The Invisible StringA Story by ProdigoAn essay. I was given a 50 on this paper. Tell me what you think I deserved...To understand the human condition, people have created media
into which we can grasp the fleeting emotions of everyday life. Writers use
language as musicians use sound and these methods are both aesthetic and soulfully
pleasing to act as a catalyst to an improved understanding of the human
condition. The relationship between music and writing is irrefutably branded in
written works since the beginning of language. The traits they share I will
discuss and enlighten you on how powerfully these two media of art are
intricately woven. A book is
designed to mirror the few truths about life. There is a beginning and
eventually a climax and sometimes a subtle or a long anticipated and dismal
end; always in that sequence and no other order can exist. The laws that govern
books are the same laws that govern human life. “Qi” is a concept stressed by
Chinese philosophers to explain the rhythm or “flow” of the universe. The flow
goes in one direction only and may only slow when it believes it’s absolutely
necessary. These moments of deliberate dawdling are what some circles would
consider a “miracle.” Music and writing is the artist’s attempt to emulate this
process; to give the reader or listener the well crafted illusion that they are
a part of another natural order. Good
writers must have a “good ear” to fulfill the need for rhythm in their opening paragraph,
prose, dialogue and consequently, a closing paragraph. This method is realized in full swing from the
book, “The Poor Englishman” by M.H. Hofferek, “A broken pocket watch kicked to
the curb wrestled its way into the gutter. Mechanical guts and bits of
glass led a blood trail to a dark and damp place where other lost treasures
went to die.” The rhythm is present from
the very beginning and persists until the last word. Writing with rhythm is
carried out by using words that follow a similar amount of syllables and key
letters within surrounding words. For example, “Broken” and “pocket” are two
words with the same amount of syllables and the “K” and CK” sounds in the center
of these words form the rhythm. Understanding this concept improves the flow,
strength and illusion of your writing. “KiCKed” and “Curb” is another example
that follows shortly after, and maintaining the illusion with “Wrestled” and
“Way” sloping the sentence rhythm to a close; a method similar to what
composers use to conclude a motif. A motif would be in one of Beethoven’s more
famous symphonies, #5, “duh duh duh DUH.”
The second sentence is another
testament to the ritual performed by the writer with “GuTs” and the phrase,
“biTs of Glass” continuing the melody; “leD” and “blooD” followed by “Dark” and
“Damp” then the paragraph comes to a close with “losT” and “Treasures”. When
composing a piece of music, the composer has an obligation to the listener to
put the notes in each phrase in a rational order. Art is hardly rational but it
is agreed that following a set of rules in music and writing allows the artist
to better relate to the audience. Otherwise, it would be as if you were putting
random words together or just banging on the piano. Writers use particular words that
readers would recognize as ominous or dark, just as they could also describe a
scene to make it appear joyous or calm. This is called “diction” and composers
follow the same code but it goes by a different term, “setting”. Within diction
lies the rhythm and mood of the story. While you are reading, the writer is
having you jump from scene to scene which you cross several versions of diction
along the way. In music, the composer has you
bounding from phrase to phrase. A phrase in music is so similar to a scene in a
book; I’m tempted to call them the same thing. They serve the same purpose and
therefore will accomplish the same task. In Mozart’s last symphony, Requiem he gives you the impression that
you are sitting at a funeral service, hence the name Requiem. The phrase establishes the setting right away and
continues until the phrase changes. Composers will change the setting using
different instruments and notes just as a writer would use different words and
rhythm to change the diction, altering the music or scene of the book
completely. The first phrase of Requiem,
he has bass drums booming and crying violins with a strong choir singing sad
and mournful words. During the second phrase, a clarinet takes over and the
choir sings words of reassurance with violins on the coattails playing an
uplifting melody. The change is very subtle, but you begin to feel at peace
until the third phrase comes in. The setting is the same as the first phrase
and you fall again to pain and tears, just what a funeral should produce. The story Mozart was telling is
fairly simple. In the beginning, the funeral is taking place and the
instruments and notes indicate extreme emotional pain, but when the second
phrase comes about, he puts you at peace, as if you are dreaming or standing on
a mountainside with nary a care. Although in the third phrase you are
ferociously returned to the funeral and the emotional destruction persists.
Through the use of certain instruments and notes, this effect was accomplished
on the audience. Because writers and musicians have
similar tools, these tools are sharpened in nearly the same way. A writer must read as much as he can just as a
musician must listen to as much music as his ears will allow him. Both media
are broken into genres and the first step to becoming a successful composer or
writer is choosing the genre you enjoy most. As they explore their art form, they’ll
discover this and build on it further until they are a master of their craft. Restaurant Artists will
unconsciously add elements that make up their worst fears and their greatest
desires into their work. John Steinbeck inserts beautiful and very forward
women into his greatest novels. In “Tortilla Flat” the main characters find several
women to sleep with and coincidentally the women become dull and clingy and in
result, the story leaves them behind and they are forgotten. Steinbeck was
married three times, which could indicate he was a bit of a lady’s man.
Similarly, Mozart chose to compose music that was as powerful and demanding on
the ears as his father was. As his pupil, their relationship was one footfall
from slavery. His father pushed him violently and by the time Mozart was three
years old, he had over 3000 hours of practice time composing and working
towards mastering several instruments. What simmers
and steams in the souls of all great artists is passion. It is the only
necessity and therefore all others are subjective to it. As the human condition
changes and evolves, our media of expression will be torn down and rebuilt to
fit our sensual needs. The few constants though, will be music and writing
because they fulfill the simple human need to be removed from this natural
order to our white hot center where all the feelings we carry are allowed to
resurface all at once. Writing is language and music is sound and without both
working together, we are not human. © 2010 Prodigo |
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1 Review Added on October 20, 2010 Last Updated on November 2, 2010 AuthorProdigoVictoria, TXAboutBad art is tragically more beautiful than good art because it documents human failure. more..Writing
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