The Nevada Triangle

The Nevada Triangle

A Story by Ron Sanders
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For skateboarders of all ages.

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The Nevada Triangle


All passengers prepare for emergency landing!”

Every nerve in Mason’s body was a live wire. There wasn’t a damned thing left to try, but he couldn’t let go. Even though he knew the jetliner was out of control, even though the ground was rushing at him with all the visual impact of a tsunami, even though he knew he was about to die a death beyond imagination. “Everybody out of the aisles! Seatbelts fastened! Heads down between your knees!” He switched off the intercom and reached for the mic.

God in Heaven!” the copilot screamed. “Oh God! Oh Jesus! Oh God oh God oh--”

Ground, this is CAL-7. We are going down. We are going down. Beth I love you, I love you. Kids, I love you I love you I lo--” Mason’s throat seized. Blood filled his eyes and his entire frame locked up. To port and starboard, black smoke billowed and wheeled, racing its orphan wisps in dark tendrils that swept the glass like loose wipers. Now the smoke passed as though cleared by a gigantic lung, and the visual window blew out to a reeling panorama of fuzzy landscape and crystal clear details--ancient cacti, gutted cars, weeds and rocks so sharp they might have been etched into canvas--as his head jerked back, as his mouth broke wide for one endlessly plummeting, mind-blowing scream.


The smoke and dust were terrific, all but obscuring the crash site. Flames shot through the plane’s corpse, danced and raged overhead, lit the windows and passed. The smell of jet fuel was everywhere. A trough the length of three football fields had been ripped out of the land, ninety feet wide at its broadest. Nose, fuselage, and tail were in three distinct sections, buried, rather than scattered, due to the dramatic incline of descent. The right wing had detached completely, the left was a black crumpled ruin. And the real-time concussions, the aftershock of impact, still sang in the earth, still sent small stones tumbling.

And a number of flat stones began to tremble on the desert floor. One by one the stones were shifted aside, and one by one the hot dusty creatures burst aboveground and maniacally charged the wreckage. Their pecking order was evident; the fastest and toughest were the first inside--the first-pickers of cufflinks and fountain pens, of ribbons and bows. Two creatures fought over a crushed passenger, triggering a sudden frantic pile-on of hairy bodies. In a minute the victor came up holding a cheap patent leather billfold. This little monster used his teeth to tear out a photograph of a sweetly smiling family. He snatched it with his paw, pressed the treasure to his chest, and threw the billfold, with its cash and traveler’s checks and credit cards, to the losers.


Crash investigators have one of the toughest jobs on the planet. You never really adjust to it--ever--though it’s imperative to develop a steely exterior, and to always treat it as just a job.

Crash investigators for major airlines have upped that career ante considerably. Analytical and technical aspects aside, it’s not just a matter of noting and recording the dead--angles, impetus, collateral consequences--it’s a matter of cataloging torsos, mutilated faces, and miscellaneous body parts, many burned beyond recognition. A museum display in Hell: the plane’s great black ruptured body, split open like a ripe pomegranate, the horror of charred corpses duly strapped in for the unbelievable, some cut right in half by those very seat belts…the nauseating stench, the hundreds of wild fixed expressions that not even death, not even flames, not even formaldehyde can repair.

This job description, and the once-sanguine men and women who complement it, provides for a sober on-site experience. Those who try to survive by alleviation--through camaraderie and inappropriate or disrespectful behavior--don’t last. They’re not tolerated by the professionals who’ve built up the fortitude to take nightmares in stride, to break down only in the womb of family, and to regularly come to work with a set of gonads that would humble a daredevil.

Deale got through it with an air of iron efficiency. An amazing man, able to consider the trajectory of a mutilated child with the emotional detachment of a chemist at his microscope--even if that innocent cadaver happened to be a dead ringer for his own beloved blonde daughter. His men were fellow travelers, treated with complete seriousness, no matter how deep or trivial their issues. Deale could get along with almost anybody, in a business sense, so long as that anybody behaved with mutual respect.

One person he couldn’t get along with was the by-the-book, automaton type; the type using rank and connections to override authority. So when the tall ponytailed brunet in worker’s protective goggles, black form-fitting jumpsuit, and narrow steel-toed boots flashed her I.D. he automatically became a different creature, the skewed-view kind of man his crew secretly admired. Deale glanced at her credentials with an air of surly indifference. Marilyn Sharpe. Yeah, pretty sharp all right, and way too good-looking to be taken seriously. Colder than dry ice. Didn’t know her place in a man’s world: started off expecting to be taken seriously, then had to show she wasn’t soft, then had to show she was the baddest b***h in the litter. Butch lesbo. Eyes deep and cool, mouth soft and wide. But that voice would wilt a satyr:

“You’re Deale? I’ve been assigned to manage this site; those bodies are not to be moved by anyone, not without my okay.”

He looked away. “We’re pristine here, Sharpe.” Deale hiked a leg up on a bumper for his watching men’s sake, adding with thinly veiled condescension, “Is there anything we can help you with, agent?”

“I want absolutely nothing removed from these victims. Every ounce of personal belongings is to be scrupulously accounted for.”

Deale stomped over and got right in her face. “Agent Sharpe. If you’re implying…if you’re hinting for a nanosecond that one of my men is some sicko stealing off the dead then you’re gonna find yourself with real problems here. Meaning, with me.”

She met him chin-to-chin. “Inspector Deale. My department isn’t accusing anybody of robbing the dead of cash and valuables. What’s pertinent, and this obviously has nothing to do with you or your men, is property of sentimental value. Relatives of victims of three of Southern Nevada’s last major air disasters have reported articles missing--articles of great personal, rather than monetary, dearness; objects naturally overlooked by investigators, but worth gold to the next of kin.”

Deale smirked and backed off. “So old Dickey Riley still gets around, huh?”

“Riley?”

Deale blew her off. “The Columbia pilot. Don’t play innocent.”

“Not familiar.”

Deale considered her askance. “Richard Riley was pilot of the 747 that took down three hundred and forty-eight fares and a crew of eleven just shy of Vegas way back in October. The only survivor, if you can call it that. When they put him back together he started raving about ghouls in the desert, stealing spiritual items off the dead.”

“Transients? Campers?”

Deale smiled wryly. “No, Agent Sharpe. Real ghouls. Things that go bump in the night. None of this is classified; it’s just the stuff that trickles down the airmen’s grapevine.” He bowed for effect. “Maybe I could set you two up.”

She pulled on her mask and surgical gloves and made for the plane. “First things first.”


Sharpe wasn’t sure what to expect, though she’d been briefed on issues of Riley’s temperament, the urgency of personal sterility, and bedside protocol. She knew Riley had broken nearly every bone, lost copious quantities of vital fluids, been burned over seventy percent of his body, and been pronounced dead at least three times, twice at the scene of the accident. She knew he could communicate only through an artificial voice box, could eat and eliminate only via tubes and traps, and then only with assistance, could neither go outside his protective room or tolerate visitors without their first being painstakingly scrubbed and inspected. Columbia Airways, bound both by contract and public relations, made sure he was well cared for.

Richard Riley greeted her in his customized sitting gurney, both arms and four of his seven remaining digits supported by cable casts, the steel half of his skull painted flesh with a waxy veneer. This waxy impression was evinced, too, in the yards of grafted skin covering the man, forehead to ankles. Facial reconstruction: seventy-three total hours of experimental surgery, eleven unbelievably agonizing flirtations with insanity. At this time Riley was suing for no further treatments. It wasn’t a cosmetic matter anyway. The ex-pilot’s countenance was a red and gray patchwork of butt and back grafts, strung together with wire, staples, and tender loving care. Pig hide eye flaps had to be extended for sleep, and the removable false lower jaw, clamped in place to encourage basic skull conformity, needed hourly shifting to prevent the tongue’s sliding back into the gullet. He was wrapped in a pair of light sheets for Sharpe’s sake; ordinarily the constantly calving skin grafts, if not permitted to breathe, would drive him to itching madness. The shades were always down in Riley’s room; the least kiss of sunlight was screaming hell--even the fluorescents had to be tempered with special film. Only a pair of small emerald-green reading lights made objects visible, though their surreal cast predictably intensified the viewer’s initial sense of horror and alienation.

“I,” Sharpe began, “am here solely for information, Mr. Riley. Please. I promise to be brief.” She consulted a laminated pad pinched in her sterile gloves. “In October of last year, the liner you were piloting for Columbia went down in the Nevada desert. You were coherent in the ambulance, and intermittently between surgeries. Corroborated reports have you swearing your downed jet was assaulted by creatures that raided the dead for personal items. Since that accident there has been an epidemic of similar tragedies producing losses of otherwise worthless items that are still unaccounted for, most recently CAL-7’s disaster southwest of Henderson. Our computer models demonstrate that these accidents have peculiarities consistent with your crash. The incidents--though not all were aviation-related--took place in a specific desert region of Nevada, miles removed from civic bustle and commerce. The Nevada Triangle, they’re calling it. All incidents involved a human toll exceeding fifty persons; these were genuine disasters. Except for your particular case, there are no eyewitnesses from any scene.

Our agency, Mr. Riley, is interested in satisfactorily addressing the grievances of those relatives who are on record as stating their loved ones have been removed of objects of depth. We have to be. These are very serious charges, and the bereaved have garnered very serious legal representation. The FAA is being deemed liable. My agency has partitioned large funds for the purposes of putting this matter to rest. To this end I have been assigned to take whatever steps are necessary. A visit to CAL-7’s crash site brought up your name and story. I’m not here to be judgmental; I have to follow whatever leads are made available.”

The man in the gurney let his head rock back to view his guest directly. This slight adjustment of angle and additional wedge of green gave Sharpe a clearer look at something she hadn’t bargained for: only half of Riley’s uppers were dentures; the other side, now grotesquely illuminated, were his own salvaged and replanted teeth, projecting through a partial cheek and serviced by a sanitary white dribble cot. It would have been possible, had she the stomach or inclination, to look straight down his throat at the vibrating mechanism now assaulting her:

I stand by my statement. I was conscious and cogent. I know what I saw. You can take that back to your agency.” The effort cost him. Riley sucked laboriously at the cot. Sharpe could see the gurney’s onboard computer calibrating and resolving.

Let me repeat, Mr. Riley, that I am in no way judging your actions or descriptions. You were there; not me. I’ll take whatever you say at face value, but I can’t read your mind.”

Fair enough.” The head fell back on its sponge pillow. “I remember every second up to the crash. I could never forget. My next impression was of being dead, but of still living. It is an odd thing, ma’am, but in catastrophic shock the body does not feel pain--at least not the same animal that has wracked me since--and the mind is clearer than at any other time. I did not hallucinate, nor did I make a deal with my demons. I saw this thing, this hairy little hissing creature, work its way into the cabin and look around. It evidently thought me dead; what other conclusion could there be.

It went through my copilot’s uniform and wallet, took his crucifix and a family picture. Through the door I saw several more, accosting the dead with equal urgency. When this little monster came to me it stopped abruptly, bent over my face and placed its paw upon my mouth. It must have felt a trace of breath, for it gave a small squeal and scurried back out.

Ma’am, as I say I was in deep shock. My brain and body were reeling; I swear I died a moment later. But I came to outside the plane on a makeshift stretcher--a pair of horrified rock climbers had pulled me out. One had encountered a faint pulse. I must have told the ambulance attendants, brave men who somehow beat the helicopters across the desert, the same story I am telling you now. Since then I have remained a prisoner, here, alone save for my nurses and the occasional Columbia representative.”

You claim they were after personal articles. Were any removed from your person?”

None.”

They feared retaliation, then?”

Ma’am, I was unable to lift a finger or bat a lash. There were at least a dozen within my view. I was no threat. It was not my strength they feared, it was my innermost being.”

I don’t follow.”

Riley half-lifted himself, his eyes burning green. “Young lady, there are things we are not intended to follow.” His head collapsed back on the pillow. “Not while breath yet fills our bodies.” He stared at the ceiling. “Leave me now. Cling to this precious existence with every fiber of your being.”

Sharpe nodded. “Thank you for your time and patience, sir. I’ll make sure my agency and Colombia are made fully aware of your assistance and hospitality.”

Go.”


So is it gonna be like ‘sir’, or is it gonna be like ‘ma’am’?”

She gave the little photographer a dour look, one of many to come. He was shifting back and forth like he had to take a leak, and bad, like he’d been holding it forever.

It’s gonna be like Agent Sharpe, okay? And if that’s too formal, just ‘Sharpe’ will be fine.” The mussed brown hair, the huge round black-rimmed spectacles, the scrawny frame under thrift store combat fatigues--agents are never assigned assistants they’d choose, not in the field. Sharpe hadn’t requested a photographer, but didn’t dare object; the fact that her impossible idea was given the go-ahead was enough to keep her up.

They were sharing the shade of a canvas awning, eleven miles southwest of Boulder City on a desert flat that, except for the blazing sun’s lesser proximity, might have been on Mercury. A staff limo--read: converted school bus--baked twelve feet away, emptied of all forty-nine crew. The photographer was interning; they told her he’d be green. “How old are you, kid?”

He bristled. “Please don’t call me ‘kid’. My real name’s Gilbert, but my official name’s StingMaster.”

How old are you, Gilbert?”

He looked away. “Thirty-six. But like I said, it’s StingMaster.”

Cool. So let me run the skinny by you. Stop me if I don’t make sense.”

Okay, stop.”

Real mature. Now shut up and listen. Accounting has agreed to a staged accident out here, and you’re along to record it. That’s all that’s required of you. Some delirious airline pilot named Riley witnessed what he called a lot of little creatures stealing personal items off the dead at a crash site. I didn’t word it quite like that or we wouldn’t be here. The Agency probably thinks there are sequestered Manson Family-like tribes doing hit-and-run acts in the desert. The fact that trinkets are taken instead of cash supports the idea of drugged-out airheads. They can’t really believe that, but they have to go with something, so if you can come up with even one verifiable snap of such a lowlife, it’ll be introduced as evidence against all these claims of a shadowy crash investigator looting corpses on-site.”

Man! Little creatures! You mean like elves, or maybe like midget Wookies?”

Sharpe considered him sourly. “I won’t dignify that with…look, what he said was ‘ghouls’, all right? ‘Things that go bump in the night’.”

Ghouls in the desert. Possible. I mean, like totally radical, but not impossible.”

Then you’ve heard of them?”

Ghouls, sir or ma’am, live underground, same as trolls, but they need stuff from real people in order to survive spiritually. Artifacts, y’know? Mementoes. So they lift junk off the dead and feed off the sentimental vibes stored in that stuff. Those vibes become their souls, you dig?”

I guess Riley must’ve read the same comic book. Is there any way to stop them? I mean like kryptonite or anything?”

Dude…” Gilbert let his head fall. “This ain’t no storyboard universe, okay? This is as real as whatever they taught you in spy school or wherever. The only way to kill a ghoul is by taking his picture. That takes his soul.”

Good thing I was assigned a cameraman after all. So these ghouls of yours wait underground for corpses to loot, thereby ensuring their immortality. Why pick this spot? What’s so special about the desert?”

You’ve heard of the Bermuda Triangle?”

Of course.”

What’s so special about it?”

Oh, Jesus. Flying saucers on sojourn?”

Maybe…” Gilbert raised an eyebrow. “The ancients knew things. They spoke with angels and demons. And they had visitors, from other worlds and other dimensions. But they died out, and with them went the secrets of the universe. So who knows what ghouls are really up to? Maybe they simply teleport planes to cause crashes and get what they need, like a totally radical force of guerrilla Gollums.”

What’s a Gollums?”

Gilbert’s jaw dropped. “Dude!” He slowly wagged his head. “Gollum’s like this psycho fisherman who lives in a cave. Bilbo stole his One Ring but he almost got it back from Frodo at the Crack of Doom.”

D***o…?”

The photographer’s face twisted all around “Awww…don’t you people keep up? Bilbo left the shire on his eleventy-first birthday, I mean like way after the whole Smaug thing. Now hang onto your flashlight, Agent Sharpe. This is so heavy I don’t know if I can do it justice. Y’see, the Dark Lord forged the ring in Mordor, and--”

And,” Sharpe broke in, “the Air Force has agreed to airlift a gutted World War Two bomber stocked with gas and a small detonator. They’re going to release it strategically so that it crashes in a cleared area close enough to observe. The bomber’s really a mess; it’s costing more for the lift and drop than for the plane, but the Air Force is willing to halve the bill by making this all part of an official exercise, complete with video from the air. You, as our ground cameraman, are going to get in as many shots of that crash and burn as you can, then we’re going to get dirty. We’re not trusting long-range lenses in all this rising heat. As soon as it’s safe to approach, you and I’ll mosey on over for your close-ups.”

And how long’ll that be?”

Forever. There’re no hidden tribes of crazed hippies, Stinkblaster, and no noble armies of swashbuckling fairy princesses. But there has to be something that makes logical sense, and we’re either going to find it or head home empty-handed. How many megabytes will your equipment handle?”

Gilbert sneered in private offense. “Dude,” he muttered. After a few seconds he held up an old khaki camera case covered with campy Lord Of The Rings and Harry Potter stickers. “Hwang-Yu Special Edition, UL. Bangs straight 30mm and digital. Hair-trigger autofocus in whiteline and infrared. Independent shutter and Dynalens. Magnesium instaflash for the life of the battery.” He blew a kiss at the sun. “Solar-chargeable nickel-cadmium.”

Sharpe nodded appreciatively. “Old school.”

So if it turns out your pilot dude was right, and I end up being like your mentor on the subject, you’ll step down from the whole bitchy Elvira thing and admit I’m The StingMaster?”

Fair enough.”

An air horn, the kind used at sporting events, barked once behind a little imported trailer. “That’s it,” she said, and swung up her binoculars. Gilbert began tweaking his camera’s lens.

Four cable-suspending Chinooks appeared over a low range, each copter supporting a section of bomber at nose, tail, and wings. At a precise point the cables were released simultaneously, and the derelict, with the payload in its nose, dipped dramatically before gracefully planing two hundred feet into a spectacular explosion and mini-fireball. The fuel burned itself out rapidly and, bearing nothing inside to support a blaze, the hull was a black and blue carcass within minutes.

The agent and photographer moved boulder to boulder. The rest of the company waited back.

Now what?” Gilbert wondered, stepping around the fuselage, still ticking hot in the sun. “I sure don’t see any of your crazy hippie dudes.”

Sharpe joined him under a twisted wing, out of sight of the makeshift command post. “None of your like totally bitchen fairy dudes, either.” She grabbed his shoulder and shook. “Look! Look!”

A hairy little creature popped out of the ground, then another and another. They stared in all directions before beginning an all-out dash for the plane. Sharpe pounded the frozen photographer on the back, “Shoot, shoot! Get it! Shoot!” Gilbert was so nervous he jerked up the camera, and sun glinting on the lens startled the creatures. They hesitated as one, looked all around, and scattered. She grabbed his arm and dragged him out into the light, even as several vanished before their eyes. The agent and photographer ran in a crouched pursuit of the slowest. It turned and hissed as they were closing in, and a second later disappeared.

He went under here!” Sharpe said excitedly, dropping to her knees.

Gilbert joined her on the other side of the flat stone. He tapped on it and bent an ear. “Like a manhole cover,” he breathed. “Look; it’s been worked into shape, maybe by chipping away with sharp rocks.”

They pushed the surprisingly light stone aside and peered down a hazy well swimming with dust and swirling motes.

Sharpe went down first, finding footing a yard below the rim. Once the photographer was in they shoved the stone back into place, leaving a crescent of daylight.

They were hunched on a little ledge that was dissolving even as they fought for purchase, their wide eyes adjusting to a strange half-light that filtered throughout a labyrinth of crumbly tunnels. A sudden burst of daylight to their left preceded the rapid plunge of another of those creatures.

God,” Sharpe whispered, “it’s real.”

Gilbert grabbed her arm with passion. “Middle-earth!”

No, Gollums, no! Listen, man: these aren’t hobbit holes.”

Listen to yourself! The proof’s right in your face, and all you can do is act like it’s an illusion. What more do you need?”

Sharpe nodded. “You’re right. Let’s get moving before they slip away.”

Are you nuts?”

Look, Gilbert--” she grabbed his hand “--we’ve come this far, and we’re not leaving without some pictures. You’re absolutely right-on: we’ve latched onto something amazing. So let’s go exploit the opportunity.”

Their fast-eroding shelf abruptly broke up, forcing them to creep down a foot at a time. Soon they were standing alone on a fairly flat floor, maybe thirty feet below the surface, contemplating a number of slender passages into the unknown.

Gone!” Gilbert whispered.

Sharpe looked up and around. “The desert floor’s porous up there; light filters down in bits and pieces, so to speak. There’s air, enough to breathe anyway.” She squinted into a narrow tunnel. “Not so much light beyond this hole we’re occupying, apparently, but there’ll always be some at our backs.”

You’re going…in?”

We are going…in. Eeny, meeny, miny, moe. Let’s go. Make sure your magicflash is ready on that multigizmo.”

The dimness increased step by step. In a few minutes they grew aware of a similar light source at the chosen tunnel’s far end; evidently another surface-lit pit.

The desert’s honeycombed,” Sharpe whispered. “These interconnecting tunnels could go on for miles.”

They came to a slender right-hand opening. It was black within; Sharpe flicked on her flashlight’s red emergency bulb and they slipped inside.

They were at the entrance to a dome-shaped warren, spacious as a small cathedral. Sharpe’s beam, trained on the floor, at first picked out only a massive, wall to wall heap of personal items: hats, gloves, ribbons and bows, lighters, pens, purses and shoes. There were scattered piles of scarves and stockings, along with a flyer’s cap, two wigs and a set of false teeth. All were mashed and charred by physical disaster; most were streaked and spattered with old dried blood. A nauseating smell hung in the air and clung to the walls; an old, grieving smell of caked sweat and stale perfume. Only as she swung the beam did they become aware of the dozens of hairy creatures hanging by their feet from the walls and ceiling. A lax mucilaginous web was slung creature to creature.

They were hideous things to view up close, but their absolute stillness made them seem harmless, like stuffed animals in a trophy room. So deep was their coma that Sharpe was able to shine her blood-red beam directly in their faces. Their fangs protruded over the lips, and their eyes, open even during unconsciousness, were huge yellow orbs without any reflective capacity. The nails on their paws, fore and rear, tapered into long scythe-shaped affairs.

Sleeping?” Gilbert whispered, his fat round Harry Potters gleaming in the camera’s green corona.

Hibernating,” Sharpe whispered back. “These guys have been in here for a while. They’re not the ones we were following;”

So now what do you believe? Are you still gonna swallow whatever the man tells you?”

I’m not blind, Gilbert. It’s some kind of undiscovered species. It’s…I just don’t know. It’s for the specialists to figure out; it’s only our job to report what we’ve learned.”

And to save it for posterity.” He stepped backward stooping, simultaneously pulling his camera’s viewfinder to eye-level. “And I believe the word you were looking for, Agent Sharpe, is rediscovered.” He winked. “All a matter of angles. Somewhere in here’s the perfect vantage for catching not only these nodding Orc dudes but at least the top third of this junk pile. And you can take that back to your Joe Science.”

Aren’t you the one who described them as camera-shy?” she hissed. “What are you, a flipping idiot or something?”

Gilbert’s eyes burned in the dark. “You…what do you know? For God’s sake, lady, your job doesn’t make you smarter than me. It just makes you more programmed than me. I mean, they can cover up an alien crash for over half a century. They can rig an election, massacre students, and fake a moon landing--and these are the very people you’re working for! So don’t call me an idiot.”

You’ve made your point: the entire system’s a conspiracy designed to hide the fact that we’re all characters in some kid’s video game. Now let’s get the hell out of here.”

Gilbert glared, froze in an awkward stoop, whispered, “But, wizard or no wizard, you guys are coming with me,” and took a snap. The flash momentarily blinded them both.

Immediately the creatures began falling like stones. Some screamed and hit the floor hissing, while those plummeting from just above got caught in hair and clothes and went ballistic with their nails. The trespassers were buried alive in a hissing, heaving scrabble.

The vileness of that fur and scratchy skin, the clawing and nipping, that unbelievable stench--Sharpe and Gilbert blew out of the heap in a full-blown panic. They lunged through the aperture and ran back down the tunnel shrieking. They were mobbed, covered, freed, mobbed again. At last they burst out into the original well. The little creatures followed them up full-tilt, scrambling and hissing like cats. Gilbert and Sharpe kicked and flailed as they climbed, backs to the crumbling earth, and when Sharpe reached the covering stone she was hysterical enough to slide it aside in one move. Gilbert paused for half a minute, snapping away with his camera. The little creatures dropped in their twos and threes; the remainder stayed on the well’s floor and looked up blinking and hissing.

Sharpe half-hauled the photographer out. They quickly kicked the stone back into place.

Man!” Gilbert heaved. “Was that ever hairy!” They leaned on each other in the frying sun, looking around at a yawning reality. The pair staggered back to the base on eggshells, expecting stones to slide at every step. The bus was waiting in the heat; the crew on board, the gear packed.

Hold it!” Gilbert whispered. He shielded the camera under his shirt and a minute later brought out a black plastic film canister on a leather thong. “Now our secret’s safe in here,” he said, draping the canister around his neck like a pendant.

What secret?”

He squeezed her shoulders in his arm. “Just for now. Trust me, dude.”

She wormed out immediately, and with attitude. “Don’t you shush me! And for that matter, go get yourself a room.”

But Gilbert came right back, passionately clutching her hands. “We’ve got the proof, man! We’ve got what dudes have been waiting for…for like forever. We’re gonna be rich, we’re gonna be famous. We’re gonna be like rich and famous.”

This is bigger than us, son. We’re gonna be silenced and put out to pasture somewhere. You think the powers that be are just going to throw the Nevada Triangle open to the general public? You’re the one who alluded to Area 51. Well, this whole desert’s going to be quarantined under the biggest cover-up of the millennium. No one’ll ever hear from us again. So let’s just go get our rabies shots and call it a day.”

Trust me.”

The driver, all sagging belly and flushed flesh, leaned against the right front fender with a forearm resting on the windshield’s hot frame, his free hand languidly waving them in. He clung to the handrail for perhaps two minutes after they’d found a seat; his head down, one foot on the first step and the other in the dirt. He climbed in like an invalid, sweat rolling down his back and chest.

Gilbert, unable to sit still, brought his voice down low and leaned in. “Ummm. Listen, sir or ma’am…I been thinking about your objection, and I got the feeling we should like make us a pact.”

A pact?”

Yeah, a pact. You know, like a private agreement, dude-to-dude.”

I’m listening.”

He nudged her gently and rattled the film canister. “In here’s pure gold. These pictures aren’t just worth a fortune, man, they’re priceless. We can name our sum to any TV station in the world.”

Those photographs are the property of the Agency.”

Oh-h-h…I dunno ’bout that, man. I’m an intern; I’m not on anybody’s payroll. This camera’s my property, and so’s the film. Until I’ve received a check from ’em, they got no say whatsoever. And with the dough we make off our first interview you could retire and buy your own agency. We’re in this whole deal together, see? You got the credibility and I got the goods. By that math, Agent Sharpe, these pictures of the creepy little sand people dudes are both our property.”

She leaned in tight. “It’s like Marilyn.”

Gilbert’s whole face lit up and he stuck out his hand. “A pact it is then!”

A pact it is.” She shook hands. “And dude…dude? I just want you to know that you are The StingMaster.” They sat as schoolchildren, hands folded on laps. Little by little Gilbert’s left hand crawled across his thigh. Their fingers locked.

Okay, folks,” the driver wheezed. “Let’s roll on out of here and snag us a couple of cold ones.” The passengers all cheered and he wiped his forehead, grimacing. “Everybody make sure your seatbelts are fastened.” Once he was certain they’d complied he gasped and turned himself in his seat like a man boarding a wheelchair. The engine kicked over. “Ah, Christ,” he muttered, and put the bus in gear. As they bumped along he gradually leaned against his window. His face was very red. He sagged and sagged, bit by bit. Suddenly he sat bolt-upright.

And the bus banged out of control, accelerating in a serpentine path off the dirt road to the lip of a rocky gorge, where it did a swan dive onto an outcropping, flipped twice in the air, and crashed on its side in a storm of diesel smoke and thrashing flames.

And the ground erupted in a flurry of sliding stones as the hairy little figures raced out, clawing one on top of the other for first dibs. One of the scrappier fought corpse to corpse, snatching medals and keys, ear rings and key chains, finally lurching onto a scorched man and woman locked in a horrified embrace. He tore off the woman’s I.D. badge and rooted through her boots and pockets, then ripped open the man’s fatigues and scratched around until he came up with a little black film canister. It was an absolute prize: quirky and lightweight, with a stretchable leather thong that gave it a nice personal touch. He rattled it against his ear, tested the cylinder’s side for smoothness. Another paw made a swipe, but he bit and slashed, jealously clutched the canister to his chest, and dashed out of the bus.



Don’t miss my collection of poems

Out Of The Whirl

available on Amazon at:


Out Of The Whirl: Sanders, Ron: 9798671245547: Amazon.com: Books


My stories collection Wild Stuff is also available on Amazon, at:

Wild Stuff: The Collected Tales Of Ron Sanders - Kindle edition by Sanders, Ron. Literature & Fiction Kindle eBooks @ Amazon.com.


TALK TO ME at: [email protected]


© 2021 Ron Sanders


Author's Note

Ron Sanders
Be sure to check out Faces and The Fartian Chronicles.
Thanks.
Ron.

My Review

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Reviews

• “All passengers prepare for emergency landing!”

You do a lot of bragging about how well you write. But the Amazon page you link to didn’t get enough sales, in a year on Amazon to get a sales rating. And you’ve sold no fiction.

On the other hand, I really liked the cover you got that award for.

Look at the line I quoted, above. Where are we when this goes on? Damned if I know. Who’s speaking? You know, So does everyone in the pane, but as far as a reader is concerned, we could be in a spacecraft, a zeppelin, or a passenger plane of some kind. Hell, it could be two kids playing, or a high school drama club audition. How in the hell can this mean ANYTHING to a reader? More to the point, why should they care?

Sure, you’ll read it in a voice full of emotion, but that’s because you know what it’s going to say as-you-read-it. For a reader, someone we can’t hear is saying something meaningless.

• Every nerve in Mason’s body was a live wire.

I give up. Who’s Mason, and why are his nerves dying of electrocution? That might not be what you meant, but you sure as hell just told the reader that.

What you’re doing is talking about what the reader would see and hear—were this a film—as if they knew all the background material that you know. But it’s not a film, and they don’t.

What you’re doing is common. You’re guessing at how to write fiction for the page. And because you already know the story, it seems to work. But you’ve posted 65 pieces here since 2010, and not one of your stories has received a comment. That’s not because of talent, the story, or your writing skill, it’s because you’ve taken not the smallest step toward learning the professional skills that are required for fiction. Universities offer degree-programs in Commercial Fiction-Writing. Do you seriously think that none of what those hard working students are studying is necessary?

Could you have produced that winning cover had you not studied the skills that have been developed and refined over centuries?

I’ll be damned if I can figure why we universally recognize that we don’t leave school ready to write screenplay, or work as a journalist, but assume that we’re ready to write fiction, and poetry. And that includes me when I first turned to recording my campfire stories. It’s the reason the rejection rate in the agent/publisher’s office is 99.9%. In fact, fully 75% of what's submitted is viewed as unreadable, and all but 3 are seen as less than professional. So unless we educate yourself in the profession, we're not even in the game.

You obviously enjoy telling stories, and spend significant time at the keyboard. And that’s great. But till you take the time to dump the fact-based and author-centric, nonfiction writing skills we’re given in school, in favor of the emotion-based and character-centric skills of the working fiction-writer, the rejection will come before the end of the first page.And your stories deserve better.

We all deserve the love of our reader. But it is the world we live and work in. So take a look at the book I suggested in my previous critique, Dwight Swain’s, Techniques of the Selling Writer. I have no special talent, but after reading that book, and working to master the skills he speaks of—and after 6 unsold novels, my next submission became my first published novel. Perhaps it can do that for you. So give it a try: Copy/paste the address into the URL window of any Internet page and hit Return to get there.

https://archive.org/details/TechniquesOfTheSellingWriterCUsersvenkatmGoogleDrive4FilmMakingBsc_ChennaiFilmSchoolPractice_Others

Jay Greenstein
https://jaygreenstein.wordpress.com/category/the-craft-of-writing/the-grumpy-old-writing-coach/

Posted 2 Years Ago



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Added on November 18, 2021
Last Updated on November 21, 2021
Tags: it's like cynical philosophy, dude.

Author

Ron Sanders
Ron Sanders

Marina del Rey, CA



About
L.A.-based novelist, illustrator, poet, short story writer. more..

Writing
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