MARTHA AT THE MOTHER HOUSE

A GIRL GOES TO THE MOTHER HOUSE

Martha was shown
into a parlour
inside the front door
of the mother house

by a plump nun
in black and white
who looked like a penguin
out for a stroll

wait in there
she said
someone
will fetch you

in time
so Martha looked around
the room at the plain
white walls

the heavy curtains
at the windows
the huge crucifix
on the wall opposite

whose plaster Christ
seemed battered
an aged
the plaster had lines

and cracks
on the legs
and arms
and the hands

were contorted
like a crab
on its back
with rusty nails

holding them in place
she moved nearer
and reached up a hand
so that her fingers

could touch the feet
of Christ and run
them over the toes
and feel the nail

going through the feet
she rubbed her fingers there
she used to rub the crucifix
in her grandmother's house

the big one over
the double bed
and if she stood
on the bed

she could reach right up
to touch the face
and beard
and see if she could

hear Him breathe
or if she reached
really high
she could feel His nose

which on her grandmother's
Christ the nose seemed broken
and her grandmother said
that was where

her grandfather
had thrown a shoe in temper
and crack the plaster nose
will he go to Hell?

she recalled asking
her grandmother
O no
her grandmother said

not just for that
and she was pleased
because she liked her grandfather
and his simple ways

and hard toffees
she felt each toe in turn
moving a finger
over the plaster

and remembered
her school friend Mary
who had pressed
chewing gum

into the bellybutton
of the plaster Christ
in the cloister
of the convent school

back in the 1960s
and when Sister Bede
saw it she had to gently
chiselled it out

with a screwdriver
threatening severe punishment
to the girl responsible
but no one told

and even when she left years
after the bellybutton
of the Christ still had
the scar where Sister Bede

had chiselled too hard
there was a cough behind her
and Martha turned
and there was a nun

standing by the door
her eyes dark like berries
and her thin mouth
slowly opened

and she said
are you the girl
who wants to be a nun?
Martha nodded her head

and the nun told her
to follow her and she
went down a dim lit
passageway

the nun in front
pacing slow
each footstep measured
her hands tucked

out of sight
with only the sound
of her heels going
clip clop clip clop

on the flagstones
and the black habit
swaying very gracefully
as she walked

no more words
no questions
no answers
because no one talked.

Reviews

[Penlady]

no one talked, yet this story, as all your stories, speaks with such a wonderful voice and details that paints a picture as it is heard...

[Terry Collett]

Thank you, Penlady. Martha appears in some of my short stories. She and crucifixes are usually the topic.