Long-vacant eyes now lodged in clear glass, a-swim with pale arms as delicate as angels'...
you are beyond all hope of salvage now... and yet I would pause, no fear!, to once touch your arcane beaks...
I, more alien than you to this imprismed world, notice, most of all, the scratches on the inside surfaces of your hermetic cells ...
and I remember documentaries of albino Houdinis slipping like wraiths over the walls of shipboard aquariums, slipping down decks' brine-lubricated planks, spilling jubilantly into the dark sea, parachuting through clouds of pallid ammonia...
and I know now in life you were unlike me: your imprisonment was never voluntary.
Published by Triplopia and The Poetic Musings of Sam Hudson
Bored stiff by his board-stiff attempts at “meter,” I crossly concluded I’d use each iamb in lieu of a lamb, bedtimes when I’m under-quaaluded. Originally published by Grand Little Things
We did not worship at the shrine of tears; we knew not to believe, not to confess. And so, ahemming victors, to false cheers, we wrote off love, we gave a stern address to things that we disapproved of, things of yore. And the people loved what they had loved before.
We did not build stone monuments to stand six hundred years and grow more strong and arch like bridges from the people to the Land beyond their reach. Instead, we played a march, pale Neros, sparking flames from door to door. And the people loved what they had loved before.
We could not pipe of cheer, or even woe. We played a minor air of Ire (in E). The sheep chose to ignore us, even though, long destitute, we plied our songs for free. We wrote, rewrote and warbled one same score. And the people loved what they had loved before.
At last outlandish wailing, we confess, ensued, because no listeners were left. We built a shrine to tears: our goddess less divine than man, and, like us, long bereft. We stooped to love too late, too Learned to w***e. And the people loved what they had loved before.