the waitress at the table next to me drops a stack of plates and it shatters everything
patrons clap and whistle, offer the required jabs as she kneels to the floor and begins to pick up the shards
the first quietly falls into her apron—a large piece—we seem to always start with the large pieces, don’t we?—and it makes no sound, not even a whisper as it’s transported from the unforgiving floor to the gentle, sweeping slope of the waitress’s outstretched apron
so quiet
watching her, I know the other pieces will not be so quiet when they reach their destination and, of course, I’m right
the scrape and clink and clatter of shards of china falling onto each other in a woman’s apron is a sound we know, even if we can’t place it; it’s the sound of things constantly finishing and continuing on; that scraping is the dog wanting out again; that clinking is ice in a too-quickly-emptied whiskey glass; that clattering is the child in us pleading, constantly pleading
but even this noise—this echoing brokenness—is magic. wholeness is reflected in brokenness—if one looks…or listens
the wholeness of a thing that, having served its purpose fully, simply lets go, doesn’t wait for you or I to say, “well, that was the last meal for that plate”, it just finishes in its own time, and with the scrape and clink and clatter of a child laughing at the morning sun, leaps onto an unforgiving floor and shatters everything.
and, picking up the shards, we touch over and over the memory of wholeness