9) A TailA Chapter by I.R. CharlesDavid investigates the death of a man. Artemis and Dante continue their travel.9) A Tail David can’t believe
what he’s looking at. What had started as a normal breaking and entering has
quickly evolved into the scene of something brutal and ritualistic. He had had two
choices. Follow Artemis and lose his job or carry on with his job and lose
Artemis. He doesn’t know if he had made the right choice. Although he had
chosen, he still prays that eventually Artemis would f**k up and he'd be able
to find them easily and bring them back. He missed his child, he really did,
but following a ghost is a difficult task. The scene had
started out simply. A friend of the
victim had called up saying they hadn't been seen in days. Then follows a
routine check-in. His phone had rung
at three-am. He had prayed it would be news of Artemis. Instead, the chief
greeted him. He'd given David the address and ordered him to be there quick. And now David is
stood in the door regretting his choice. The 'simple' scene is
grim. He’s stood at the
end of the bed. Nothing could
prepare anyone, not even Hell. If you looked at
the torso by itself, you would probably think it was an animal attack. "David..."
A small female voice echoes around the house. He takes it as a bad sign. The
voice leads him into a smaller boy’s bedroom. A football bed is in one corner. A
cupboard in another, and that’s it. But that isn’t what the voice was alerting
him to. He sees it almost instantly, but he doesn’t want to look at it, he’s
had enough of the blood. A note is written
in awful writing, barely legible. "The man,
identified as Alexander Cevolt." David can’t let his emotions get the
better of him. "The man deserved to die. We all agree on that." He
stares at the faces in front of him. "But the way he was killed was beyond
brutal and unnecessary. We as officers swore an oath to uphold the law. And
despite the death of this animal, we must follow this oath. Our primary job is
to find his murderer, before, he or she, kills again." The crowd doesn’t
really seem to care, they know their job, they wouldn't try as hard; this man
had deserved to die. They disperse to
carry out their jobs. David knows they
won’t try as hard, he won’t either. But they had to pretend. He returns to the
master bedroom. A criminal like Mr. Cevolt, would've had some type of security. He finally finds
what he was looking for in the form of a tiny fish lens camera tucked away in
the top right corner. This placement of the camera gives a perfect view of the
room. As he watches the
scene unfold, he can’t believe his eyes. The door opens. A figure creeps to the
bed, a glint of metal. The man sits up, words were exchanged. A devil. That’s all
he can think of as he watches the lighting flash. He has watched the same scene
over and over again, but still it’s no clearer. The lighting
flashes. The figure - Artemis becomes visible for the briefest of seconds. The
thing behind them also does. He jabs the pause
button and stares at it. The floor,
walls and ceiling around Artemis suddenly sprout rot. And behind Artemis stands
a white figure three times as big as Artemis, its wings the width of the room, its
horns scrape the ceiling. Its clawed hands the size of small cars. It stands
behind Artemis like a guardian. The man has also apparently seen it, his face
drains of all colour and he pleads. The kid knows what the stranger did, but he doesn’t
appreciate how much was done, but he knows, he knows that his dad is dead.
However, he doesn’t know that this simple act of anger, not only caused the
death of his dad, but the death of another father, the start of a manhunt, and
the end of the world. No. This ten-year old boy does not know this. No one
knows this. What the kid does know is that, as of tonight at Eight-forty-six
pm, his dad is dead, and he’s free. Another thing he doesn’t know is that his
sisters were in the house, and had witnessed it all. The only people to know
this, are, Artemis and David Kaliaski, Jessie and Alexandra Cevolt, the entire Missouri
Police Department, and of course, Alexander Cevolt. The kid sits and watches the stranger collapse onto the bed.
He is intrigued, to say the least. A stranger had done what he had wished to
do, is this a dream? Did the stranger actually do it? If he feels remorse, the
kid doesn’t realise. If he feels guilty, he doesn’t realise. Actually, if the
kid feels anything, he doesn’t realise. All he knows, and all he cares about is
the fact that his father had been killed, and he is free. I
stare at The Shadow Person as they sit beside the boy. It’s a weird occurrence,
but what’s even weirder, is that the boy seems to notice The Shadow Person,
hell, he could’ve shaken its hand. How the boy had forgot about his sisters is
beyond me. The
boy knows he'd fucked up. "Please." David Kaliaski knows he’s in
trouble. He could 'forget to mention the evidence' and then 'lose it', or he
could turn it in. The first idea is more appealing, but he knows it’s wrong,
and he could never forgive himself. However, the second was less appealing; if
he turned it in, the board may deem this a good time to put his work under
scrutiny, and may go as far to say he isn't suitable for this case, but if he
was allowed to work it, he'd have all the help he could ever want to track down
Artemis. He had another choice. Easier, yes, but a choice all the same. He pulls
out his phone. Dante appears at the door. The boy isn’t sure what to do.
His sisters were in a house with their father, who is now dead. He is on a bus,
which appears to be single story, but apparently has a floor dedicated to beds.
He is with the murderer, who apparently has a boyfriend. While he is 'nice' and
'cosy' on the bus, his sisters are trapped in a house with a dead a*****e. Then
the new boy asks his name. A series of thoughts occurs: 'Do I use my real
name?', 'What are the benefits of lying', 'Who's this new boy?', 'God what do I
do?', and a barrage more. He decides on using his real name. What more could
happen? He'd been beaten, and abused since the day he was born. What more could
happen? David watches as Zoe Dorkins plugs
the camera in and loads up the footage. He watches as her face goes from
confused to morbid. He watches as the lightning flashes and The White Devil appears.
He watches as Artemis, his Artemis, kills in cold blood. "I'm Dante Smith." Dante
says kneeling by the bed. "You've already met Artemis Kaliaski." He
absolutely butchers my name. Ben isn’t sure. It’s a strange
offer. Especially from a murderer. But then again. He has no one else. Well. He
has his mother in New York. But that’s kilometres away. David looks at the two girls, no
older than eight, huddled on the stairs in blankets. "What do they
know?" He asks Zoe, the newly appointed head of this investigation. The concept of a giant pool appeals
to me. In a childish sort of way, splashing in the pool. Dante in trunks. Ben is
royally confused. One minute he was running from home and onto a single story
bus with two floors. Then he was being comforted by a stranger with a healing
ball of water. That same stranger then proceeded to murder his father. Then he
was invited to stay with said murderer and their boyfriend in Santa Monica. All
of this while his sisters were stuck in that house. "Alright everyone." Zoe shouts, instantly grabbing
everyone’s attention. "Alexander Cevolt was murdered sometime between
eight-thirty and nine pm, on the 29th." The room is in silence. "Now,
we have a key suspect, who is on camera butchering Mr Cevolt." A brief
pause. "Artemis Kaliaski." A murmur rises from the crowd. "Yes.
That is David's child. But you, I, and David will do all we can to catch them.
They are number one priority." A uniform whispered into her ear.
"Another key suspect is Benjamin Cevolt, Mr Cevolt’s son, and Dante Smith"
Another murmur arose. "I want all of you to work your hardest. We want
them alive." © 2020 I.R. Charles |
StatsAuthorI.R. CharlesFranceAboutI spend a lot of my time writing :) I have many projects in the works so always keep an eye out. What do I write? Currently i'm writing a series of ya books (that i'm struggling to give a genre .. more..Writing
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