Slowly drifting Thoughts abound Frantic scripting Lines aloud Pain with purpose From poets’ mouths Emotions flowing Hear the sound Pen on paper Forever bound
You challenge a lot of oppositions within your poem. To me, it felt dream-like, these are the kinds of things that enter one's mind when they cannot rest, yet they need to. Your language and narrative work well, although I feel the enjambment detracts from your subject matter. It feel that the points you are making are not given the pause they deserve, and believe me, they deserve reflection!
I particularly liked the lines:
'Pen on paper
Forever bound'
You sum up perfectly what it is to be a poet or a creative soul. You are bound to your art form (whatever it may be) and you cannot exist in any situation without becoming inspired or taking something away to contemplate later. To be bound to words for an eternity seems a blessing; I wonder, do you agree?...
You challenge a lot of oppositions within your poem. To me, it felt dream-like, these are the kinds of things that enter one's mind when they cannot rest, yet they need to. Your language and narrative work well, although I feel the enjambment detracts from your subject matter. It feel that the points you are making are not given the pause they deserve, and believe me, they deserve reflection!
I particularly liked the lines:
'Pen on paper
Forever bound'
You sum up perfectly what it is to be a poet or a creative soul. You are bound to your art form (whatever it may be) and you cannot exist in any situation without becoming inspired or taking something away to contemplate later. To be bound to words for an eternity seems a blessing; I wonder, do you agree?...
Really hard to follow, given that there are no regular stanzas, no predictable rhyming, and short lines.
When you read this, intent guides how you speak it, and what meaning to take. But the reader has no access to your mind, so they have only what the words suggest to them. Given that, how does a reader relate, "Slowly drifting" and "Frantic scripting," when they have no idea of where we are in time or space or what's going on?
Next: if you're going to rhyme, then rhyme. But do so in a way that supports the rhythm of the piece, not with a rhyme tossed in here and there. Part of the reason for structured poetry is to make the reader a partner. The predictable stanza length and rhyming structure, plus what prosody does for the cadence of the piece, are important, just as it is to music.
A good introduction to structured poetry can be found in the Amazon excerpt to Stephen Fry's, The Ode Less Traveled. And a great introduction to the effect prosody and a strong rhyming scheme can have can be seen in Robert W. Service's, The Cremation of Sam McGee. It's over 100 years old now, and still great fun. This site has both the poem and an analysis of why, and how, it works:
https://www.shmoop.com/cremation-sam-mcgee/