Prose Poems and Experimental PoemsA Poem by Michael R. Burch Prose Poems and Experimental Poems Prose Poems and Experimental Poems These are prose poems (is that an oxymoron?) and experimental poems that begin with the first non-rhyming poem I wrote as a teenager ...
This was my first poem that didn't rhyme, written in my late teens. The poem came to me "from blue nothing" (to borrow a phrase from my friend the Maltese poet Joe Ruggier). Years later, I dedicated the poem to the children of the Holocaust and the Nakba. briefling manishatched,hopsintotheMix, cavorts,hassex(quick!,spawnanewBrood!); then,likeamayfly,he’ssuddenlygone: plantfood. It’s Hard Not To Be Optimistic: An Updated Sonnet to Science “DNA has cured deadly diseases and allowed labs to create animals with fantastic new features.” ― U.S. News & World Report
bachelorhoodwinked
Starting from Scratch with Ol’ Scratch for the Religious Right Love, with a small, fatalistic sigh went to the ovens. Please don’t bother to cry. You could have saved her, but you were all tied up: complaining about the Jews to Reichmeister Grupp. Scratch that. You were born after World War II. You had something more important to do: while the children of the Nakba were perishing in Gaza with the complicity of your government, you had a noble cause (a religious tract against homosexual marriage and various things gods and evangelists disparage.) Jesus will grok you? Ah, yes, I’m quite sure that your intentions were good and ineluctably pure. After all, what the hell does he care about Palestinians? Certainly, Christians were right about serfs, slaves and Indians. Scratch that. You’re one of the Devil’s minions. Prose Poem: The Trouble with Poets This morning the neighborhood girls were helping their mothers with chores, but one odd little girl was out picking roses by herself, looking very small and lonely. Now she’s lost all interest in nature, which she finds “appalling.” She dresses in black “like Rilke” and says she prefers the “roses of the imagination”! She mumbles constantly about being “pricked in conscience” and being “pricked to death.” What on earth can she mean? Does she plan to have sex until she dies? For chrissake, now she’s locked herself in her room and refuses to come out until she has “conjured” the “perfect rose of the imagination”! We haven’t seen her for days. Her only communications are texts punctuated liberally with dashes. They appear to be badly-rhymed poems. She signs them “starving artist” in lower-case. What on earth can she mean? Is she anorexic, or bulimic, or is this just a phase she’ll outgrow? escape!
u are too beautiful, too innocent, too inherently lovely to merely reflect the sun’s splendor ... too full of irresistible candor to remain silent, too delicately fawnlike for a world so violent ... come, my beautiful bambi and i will protect you ... but of course u have already been lured away by the dew-laden roses ...
Every child has a secret name, which only their guardian angel knows. Fortunately, I am able to talk to angels, so I know the secret names of the Three Sisters who are the heroines of the story I am about to tell ... The secret names of the Three Sisters are Etheria, Sunflower and Bright Eyes. Etheria, because the eldest sister’s hair shines like an ethereal blonde halo. Sunflower, because the middle sister loves to plait bright flowers into her hair. Bright Eyes, because the youngest sister has flashing dark eyes that are sometimes full of mischief! This is the story of how the Three Sisters solved the Three Mysteries of the Magical Pond ... The first mystery of the Magical Pond was the mystery of the Great Heron. Why did the Great Heron seem so distant and aloof, never letting human beings or even other animals come close to it? This great mystery was solved by Etheria, who noticed that the Great Heron was so large it couldn’t fly away from danger quickly. So the Heron was not being aloof at all ... it was simply being cautious and protecting itself by keeping its distance from faster creatures. Things are not always as they appear! The second mystery was the mystery of the River Monster. What was the dreaded River Monster, and did it pose a danger to the three sisters and their loved ones? This great mystery was solved by Sunflower, who found the River Monster’s footprints in the mud after a spring rain. Sunflower bravely followed the footprints to a bank of the pond, looked down, and to her surprise found a giant snapping turtle gazing back at her! Thus the mystery was solved, and the River Monster was not dangerous to little girls or their family and friends, because it was far too slow to catch them. But it could be dangerous if anyone was foolish enough to try to pet it. Sometimes it is best to leave nature’s larger creatures alone, and not tempt fate, even when things are not always as they appear! The third mystery was the most perplexing of all. How was it possible that tiny little starlings kept chasing away much larger crows, hawks and eagles? What a conundrum! (A conundrum is a perplexing problem that is very difficult to solve, such as the riddle: “What walks on four legs in the morning, on two legs during the day, then on three legs at night?” Can you solve it? ... The answer is a human being, who crawls on four legs as a baby, then walks on two legs most of its life, but needs a walking cane in old age. This is the famous Riddle of the Sphinx.) Yes, what a conundrum! But fortunately Bright Eyes was able to solve the Riddle of the Starlings, because she noticed that the tiny birds were much more agile in the air, while the much larger hawks and eagles couldn’t change direction as easily. So, while it seemed the starlings were risking their lives to defend their nests, in reality they had the advantage! Once again, things are not always as they appear! Now, these are just three adventures of the Three Sisters, and there are many others. In fact, they will have a whole lifetime of adventures, and perhaps we can share in them from time to time. But if their mother reads them this story at bedtime, by the end of the story their eyes may be getting very sleepy, and they may soon have dreams of Giant Herons, and Giant Turtles, and Tiny Starlings chasing away Crows, Hawks and Eagles! Sweet dreams, Etheria, Sunflower and Bright Eyes! Fake News, Probably The elusive Orange-Tufted Fitz-Gibbon is the rarest of creatures―rarer by far than Sasquatch and the Abominable Snowman (although they are very similar in temperament and destructive capabilities). While the common gibbon is not all that uncommon, the orange-tufted genus has been found less frequently in the fossil record than hobbits and unicorns. The Fitz-Gibbon sub-genus is all the more remarkable because it apparently believes itself to be human, and royalty, no less! Now there are rumors―admittedly hard to believe―that an Orange-Tufted Fitz-Gibbon resides in the White House and has been spotted playing with the nuclear codes while chattering incessantly about attacking China, Mexico, Iran and North Korea. We find it very hard to credit such reports. Surely American voters would not elect an oddly-colored ape with self-destructive tendencies president! Writing Verse for Free, Versus Programs for a Fee How is writing a program like writing a poem? You start with an idea, something fresh. Almost a wish. Something effervescent, like foam flailing itself against the rocks of a lost tropical coast . . . After the idea, of course, there are complications and trepidations, as with the poem or even the foam. Who will see it, appreciate it, understand it? What will it do? Is it worth the effort, all the mad dashing and crashing about, the vortex―all that? And to what effect? Next comes the real labor, the travail, the scouring hail of things that simply don’t fit or make sense. Of course, with programming you have the density of users to fix, which is never a problem with poetry, since the users have already had their fix (this we know because they are still reading and think everything makes sense); but this is the only difference. Anyway, what’s left is the debugging, or, if you’re a poet, the hugging yourself and crying, hoping someone will hear you, so that you can shame them into reading your poem, which they will refuse, but which your mother will do if you phone, perhaps with only the tiniest little mother-of-the-poet, harried, self-righteous moan. The biggest difference between writing a program and writing a poem is simply this: if your program works, or seems to work, or almost works, or doesn’t work at all, you’re set and hugely overpaid. Made-in-the-shade-have-a-pink-lemonade-and-ticker-tape-parade OVERPAID. If your poem is about your lover and sucks up quite nicely, perhaps you’ll get laid. Perhaps. Regardless, you’ll probably see someone repossessing your furniture and TV to bring them posthaste to someone like me. The moral is this: write programs first, then whatever passes for poetry. DO YOUR SHARE; HELP END POVERTY TODAY! Prose Poem: Litany
Sweet Nothings Tonight, will you whisper me a sweet enchantment? We’ll take my motorcycle, blaze a trail of metallic exhaust and scorched-black sulphuric fumes to a tawdry diner where I’ll slip my fingers under your yellow sun dress, inside the elastic waist band of your thin white cotton panties, till your pinkling lips moisten obligingly and the corpulent pink hot dog with tangy brown mustard and sweet pickle relish comes. Tonight, can we talk about something other than sex, perhaps things we both love? What I love is to go to the beach, where the hot oil smells like baking coconuts, and lie in the sun’s humidor thinking of you, while the sand worms its way inside your sexy little pink bikini, your compressed breasts squishy with warm sweet milk like coconuts, the hair between your legs sleek as a wet mink’s ... Tonight, can we make love instead of just talking dirty? Sorry, honey, I’m just not in the mood. Sometimes the Dead Sometimes we catch them out of the corners of our eyes―the pale dead. After they have fled the gourds of their bodies, like escaping fragrances they rise. Once they have become a cloud’s mist, sometimes like the rain they descend; ... they appear, sometimes silver, like laughter, to gladden the hearts of men. Sometimes like a pale gray fog, they drift unencumbered, yet lumbrously, as if over the sea there was the lightest vapor even Atlas could not lift. Sometimes they haunt our dreams like forgotten melodies only half-remembered. Though they lie dismembered in black catacombs, sepulchers and dismal graves; although they have committed felonies, yet they are us. Someday soon we will meet them in the graveyard dust, blood-engorged, but never sated since Cain slew Abel. But until we become them, let us steadfastly forget them, even as we know our children must ... Fascination with Light Desire glides in on calico wings, a breath of a moth seeking a companionable light ... where it hovers, unsure, sullen, shy or demure, in the margins of night, a soft blur. With a frantic dry rattle of alien wings, it rises and thrums one long breathless staccato ... and flutters and drifts on in dark aimless flight. And yet it returns to the flame, its delight, as long as it burns. Burn, Ovid “Burn Ovid”―Austin Clarke Sunday School, Faith Free Will Baptist, 1973: I sat imaging watery folds of pale silk encircling her waist. Explicit sex was the day’s “hot” topic (how breathlessly I imagined hers) as she taught us the perils of lust fraught with inhibition. I found her unaccountably beautiful, as she rolled implausible nouns off the edge of her tongue: adultery, fornication, masturbation, sodomy. Acts made suddenly plausible by the faint blush of her unrouged cheeks, by her pale lips accented only by a slight quiver, a trepidation. What did those lustrous folds foretell of our uncommon desire? Why did she cross and uncross her legs lovely and long in their taupe sheaths? Why did her breasts rise pointedly, as if indicating a direction? “Come unto me, cheek to breast, my hands all night long,
That day the late spring heat steamed through the windows of a Crayola-yellow schoolbus crawling its way up the backwards slopes of Nowheresville, North Carolina ... Where we sat exhausted from the day’s skulldrudgery and the unexpected waves of muggy, summer-like humidity ... Giggly first graders sat two abreast behind senior high students sprouting their first sparse beards, their implausible bosoms, their stranger affections ... The most unlikely coupling―Lambert, 18, the only college prospect on the varsity basketball team, the proverbial talldarkhandsome swashbuckling cocksman, grinning ... Beside him, Wanda, 13, bespectacled, in her primproper attire and pigtails, staring up at him, fawneyed, disbelieving ... And as the bus filled with the improbable musk of her, as she twitched impaled on his finger like a dead frog jarred to life by electrodes, I knew ... that love is a forlorn enterprise, that I would never understand it. Veiled She has belief without comprehension, and in her crutchwork shack she is much like us . . . Tamping the bread into edible forms, regarding her children at play with something akin to relief . . . Ignoring the towers ablaze in the distance because they are not revelations but things of glass, easily shattered . . . Aand if you were to ask her, she might say―sometimes God visits his wrath upon an impious nation for its leaders’ sins ... And we might agree: seeing her mutilations. Lucifer, to the Enola Gay Go then, and give them my meaning, so that their teeming streets become my city. Bring back a pretty flower―a chrysanthemum, perhaps, to bloom, if but an hour, within a certain room of mine where the sun does not rise or fall, and the moon, although it is content to shine, helps nothing at all. There, if I hear the wistful call of their voices regretting choices made, or perhaps not made in time, I can look back upon it and recall―in all its pale forms sublime, still, Death will never be holy again. The Evolution of Love Love among the infinitesimal flotillas of amoebas is a dance of transient appendages, wild sails that gather in warm brine and then express one headstream as two small, divergent wakes. Minuscule voyage―love! Upon false feet, the pseudopods of uprightness, we creep toward self-immolation: two nee one. We cannot photosynthesize the sun, and so we love in darkness, till we come at last to understand: man’s spineless heart is alien to any land. We part to single cells; we rise on buoyant tears, amoeba-light, to breathe new atmospheres ... and still we sink. The night is full of stars we cannot grasp, though all the World is ours. Have we such cells within us, bent on love to ever-changingness, so that to part is not to be the same, or even one? Is love our evolution, or a scream against the thought of separateness―a cry of strangled recognition? Love, or die, or love and die a little. Hopeful death! Come scale these cliffs, lie changing, share this breath. Longing We stare out at the cold gray sea, overcome with such sudden and intense longing . . . our eyes meet, inviolate . . . and we are not of this earth, this strange, inert mass. Before we crept out of the shoals of the inchoate sea ... before we grew the quaint appendages flowering, what jolted us to life? Memento Mori I found among the elms a gored-out wound in wood, and a burled, thick knot incised WILL U B MINE . . . which now, so disconsolately answer . . . --------------N Nucleotidings “We will walk taller!” said Gupta, “Who needs a mahatma “After Y2k, “My family is relatively heavy, “What does it matter, “The world will wobble “The world is going to hell in a bucket. They Take Their Shape by Michael R. Burch “We will not forget moments of silence and days of mourning ...”―George W. Bush We will not forget ... this every child accepts; the nymphet weaves; that paralyzes time. Suspended, dreaming,
by Michael R. Burch these are the days of doom yet also the days of hope toward self illumination ... and yet You must love Your Self
© 2022 Michael R. Burch |
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Added on April 1, 2021 Last Updated on February 19, 2022 Tags: Prose, Poems, Experimental, Verse, Free Verse, Modernist, Postmodernist Author
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