Chapter IA Chapter by Molly Cara
There were seven people and one ghost in the theatre that
night. There had been eight people, but the ghost, Vivien, had scared off
Isabel Lorenz, who had been commissioned to write a play for the company. Now
the six actors and their director, Carmine, sat around the ghost light and
tried to problem solve. It was a very tense room, as I’m sure you can imagine,
what with Vivien hovering and eavesdropping, and fiddling with the room’s
temperature and color scheme, as ghosts are apt to do. The play was to be about Aurelia Bacchus, who was a
sensational young woman, a medical student wanted by the police. But each time Isabel Lorenz or one of the
actors made mention of Aurelia, Vivien would begin to howl, and, in a tearful
voice, croak out funeral hymns. And, try as they might, the actors and Carmine
could not hear one another above these lugubrious, tuneless wailings. Esther,
an actor, suggested that they abbreviate the evening and find a new rehearsal
space. Jacob, another actor, suggested that they hunt the ghost with the mock
swords in the properties closet. Just then, an unprecedented hailstorm
descended. The precipitation threatened the studio’s thin roof, and
made it more difficult yet for the members of the theatre troop, who had years
of experience projecting their voices, to be audible. Before they knew it, the
actors were screaming to compete with the noise pollution, and could not
distinguish their own voices from Vivien’s wild shrieks. Something had to be
done. But what? The company now had exactly three weeks to put
together an original production for the upcoming theatre festival. They had no
play, and no playwright. With a collective sigh, the group disbanded, arranging
to meet tomorrow afternoon in Union Square. They filed out the door one by one:
first Carmine, followed by her daughter Imogene, then Esther, Seth, and Wilson.
Jacob lingered near the doorway, watching Rivka gather up her things and gyrate
absently across the stage, feeling her body in space. “Jake,” she said finally,
“Perhaps we should call this off.” Jacob hesitated, unsure as to whether Rivka was referring to
the theatrical production or something else. He watched her pirouette around to
face him, and felt himself instantly ensnared in her bold, searching stare. He
could not live there long, however, for Vivien had taken up a harmonica and was
playing herself some vitriolic lullaby. Rivka laughed somberly, and walked with
Jacob into the humid breeze of gloaming. They kissed, briefly, and parted. Rivka turned left and made her way across the intersection.
On the other side, the road dissolved into a sandy path that weaved its way to
the riverside. Rivka followed it to its end, and clambered up onto the
embankment of large, triangular rocks that greeted the storming tides. Her
green eyes turned to blue as she watched what was left of that day’s sun
flicker upon the river’s ripples, accenting the expanse of teal with its silver
penmanship. She considered her present predicament. She was thirty-three. It
had been years since she had played a heroine, or an ingénue, or a femme fatale.
It seemed that nowadays she was cast exclusively in the role of the villainess.
She enjoyed her parts, more than anything else in the world, except maybe the
river aglitter with sunset. She only wanted to play the leading lady one more
time before she permanently resigned herself to the more grotesque parts. Then,
after she’d indulged herself in a final moment of fresh, romantic performance,
she would dutifully retire the coveted roles to some younger, newer actress.
But she was not ready for that yet. ... Jacob disentangled his arms from around Rivka, and turned
right. He strode down Wythe Street,
swinging his arms, aware that they were still prickling from the embrace. There has to be some way to get rid of that
ghost, he thought. ... Aurelia Bacchus had the look of a librarian, though she was
a doctor, and tended to speak with a British accent, though she was not
British. Her tall, lean body had sunken into itself, giving her a slightly
concave appearance. Her short, rutilant curls were pulled back behind her
angular, inscrutable face, which, on this morning, strained forward with her
long and purposeful stride down Montague Street. There was nothing obscure in
Aurelia’s agenda for the day, which included changing her name, affect, and
appearance; in short, assuming a new identity. She did not anticipate that this
operation would take more than a couple of hours; she was a very efficient
woman, and she hoped to attend a women’s health rally later that afternoon.
Stratus clouds occupied the whole length of her sky, but there was sun enough
that when she closed her eyes to brace the mid-May rainfall, she could see
checkered patterns flicker beneath her lids. She would catch an uptown train
into Manhattan, she concluded. Aurelia had very recently moved to New York, after something
of a scandal back up in her home state, Pennsylvania. She caught on very
quickly, though, to the nature of big city life, which she preferred infinitely
to the false warmth and quiet ostentation of the suburbs. … After a less than pleasant trip to City Hall, Aurelia set off at once to buy a wig. She scurried down the street, taking note of her stride, trying to inure herself in every possible way to the challenge of becoming someone else. She tried on various facial contortions, and finally settled temporarily on pursed lips and wide eyes, an arrangement that, while relatively easy to maintain, would never be associated with her former self. The wig shop was a small boutique located in the back of a
posh beauty salon. Aurelia, tight-lipped, shuffled across the floor, which was
not easy, considering that the floor had been waxed four times in the past two
hours. Entering the back room, she found
wigs of every color, cut, size, and texture perched on the heads of pasty
mannequins. Aurelia eyed these plastic women with her chin outstretched, and
they eyed her back with commensurate suspicion. Nina and Simon, the co-operators of the shop, hesitantly approached
Aurelia, who whirled around and grinned broadly into their stern expressions. To
the shopkeepers, Aurelia’s crescent-moon smile seemed vaguely familiar, though
neither of them could place how. And Aurelia, still agleam like a Cheshire cat,
caught herself. The pair introduced themselves or something, but Aurelia
couldn’t hear a word of it over the sound of adrenaline pulsing in her blood. “How
may I help you?” Nina asked for the second time, rousing Aurelia from her
trance with a sharp, unwavering glare. Aurelia blinked once and turned to
leave, uttering several mismatched words of apology on her way to the door.
Leaving a sentence unfinished, she slipped back into the beauty parlor and
crossed hastily back to the cobblestone street. Although she would never be
back to this neighborhood, Aurelia would for a time linger over Nina’s severe
expression, and agonize over it for minutes at a time, trying to replicate it
for her own guise. © 2012 Molly Cara |
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