My point? Why does anyone but the person you're addressing care? As you walk down a street, do you burn to know if those you see are happy? No. So why should you—someone the reader knows nothing about—declaring love to an unknown person, for unknown reasons, matter to the reader?
Think about it. You say: "I never saw the sunrise." What you mean is that you never stayed awake that long? That you never noticed it's beauty? That you recently had blindness cured? It could be any of those and more.
You know. This unknown speaker, and the one they're declaring love for know. But the reader? Not-a-clue, because you've given no context, and your intent never makes it to the page.
Poetry's goal isn't to make the reader know. We want to make them FEEL, and CARE. Is this person so wonderful that the speaker had no choice but to fall in love? Don't TELL the reader. SHOW them. Make the reader fall in love, not be informed that someone unknown has. Make the reader envy that person, and be glad for them because they know him/her, and know the lover as you envision them. That's poetry. Avoid giving a report. 😆
Jay Greenstein
https://jaygreenstein.wordpress.com/category/the-craft-of-writing/the-grumpy-old-writing-coach/
Part of the key is that while you write from your own chair, of course, you need to edit from that of a reader, who lacks any context you don't provide, who can't hear the emotion in your voice, and who is easily confused...like me.
My point? Why does anyone but the person you're addressing care? As you walk down a street, do you burn to know if those you see are happy? No. So why should you—someone the reader knows nothing about—declaring love to an unknown person, for unknown reasons, matter to the reader?
Think about it. You say: "I never saw the sunrise." What you mean is that you never stayed awake that long? That you never noticed it's beauty? That you recently had blindness cured? It could be any of those and more.
You know. This unknown speaker, and the one they're declaring love for know. But the reader? Not-a-clue, because you've given no context, and your intent never makes it to the page.
Poetry's goal isn't to make the reader know. We want to make them FEEL, and CARE. Is this person so wonderful that the speaker had no choice but to fall in love? Don't TELL the reader. SHOW them. Make the reader fall in love, not be informed that someone unknown has. Make the reader envy that person, and be glad for them because they know him/her, and know the lover as you envision them. That's poetry. Avoid giving a report. 😆
Jay Greenstein
https://jaygreenstein.wordpress.com/category/the-craft-of-writing/the-grumpy-old-writing-coach/
Part of the key is that while you write from your own chair, of course, you need to edit from that of a reader, who lacks any context you don't provide, who can't hear the emotion in your voice, and who is easily confused...like me.