men work best when they're behind. Groves: I hope the rest of your scientists have your sense of optimism, Professor. Good day. (Exits) (Music: “Underdog”) Oppenheimer: This will be an interesting change. From assistant professor to head designer for the Manhattan Project. I wonder if we'll even make the bomb in time. But who knows? We might just do it. Even if we don't, we'll have tried. If only my parents could see me now. Early morning take me over Living the low life Hey, that sounds like my luck The underdog, hey! I love to be the underdog, hey! The underdog, Hey! The underdog, Hey! The underdog, Hey! The underdog, Hey! Scene III (A lab room at the project base in Los Alamos. Oppenheimer is once again in front of a chalkboard, explaining the physics of how an atomic bomb works. There are several bomb designs drawn on the board.) Oppenheimer: Now, that is what we are trying to accomplish, men. We need to find the best design for delivering a case of massive nuclear fission to the Nazis. Scientist #1: We could design it like a cannon, shooting a piece of uranium into another at the other end. Oppenheimer: Yes, but the amount of mass in the bomb to make that work would make it too heavy to lift, even for a crane. Scientist #2: But what other option do we have? There's no other way to get the uranium to impact at the needed velocity. Scientist #3: Do we even need to use uranium? What about that other metal, plutonium? Oppenheimer: Plutonium doesn't undergo nuclear fission at the rate we need it to; it starts before the two halves impact, which makes it fizzle instead of explode outward. (Groves enters) Ah, General Groves. What can we do for you? Groves: You can start by telling me how the design is going. It's been a month already! Haven't you come up with something? Oppenheimer: That's just what we were discussing. We have a few ideas, but there are problems with all of them that can't be fixed quickly. (Pulls Groves aside) There is something else, sir. The men don't seem to be very enthusiastic about this. They don't have the heart. Groves: Explain. Oppenheimer: They try to suggest ideas, but they act reluctant. If I didn't know better, I'd say they don't want this bomb to beat the Nazis. Groves (sighs, turns to address the group) Alright men, explain yourselves. Oppenheimer here doesn't believe you are putting your best foot forward on this project. Would anyone like to tell me why? Scientist #1: Well, it's hard to explain, General. We just don't think that this bomb is safe. Groves: Of course it's not safe, it's a bomb. Scientist #1: That's not what I mean. Personally, I think this bomb is too dangerous to use on anyone. Can you imagine if every country in the world had some of these? We could destroy the planet! Groves: That's not our worry right now. Any reasons why we shouldn't use it against only the Nazis? Scientist #2: Yes. Even if we only use it this once, the fallout would be devastating. The environment would be poisoned for decades to come! Besides, what kind of people are we to condemn anyone to such a fate? Groves: Tell that to Hitler and his concentration camps. Scientist #2: But see, that's another thing we need to consider. What kind of beings are we to do this to our own species? This whole war makes me want to hide under a rock. (Music: “Fallen”) Run for cover Ohhhhh Every morning Ohhhhh (Scientists Exit) Oppenheimer: I must admit, General, that wasn’t what I’d expected them to act like. It will probably take some time for them to get accustomed to this project. Groves: They aren’t the only ones. Oppenheimer: What? Groves: I said they aren’t the only ones. Oppenheimer: I’m not sure what you mean, General. Groves: I’m sure you do. Oppenheimer: Well, I don’t, so enlighten me. Groves: Alright. What is your relationship with the woman Jean Tatlock? Oppenheimer: (taken aback) Jean? She’s a friend. Groves: Oh, really? A friend who constantly calls you, telling you how much she loves you and needs you? Quite a friend you’ve got there. Oppenheimer: What… how…. Those calls were private! Groves: Nothing is private in this project, Professor. Obviously we screen all calls going in or out here; we don’t want any sensitive information getting out. As soon as Ms. Tatlock called you, we knew about it, and we looked her up. And do you know what we found out? Not only have you been having an affair for years behind your wife’s back, you’ve been having it with a communist to boot! Oppenheimer: So? I’ve had communist sympathies for years. Groves: Yes, but fraternizing with them doesn’t help! She could be a Nazi spy for all we know! Oppenheimer: What does it matter if I have a private life here? It won’t affect my ability to work. Groves: You just don’t get it, do you? (Music: “Tiptoe Reprise”) In the morning light, watch her roots take flight watch her fall above, like a vicious dove You didn’t see her come, who can blame you? She never seemed to catch your eye, so you never wondered why Oppenheimer: I won’t fall asleep I won’t fall asleep Groves: Hey yeah, don’t let ‘em know we’re coming hey yeah, tiptoe higher Take some time to simmer down, keep your head down low hey yeah, tiptoe higher Hey yeah, don’t let her know we’re coming hey yeah, tiptoe higher Take some time to simmer down, keep your head down low hey yeah, tiptoe higher (End Music) We can’t let this continue, Professor. You need to break off your affair with Ms. Tatlock and never see her again. Oppenheimer: And if I refuse? Groves: (matter-of-factly) Then we will fire you and find someone else. Oppenheimer: No one else can build this bomb. You need me. Groves: Then break off the affair. (Exits) (Oppenheimer watches Groves exit, then sits down at his desk. After a moment, he reaches for the phone and dials a number.) Oppenheimer: Hello, Jean? Where did you say you wanted to meet? (End Scene) Scene IV (Jean Tatlock’s house in California. She is singing to herself and dancing as she sweeps the floor. There are two couches set up facing the audience, and a fireplace upstage middle. The front door is upstage right.) (Music: “Rocks”) Jean: Where do we go from here? Where do we go from here? I threw some rocks up at your window I broke some rocks right through your window Timber, timber We're falling down Let the forest hear our sound Boom ba boom ba boom Ah ooo ah ooo Boom ba boom ba boom Ah ooo ah ooo Why can't I see What's right in front of me? We fall We fall apart We fall We fall apart (A knock on the door is heard.) Jean: Coming! (She opens the door) Robert! I’m so glad you could come! Oppenheimer: I can’t stay long, Jean. Jean: Oh that’s fine; we can skip the dinner. Oppenheimer: No, that’s not what I mean, Jean. I mean that I can’t stay more than a few minutes. I need to tell you something, and then I’m leaving. Jean: (Troubled, but trying to remain happy) It must be important then. Go on, you can tell me anything. Oppenheimer: I don’t think it’s something you want to hear. You know the project I told you I was working on? Jean: You mean the one you wouldn’t tell me anything about? Oppenheimer: Yes. It’s a sensitive government project, Jean, and I can’t tell you any specifics. The thing is, it’s for the military, so me having an affair with a communist can’t be allowed. Jean: What are you saying? Oppenheimer: I think you know what I’m saying. We can’t see each other any more, Jean. If we do, they might do something horrible to you. Besides, I’m not sure you want to know what we’re doing. It’s not something pretty. Jean: You think I care? Stay with me, Robert. If that project is so horrible, just leave it behind. If you need comfort, stay with me, with love. Oppenheimer: You really think it's that simple? I have a wife, Jean! I can't just abandon her. Jean: So you'd abandon me instead? Oppenheimer: It's not just that. This project excites me, Jean. It's a chance for me to do something in this world besides just teaching students at Berkeley. How often does that chance come around? I can't just let it go. Jean: And where do I fit in to this? Oppenheimer: I love you Jean. I love you too much to let you get hurt by this, so just understand that I’m doing this for you. (Music: “Demons”) When the days are cold And the cards all fold And the saints we see Are all made of gold When your dreams all fail And the ones we hail Are the worst of all And the blood’s run stale I wanna hide the truth I wanna shelter you But with the beast inside There’s nowhere we can hide No matter what we breed We still are made of greed This is my kingdom come This is my kingdom come When you feel my heat Look into my eyes It’s where my demons hide It’s where my demons hide Don’t get too close It’s dark inside It’s where my demons hide It’s where my demons hide At the curtain’s call It's the last of all When the lights fade out All the sinners crawl So they’ll dig your grave At the masquerade They’ll come calling out At the mess we made Don't wanna let you down But I am hellbound No, this is all for you Don't wanna hide the truth No matter what we breed We still are made of greed This is my kingdom come This is my kingdom come When you feel my heat Look into my eyes It’s where my demons hide It’s where my demons hide Don’t get too close It’s dark inside It’s where my demons hide It’s where my demons hide Jean: They say it's what you make I say it's up to fate It's woven in my soul I cannot let you go Your eyes, they shine so bright I wanna save that light I can't escape this now Unless you show me how Oppenheimer: When you feel my heat Look into my eyes It’s where my demons hide It’s where my demons hide Don’t get too close It’s dark inside It’s where my demons hide It’s where my demons hide (Oppenheimer exits. Jean kneels down and cries.) (Music: "Bleeding Out") Jean: I'm bleeding out (Oppenheimer has reentered. He is not in Jean’s house; he enters from the opposite side of the stage than the door and sits on a bench set in front of the proscenium. Jean and Oppenheimer do not acknowledge each other; they are in separate locations, but on the same stage. When the hour is nigh You tell me to hold on And I count my sins And I close my eyes And I take it in And I'm bleeding out I'm bleeding out for you, for you. I'm bleeding out for you, for you Oppenheimer: I'm bleeding out for you, for you Jean: I'm bleeding out for you, for you Oppenheimer: I'm bleeding out for you, Both: 'Cause I'm bleeding out (She runs out, Oppenheimer exits the same direction he entered.) (End Scene) Scene V (A scene in front of the curtain. Jean runs out and frantically runs through the audience. She returns to the stage when she finishes her first lines) Jean: Robert! Robert, where did you go? Robert, come back! Please, darling, I can’t stand it! I don’t care what happens to me, I need to be with you! (Stops center stage, looks around) He’s gone, isn’t he? (Laughs bitterly) So this is how you leave me? You tell me you love me, then abandon me forever? Anyone can leave their lover; I thought you were better than that! Doesn't my love mean anything to you? Apparently some stupid government project means more to you. So who will be left for me? (Music: "Hear Me") Try Try to hear my voice (She curls up on the ground and cries. Blackout) Scene VI (The lab at Los Alamos. Oppenheimer is holding another meeting with all the scientists to discuss bomb designs.) Oppenheimer: Gentlemen, I am pleased to announce that we’re finally receiving some decent amounts of uranium and plutonium from the Oak Ridge facility. We can begin testing fission levels and practical bomb designs. Now, can anyone report on the feasibility of said designs? Scientist #1: We’ve figured out a way for the uranium-cannon design to work without the unfeasible mass. Oppenheimer: Good, very good. Now, what about this new plutonium design I’ve been hearing about? Scientist #2: Well, it was actually a strange way to come about it. I was holding an orange a few days ago and realized that maybe a cannon wasn’t the way to go about it? What if we designed a compression bomb, with specifically shaped explosives to compress two pieces of plutonium together to create the fission? Oppenheimer: That would eliminate the need for the metal to come into contact at high velocity. I like the idea, but how would we get the compression? We can’t just make it explode outward, we have to make it implode instead. Scientist #2: It would take a large amount of tests and very specific shapes, but I still think it’s possible. Oppenheimer: Well, run some preliminary tests and get back to me. Is that all? (Scientists nod) Then let’s take a break. (Scientists file offstage, Groves enters) What can I do for you, General? Groves: Where did you go yesterday? Oppenheimer: I went back to California. Groves: To meet with Ms. Tatlock? What exactly happened in this meeting? Oppenheimer: I told her we couldn’t see each other anymore. Groves: Anything else? Oppenheimer: Why do you care!? I’ve broken off the affair, isn’t that all you care about? Your precious secrecy? Groves: I ask because we just received a call from the police department near her home. Apparently Ms. Tatlock has gone missing and they think suspect might have committed suicide. Oppenheimer: Oh, Jean… Groves: I just came by to tell you. I’m… sorry for your loss. (Exits) Oppenheimer: Oh, Jean, how could you do this? Didn’t I tell you that I loved you? I broke it off to keep you safe! It's my fault; I should never have met you. Then none of this would have happened. Good heavens, what kind of man am I to make someone kill themselves? It can't be true. It just can't! (Runs off) (End Scene) Scene VII (Oppenheimer's house in Los Alamos. Katherine Oppenheimer is seated in a chair stage left. The door is on stage right. She is sewing something when Oppenheimer comes in the door.) Katherine: You're a bit late, Robert. Did something hold you up at the lab? Oppenheimer: Just talking with General Groves. (He slumps dejectedly into a chair opposite hers.) (Music: "Monster") Katherine: Are you alright? Oppenheimer: I'm fine, dear. Katherine: Robert, you only call me "dear" when something's wrong. Tell me. Oppenheimer: (Sighs) One of my colleagues in California committed suicide last night. Katherine: Oh... Robert, I'm so sorry. Who was he? Oppenheimer: She. Apparently she thought we had a future together, and when I told her it couldn't happen, she was heartbroken. Katherine: Well, you can't blame yourself. Oppenheimer: But it was my fault! In the beginning, I led her on, let her believe that we could be together. Katherine, I feel like I've done something unforgivable. Ever since I could remember, If I told you what I was, Katherine: Robert, stop this. You can’t do this to yourself. That woman deluded herself, and you tried to set her straight. That’s not something to be ashamed of. Oppenheimer: I’m ashamed of the fact that I ever even implied that I wanted to be with her. That’s what started it all. Katherine: You didn’t know what the ramifications could be! No one knows what the consequences of their actions will be. Oppenheimer: Even so, there are consequences. Katherine: Robert, you know that’s not true. You’ve done the best you could in this very trying time. Listen to me. It’s not your fault. Oppenheimer: (Sighs) Thank you, Katherine. I’m not sure if I believe you yet, but you’ve helped. Katherine: I’m glad. So how is the project going? Oppenheimer: We’re finally getting close. Hopefully we can do a practical test soon. Katherine: That would probably sound more momentous to me if I knew what you were doing. Oppenheimer: We’ve gone over this, Katherine. Oppenheimer: It’s going to change the world. Katherine: Oh, is that all? I’d hoped it would be able to stop your snoring. Now that would be something. (They laugh and exit together, hand-in-hand.) (End Scene) Scene VIII (The Trinity test site. It has been another month since the last scene. Oppenheimer and his scientists have made a prototype atomic bomb, called “The Gadget” and are preparing to test it. The backdrop is a screen with a image projected onto it from a hidden projector. The image shows the actual Trinity tower in the distance. On the stage, a dugout has been created so Oppenheimer and the others may view the test safely. Oppenheimer and his scientists are on stage. Groves Enters) Groves: Well, gentlemen, this is a historic day. Oppenheimer: Indeed it is, General Groves. Once the Gadget goes off, the Nazis will fear us. Groves: Oh, about that. I just received a call from the Pentagon. The Nazis have surrendered, Oppenheimer! They’ve surrendered! Oppenheimer: Then why is this project not ended? Groves: The Japanese, of course! Just because Hitler committed suicide doesn’t mean they’re out of the war. This bomb is headed straight for Asia if this test goes right. Oppenheimer: I’m not entirely sure how to take that news, General. Groves: Take it how you will; we’re still performing this test. Oppenheimer: Of course we are; my scientists and I have slaved to put this together. We’re not terminating it now. Groves: Good. Are we about ready? Oppenheimer: (Speaks into a radio) How does it look up there, men? Voice: (over the radio) The Gadget is in place, and we’re clear of the radius. Prepare for drop. Oppenheimer: Understood. (Music: “Radioactive”. As the intro goes, the voice counts down from 25 seconds. When the countdown hits zero the voice says “Drop”, the bass in the song drops, Oppenheimer sings, and the screen shows a blinding flash of light followed by a mushroom cloud as the bomb detonates. Everyone in the bunker clings to something as the shockwave ripples through them.) I'm waking up to ash and dust I wipe my brow and I sweat my rust I'm breathing in the chemicals I'm breaking in, shaping up, then checking out on the prison bus This is it, the apocalypse Whoa I'm waking up, I feel it in my bones Enough to make my systems blow Welcome to the new age, to the new age Welcome to the new age, to the new age Whoa, oh, oh, oh, oh, whoa, oh, oh, oh, I'm radioactive, radioactive Whoa, oh, oh, oh, oh, whoa, oh, oh, oh, I'm radioactive, radioactive Groves: I raise my flags, don my clothes It's a revolution, I suppose We'll paint it red to fit right in Whoa I'm breaking in, shaping up, then checking out on the prison bus This is it, the apocalypse Whoa Oppenheimer, Groves, and Scientists: I'm waking up, I feel it in my bones Enough to make my systems blow Welcome to the new age, to the new age Welcome to the new age, to the new age Whoa, oh, oh, oh, oh, whoa, oh, oh, oh, I'm radioactive, radioactive Whoa, oh, oh, oh, oh, whoa, oh, oh, oh, I'm radioactive, radioactive (Jean has appeared in front of the proscenium during the chorus, stage left. She is dressed all in white, and Oppenheimer is the only one who sees her; he has imagined her here, watching over the thing he chose over her.) Jean: All systems go, the sun hasn't died Deep in my bones, straight from inside All: I'm waking up, I feel it in my bones Enough to make my systems blow Welcome to the new age, to the new age Welcome to the new age, to the new age Whoa, oh, oh, oh, oh, whoa, oh, oh, oh, I'm radioactive, radioactive Whoa, oh, oh, oh, oh, whoa, oh, oh, oh, I'm radioactive, radioactive (Blackout. End Scene) (End of Act I) © 2014 Umbreomancer |
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Added on December 24, 2014 Last Updated on December 24, 2014 Author
UmbreomancerAZAboutI write mainly fantasy, but I've dabbled in essays that just pop up from my mind about things I see. I'm writing a fanfiction for Magic: the Gathering about a character named Julna Buras, who as you c.. more..Writing
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