JusticeA Story by SEBrunsonIf your enemies hurt you, then you must destroy them.A mild rain that falls past the spot light above the
Emergency Room entrance, but the drops don't seem to do much to the ground.
It's like the air is wet and fuzzy rather than filled with precipitation. It
leaves the air humid and loud, a liquid cotton fuzz that hides everything in
obscurity. The wetness on the sidewalk and the asphalt gives it a latex shine,
as if all is made of textured ice. I have the time to admire the finer
qualities of this miserable drizzle as I huddle up within my hoodie and lean
back against the wall, some forty feet away from the sliding double doors into
which rush EMTs with their charges. No one tells me to move away, in spite of
this cigarette I'm smoking and in spite of the fact that I don't work at this
place. Maybe it's some sense of charity from the staff, or maybe they simply
aren't paid enough to care about me. Either way, I know for a fact that the wall just beneath the
spotlight is the best place for me to feed. I can feel it. There's something
about the room on the other side - it must be where they bring the very worst
cases, the ones that survived car crashes or assaults or suicide attempts. The
pain radiating out from this one spot is stronger than anywhere else I can get
to, and it's reliably occupied every night. The perks of living in a big city,
I guess. With a sigh of relief, I shift my back against the concrete,
the thick, musty material of my hoodie catching on something rough for a
moment. The hood is down because I can't wear it up, and I leave my head bowed
just a little, just so that I don't scrape the points of my horns on the brick.
Those fine, curved adornments, as well as the points of my ears, can all be
seen in my shadow - that is something my glamor can't fix - but luckily the
hard light from the spotlight breaks it up and casts more shadows to obscure my
truth. The illusion fools even my eyes; when I pull my hand out of my pocket to
check my phone, I only see fair, human-colored skin. I've got black nails in
this guise, but they aren't pointed and curved to look at. Functionally? Using
a smartphone is a huge pain in the dick, and my talons click on the face plate
all the time. Downside of being a demon - modern tech is hard to use. The green light is blinking lazily in the upper left, so I
turn my phone on and unlock it, scrolling through my messages. Some are email
notifications I can ignore, some are updates, and one is a text from a number I
neither recognize nor ever saved. • I was told
to text this number if I needed help. I wrinkle my nose and hold my phone closer to my face, as if
that message will make any more sense if I can make out every pixel in it.
Clearly not, and I sigh, dreading the effort of trying to type with the side of
my thumb. It takes a few attempts, but I manage to make it coherent. • How can I
help you? The response comes quickly. • Belial says
to meet at his place. A heat lifts on the back of my neck, and I glance up at my
surroundings, just to make sure no one's watching me. Just reading that name
makes me paranoid. • When? I don't get a response from that conversation, but a new
conversation opens up. This one is from Belial himself. • Now. I feel my skin prickle over even more, and I shut down my
phone and pocket it again. Belial knows that I'm on my way; disobeying a
summons just doesn't happen. Just at that moment an ambulance comes screaming
in, the brakes squealing as the vehicle steams in the rain. The crew jumps out
the back and pulls out a trundle cart with a pile of... something strapped to
it. Blood soaks even the white sheet it's covered in, and a wet, continuous
moan of agony jiggles with every bump the cart wheels bounce over, pushing past
the oxygen mask strapped to what seems like half a burned face. The pain coming
off of this one is tangible from here, and I look down, trying to hide how my
pupils dilate. Shouting and yelling digs further into the ER, until without
fail I can feel that agony start radiating out from my wall. My hand rests on
my phone, my temptation to beg for just a moment almost strong enough, but then
suddenly the pain stops radiating entirely. Whatever they had brought in on
that cart just died, which is probably for the best. I'm agitated at the death, my body wanting to feed more on
that intense suffering, and my anger lifts up, my blood pressure rising. In
spite of all that I walk calmly away from the wall and take a last drag off my
cigarette, flicking it free of ash as a nervous tic before tossing it to the
ground. The trail of smoke coils up until it hisses out and dies in a paper
coffee cup already half-filled with rain, the sound covered up by the
screeching halt of a new ambulance. ※ It takes one subway ride and a walk of a few blocks to get
to Belial's place, and by the time I pull down the metal fire escape ladder I'm
more than a little damp from rain. The iron rattles and booms as it comes to
rest, and I scale it, pulling the ladder back up after myself. Some three
stories up I pause by a window with a red curtain and a soft glow further in
and knock on the glass three times. There's a pause of twenty seconds or so,
and then the entire fire escape slithers with red sigils. The rain hisses off
of the metal, and a thrumming unease lifts off the metal all around me as I
crouch there, waiting. After another moment or two I notice the latch unfasten
itself, the window lifting up without help from anyone. It's big enough for me
to slip into, so I do so carefully, my wet sneakers squeaking on the flooring.
Before I head further in I pull the window back down and fasten the latch,
pulling the curtains back in place. I'm in what looks like a kitchen, but the
flooring is entirely covered in textured black rubber matting, and here and
there it's possible to see indents, as if sharp edges have been pressed into it
over and over again, gouging it here and there. The doorway to the rest of the apartment is closed, and I'm
just about to reach for the knob when I see writing lift up from the white
paint at eye height: ILLUSIONS ARE FORBIDDEN. The knob refuses to turn in my hand. This is new. I'm not
about to show my true form to some stranger, and so I back away from the door
and fold my arms over my flattish chest, narrowing my eyes at the door. I flick
my left ear and start pacing in agitation, to the point that I can feel my tail
uncoil from around my waist and sway behind me in the manner of an angry cat. Very slowly the letters on the doorway fade only to be
replaced by new ones: TRUST ME, TALIQ. My pacing stops, and I flush, looking nervously at the door.
I suppose this is going to go nowhere until I comply, and with a hand that only
shakes a little do I remove the bracelet from my right wrist. My coloration
changes from fair and freckled to almost entirely, featurelessly black, my
fingers thicker and tipped with long, glossy black talons. My tail's reflection
can be seen in the face of the oven to my left, the appendage some four feet
long, muscular, and tapered to a prehensile point with a ridge of black hair
running all the way down the top of it. I can't see my face, but I know that
there's now a single stripe of white bisecting it, tendrils of the color
coiling up along my spiraled horns and along the tops of my pointed ears. I lift my all black eyes to the door, and
again the letters fade from it as it opens on its own just a crack, leaving itself
ajar in silent invitation. Despite having been in this space many times before,
entering it is intimidating. I open the door and walk in slowly, closing the
portal behind me before lifting my eyes to the room, which is illuminated in
blood-colored light. Drapings hang from the ceilings and the walls, obscuring
the size of it, cordoning off different areas, and providing privacy. Lit
candles glow within red glass lanterns here and there, and once again the floor
is covered in that thick rubber matting. The scent of sandalwood floats thickly
on the warm, comfortable air, and music plays from somewhere unseen deeper
within, some light piano concerto that's completely at odds with the atmosphere
of this space. "Come in, Taliq," rumbles a deep male voice
towards the back of the room, this impossibly large room for being a New York
apartment in this part of Manhattan, and I walk further in, nudging aside sheer
drapings as I go. At last I see a tall figure seated on a pile of black
cushions, his four curved horns sweeping back from his goatlike head. Golden
eyes with horizontal pupils focus on me and narrow with pleasure, and his
slender, seated, black-furred swimmer's body remains in meditative repose as he
nods gently to the figure sitting on a cushion near to him. The person looks like a college-aged girl who is beyond her
limit, her eyes wide and seeing nothing, her face pale with panic. An ugly
bruise swells on the side of her face, and she seems unwilling to engage with
me or anything else. I look back at Belial, sitting there so serenely, and he
takes in a long, slow breath through his slitted nostrils. "This one comes
to me, asking for succor. She says she has been raped. Can you verify the truth
of her pain?" I fold my ears back and look back down at her, and only now
does she look at me. I know what she sees scares her, but when she looks down
it's in shame. It's like she's humiliated for bothering us, humiliated to ask
for help. My tension leaves me as I slowly take to one knee in front of her,
keeping all movements safe and non-threatening. "I will not touch
you," I say softly. "I don't need to." She nods and swallows,
clutching her hands, and I close my eyes. There is pain from her face, which I
had expected, but there is far more from between her legs. And there is,
horribly, pain in her mind, an agony that scars her thinking and won't ever
leave. Some call it the wound that causes future PTSD, and that burns fresh
like a hot iron to my senses. I can feel the sensations of the pain involved as
if I had been there, as if I am there, and I can feel how I'm roughly held down
by many hands, how I beg them to stop, how my clothing rubs me raw as it's
pulled away, and the unbearable ache of the sin itself, from so many. To Belial
I say, "It is..." my voice catches, and I try again, "It is
verified." It's hard to open my senses for verification without reliving
it with the victim, especially when the attack is so recent. Neither Belial nor the young woman say anything as I get to
my feet and walk quickly to the bathroom
and shut myself in it, heaving into the toilet. I could feel everything she
did, like I was there. I shared in it. I didn't want that to happen to me
tonight. I wasn't ready for it. But then neither was she. She needs help, and
Belial chose me. It's so hard to let go of the toilet and stand up straight.
It's so hard to turn on the sink and splash water on my face and sip it from my
cupped palms to rinse out the taste of bile. It's hard not to weep and sit in
the corner, but I force myself to breathe and remember that this didn't happen
to me, no matter how fresh the feelings are. I merely absorbed them, testing
them to see if they were real or if the girl was lying. I always want them to
be lying, but they never are.
Reluctantly I leave the bathroom and come back to where the two sit, and
I try my best to regain my composure in front of them. Belial inclines his head to me, and gestures for me to sit
on a cushion near him. As I settle down onto it, he folds his hands into his
lap. "My guest has requested that her attackers be punished. She has told
me that she reported her attack to the police, but was laughed at, mocked, and
escorted back to the street. The law is not going to provide her with the justice
she needs, and so we will." Carefully then he rises from his cushion, his
long, jointed legs unfolding to reveal split, cervine hooves. They sink
slightly into the rubber matting, creaking a little with every step as he walks
over to me and looks down at me. "Taliq of the Oubliette, Blade of my
Blood, I call upon you to carry out justice for the evil done to Mary Jacobs on
this night. She has provided me with a list of names..." His hand moves
towards me, his fingertips touching at my brow lightly. A pressure fills my
awareness and abates, and he pulls his hand away, "...which I pass unto
you. You will punish each as is fitting, and when you are finished you will
come back to me with proof of your success." ※ It took four nights to accomplish, but through me Mary
Jacobs had her justice. And I fed well. © 2023 SEBrunson |
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