Chapter TwelveA Chapter by Mark Alexander BoehmCandice spends an evening with Adam, the first alone time she's had with him since being branded "Candy Corn".“Sing for me.” It’s three simple words, and the lips
that they’re leaving certainly garner my attention. Still, I’m not going to
cave. I have willpower and I am not about to let something as stupid a dimples
break me now. “No,”
my response is stern, and I don’t even look away from the sheet of printed
lyrics that are resting on my thighs. “Oh,
come on,” he says again as he snatches the sheet, holding it behind his back. “Adam
Shepherd!” Despite the volume I’m shouting at, I can’t help but smile as I roll
over on the couch, reaching around the boy’s body in an attempt to retrieve my abducted
lyrics. “Sing
and I’ll give it back to you.” How one expression can elicit two very different
reactions from me is beyond explanation. I huff, exhaling through my nose but
my smile manages to grow even larger. “You
suck,” I cross my arms over my chest as I slump back down into the couch,
surrendering my paper over to its captor. “Keep it.” He
sighs as he drapes his arm over my stomach. It’s such a nonchalant little
action on his part, and I’m not entirely sure he realizes this is the biggest
step he’s taken with me. Certainly he can feel my pulse accelerate. Hell, I can
practically hear it accelerating. Yet he doesn’t remove his arm. He just
continues to lay there with his arm on my stomach. “Why do you have to be so
stubborn?” And why do you have to be so enticing and conflicting
at the same goddamn time? “I am not stubborn.” “You’re
the queen of stubborn. Candice Stubborn Cornell.” “It’s
Rose, actually.” He
picks his head up just slightly and looks at me with a raised brow. “Seriously?”
“Don’t
knock it, okay? I didn’t choose it.” “No
knocking,” he assures me as he tightens his hold, his hand now resting on my
side. If he didn’t feel my pulse before, he sure as hell can now because I can
feel it reverberating off of his forearm. “Roses are beautiful, just like you.” “Corny
line of the century.” I must be growing slightly immune to his charm, because
while he’s batting his long lashes at me I seize the opportunity to reclaim my song
lyrics, yanking them out of his hand that’s still behind his back. “Corny,
yet true.” He reaches to take the paper back, but I reach my arm out until it’s
dangling off the couch and over the floor. “Give it back!” he shouts as he
reaches out, his arm parallel above mine. He can’t quite reach since he’s on
the other side of the couch. Rather than giving up, he straightens out my legs
and climbs on top of me, extending his reach even further. His weight isn’t on
me, it’s on his knees. Which just happen to be on either side of my hips. “Not
giving you what’s mine!” I promise you I’m just talking about the paper, but I’ll
level with you and agree that I phrased it quite poorly given our current
positioning. “Technically
the lyrics are Rogers and Hammerstein’s, now hand it over!” He stretches his
arm more, his body starting to lean into his lunge. With his center of gravity
now thrown off, I lift my leg up and nudge him off of the couch, sending him
tumbling onto the floor. It’s
only a temporary victory. Since my arm is still dangling over the edge, he
grabs my wrist and pulls me down on top of him. I drop the paper, and he grabs
it and holds it up above our heads. I
sit up on his stomach and start to reach for it, but he quickly grabs my
shoulders and pulls me back down until our faces are only inches apart. Due
to the game of keep-away, my natural shyness has been lying dormant. Candy Corn
has been out and going with the flow of the night. But right here, sitting on
top of him while he’s looking up at me like this, I can feel my cheeks turning
bright red. “Red as a rose,” he says, continuing his comparisons between my
middle name and the flower of the same name. I
lean down even closer, my lips ghosting over his. I’m as caught off guard by my
boldness as he is, but I certainly intend to take advantage of it. Just before
he can kiss me, I slide up his body and roll onto my back further along the
floor. As he lifts he head to get up, I trap his neck between my thighs. Thank you, Lita! He
begins slapping the sides of my legs, not as if he’s pretending to tap out but
if he’s trying to get me to let go without actually hurting me. “Tap!” I shout
to no avail. He
rolls left and right, trying anything to break my hold. He presses his feet
firmly on the ground and start to try and stand up that way. As he pushes my
legs back as he gains height, I force my thighs downward on his shoulders,
sending him right back down to the ground. “Tap!” I repeat my taunt again. “Sing
and I’ll tap,” he counters, still twisting his body in all different
directions. That
just doesn’t seem like a viable option to me. Instead, I tighten my hold on his
neck by flexing my thigh muscles and locking my ankles over his chest. This
goes on for over a minute. He fights back, I tell him to give up and then we
start over. I can sense both of us growing tired, and while I‘ll never admit it
I can feel my legs cramping up. Sighing
deeply, I close my eyes and let the words that are on that sheet in his hand
flow from my lips. The words that I can remember without the sheet in front of
me, anyway. I
instantly transform into a siren, the prey between my legs stopping his
struggle. He simply lies there, completely still as if he’s in a trance.
Role-reversal from when his meditation tactics put me in a similar state in his
car not too long ago. When
I don’t know a word, I just do a little riff on the word before it. I know such
a technique won’t be a saving grace come audition time, but it’s subduing my
current opponent and that’s all that matters right now. Eventually,
I run out of words that I know. My throat always feels better after I sing,
like that’s the only thing my voice should be used for and when I stay quiet it’s
in a state of despair. Then I sing, and it feels strong and healthy. I
am out of words, and Adam is still motionless. For a split second, I’m afraid
that I got lost in the singing and squeezed his neck too hard, but I can feel
his chest rising and falling beneath my feet. “Okay, you can tap now.” It’s
a weak tap, but it’s still a tap. Pulling my legs apart, I free the man from
his state of captivity. I expect him to roll away because he’s overwhelmed by
the sudden aggression I showed. In all honesty, I don’t even know where it came
from. I also partially expect him to just stand up and tell me to leave. But
in typical Adam Shepherd fashion, he does the unexpected. He rolls over but not
away, and he slowly crawls up until he’s hovering over me. I
f*****g hate his eyes. Okay, that’s a lie. I love them, I just hate the effect
the have on me. You know the effect I’m talking about, the one where I feel
like I’m melting into the cream-colored carpeting beneath me. He’s
about to kiss me, and my breath hitches. I’m ready. I’m waiting. Hell, I’m
pretty f*****g eager if I do say so myself. It
wouldn’t be our first kiss. He did peck me the night that Connor and I had our
fight. But it was a peck and we both pulled away so quickly I don’t even know
if I can count it as my first kiss. This promises to be a memorable one. More
intense, more focused. That
is until the loud beeping of the oven timer goes off and I become aware of the overwhelming
aroma of fresh chocolate chip cookies coming from the kitchen. Mrs.
Shepherd is making us cookies. My mom can’t put down a can of beer long enough
to make a can of SpaghettiOs and his mom is baking me homemade cookies. I’d
look into her adopting me, but then Adam would be my brother and that just
wouldn’t work for me… © 2016 Mark Alexander Boehm |
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Added on March 17, 2016 Last Updated on March 17, 2016 Tags: stripper, theatre, thespian, introvert, coming of age, mystery to come, angst AuthorMark Alexander BoehmOHAboutWriter of all things mystery, suspense, and angst. Twitter/Instagram: ImMarkAlexander For the latest updates on Candy Corn Chronicles, follow/like on social media below! Twitter.com/CandyCornB.. more..Writing
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