Pretty Little Vampire LadiesA Screenplay by Kevin Dean 4 Young Vampire sisters living in the American frontier era. Though they are pretty and they are young don not be fooled. These ladies are feisty. Pretty Little Vampire Ladies
By
Kevin Dean © Kevin Dean 2013
EXT.CHICAGO-STREET.NIGHT
The snow is falling covering the usually dirt road in a
glistening white.
By passers are driving sleds as opposed to stagecoaches. We
can tell that it is Christmas time by the atmosphere and
Christmas Carols filling the air.
At the end of the street is a dark house with almost no
light showing. It has a cobblestone path and two twisted
trees almost cover the front door.
The blood curdling scream of a WOMAN is heard from inside.
WE CUT TO:
INT.ENWOOD HOUSE.NIGHT
The interiors of the house speak volumes of a second class
citizen habitat with plain furniture, faded carpet and a few
paintings on the walls.
A young WOMAN lays on the dining room table as MEGAN ENWOOD
(16) very pretty with a fair complexion sucks from the
Woman’s neck.
In the far corner of the room lit by only faint candlelight
is JOANNA ENWOOD (15) quite tall, thin and of olive
complexion and her younger sister AMY ENWOOD (12) an
ashen-faced brunette with big red eyes.
They are feeding on a young MAN who is barely gripping to
life. Isolated in the center of the dining room is BETHANY
ENWOOD (14) a regular snow maiden with blonde hair and green
eyes.
She is feeding on an older WOMAN of at least fifty and rich
in apperance.
Jo takes her face away from the Man’s neck and shows the
blood dripping from her mouth.
JO
What would Christmas be without a
few corpses? Meg rolls the dead body of the Woman off of the table and
sits upon it. She looks at herself in her raggy burgandy
dress.
(CONTINUED) CONTINUED: 2. MEG
I really needed this to stay clean.
It’s oh so dreadful being minus of
money.
Amy finishes up the Man letting his corpse drop to the
floor.
AMY
Do you think it fair that some
Vampires have many more squirming
treats for their Christmas and we
get the hand me downs of Chicago’s
low end?
Beth pulls away from her victim who is still alive. The old
Woman looks at Beth with dread in her stare.
OLD WOMAN
Please. Please don’t kill me.
Beth strokes her forehead gently and with one quick snaps
the Old Woman’s neck.
BETH
We have each other and nothing is
more important than family for
Christmas right?
MEG
How do you manage to turn a
sentimental moment upside down by
always breaking a neck? Can’t you
just drain them out for once?
BETH
A quick death is a painless death.
MEG
Something of which humans deserve
less of. JO
I’ll second that. F*****g slayers
are the reasons we are becoming a
valnuable species.
AMY
I kill with the thoughts of our
Father. It helps to motivate me
against them.
(CONTINUED) CONTINUED: 3. JO
One of these days. I’m going to
individually tear out the throats
of every human in this city and
leave nothing but a pool of blood.
The two big doors of the dining room fly open and standing
in the archway is MYRA ENWOOD (40) striking dark hair and
looks.
The girls all turn to her as she walks slowly over to them.
Myra sees the bodies of the victims lying on the floor and
looks at the girls as if about to explode.
MYRA
What is this mess!
The girls jump at the sudden outburst of their mother.
MYRA
How many times do I have to tell
you. If your going to feed on these
swine do it in the basement or your
bedroom and not the family area.
Our carpet may not be state of the
art but it is hard to clean.
The girls all look at Myra ashamed.
MEG
We are sorry mother. It will not
happen again.
JO
The hell it won’t.
Jo is cut off by a sharp look from Meg. Jo quietly stands
down. Myra sits in the seat at the head of the table.
MYRA
I love you girls really I do (a
beat) but you have to abide by the
things I say. If the humans know
that we are the ones responsible
for their deaths then.
AMY
(Interupting)
Then every slayer winds up on the
doorstep. We know.
(CONTINUED) CONTINUED: 4. BETH
Forgive us mother. It’s just we
were hungry and didn’t know when
you would return.
MYRA
I know. Just make sure it dosen’t
happen again. Oh and Joanna don’t
ever talk out of tune to me again
or I will make you eat all of your
meal through a straw.
Myra stands up and Jo gives her an evil glare.
MYRA
I come baring gifts.
Myra exits for a brief moment and returns with a MOTHER and
DAUGHTER. The little girl is no older than seven. Both are
terrified.
MOTHER
Please! What are you going to do
with us? MYRA
Why we are simply going to invite
to join us for a late night supper.
Weren’t we my pretty little vampire
ladies?
ALL GIRLS
Yes mother.
Myra stands the Mother up and looks deep into her eyes. The
Mother goes into a trance state.
MYRA
You want to stay and join us don’t
you? MOTHER
Yes. We would love to.
MYRA
That’s the spirit.
Myra directs her to the chair at the tables head.
MYRA
Please sit.
(CONTINUED) CONTINUED: 5. MOTHER
Thank you.
The little girl watches her Mother join the ladies at the
table with tears in her eyes. Amy comes and sits next to the
girl.
AMY
Are you scared?
The little girls nods at Amy. Amy takes her hand.
MYRA
What say you my girls. Have you
eaten your fill or do you crave
more?
The girls all look at each other and begin closing in on the
completely tranced Mother.
MEG
It is Christmas after all.
BETH
It would be an insult not to accept
mother’s gift.
JO
Merry Christmas to us.
MYRA
That’s my girls.
Myra’s fangs pop out and she bites the Mother first. The
girls all join her. The little girl hugs into Amy, crying.
Amy calms her down then begins biting her.
The blood splatter on the screen reveals the OPENING TITLES:
PRETTY LITTLE VAMPIRE LADIES.
INT.CHICAGO-NEWSPAPER OFFICE.DAY
Journalist HANNAH LUDWIG (30) your average run of the mill
blonde. Sits at her desk hands on her head appearing in deep
riveting thought.
She twirls her pen around in her hand. It’s clear to see she
is suffering from writer’s block.
HANNAH
(To herself quietly)
Come on Jesus. Give me something to
write about.
She is suddenly startled by a ruckus outside the office.
Hannah rushes to see what the fuss is.
EXT.NEWSPAPER OFFICE.DAY
Upon peering through the small crowd of ONLOOKERS Hannah is
shocked at the sight of a Mother and Daughter laying dead in
the snow.
HANNAH
What happened here?
ONLOOKER MALE
Don’t know miss. It’s as if they
were just dumped her overnight.
ONLOOKER FEMALE
Who would do such a terrible thing.
HANNAH
Have the police been notified?
ONLOOKER MALE
Yes. That’s why we all came running
over here. Hannah takes a final good look at the bodies and sees that
the wounds are on the neck.
HANNAH Vampires? ONLOOKER MALE
What was that mam?
HANNAH
Oh nothing. I think I just found my
new article. Excuse me.
Hannah takes off back inside and a couple of POLICE OFFICES
start ushering people away from the scene.
INT.CHICAGO-NEWSPAPER OFFICE.DAY
Hannah shoots over to her desk and starts writing things
down.
HANNAH V.O
(As she writes)
My last encounter with these
otherworldly creatures left my
(MORE) (CONTINUED) 6. CONTINUED: 7. HANNAH V.O (cont’d)
husband dead. Now I possess the
strength and knowledge to uncover
the clan responsible for the deaths
of that Mother and her poor child.
Vampires what havoc they wreak.
INT.ENWOOD HOUSE-BETH’S ROOM.NIGHT
Beth and Amy are playing hopscotch. Amy throws her skull
dice and they land on six a piece. Beth looks less than okay
with that roll.
BETH
Again! That’s the third double six
you’ve rolled. Your cheating aren’t
you?
AMY
No! I don’t need to cheat in order
to beat you. BETH
Liar! We both know I am stronger
and faster than you.
AMY Oh yeah? Amy begins doing hopscotch at the speed of lightening. She
finishes and strikes a cocky pose near the door. Beth glares
at her and her eyes transition to a vibrant orange.
Amy brings a doll up that has an antique watch built into
it’s stomach. Amy checks her time.
AMY
Twenty one seconds. Well lets see
how fast you really are.
BETH
Fine! Beth does the same course Amy just did but is proven to be
slightly slower. Amy checks the watch and smiles cheekily at
Beth.
BETH
What is funny?
(CONTINUED) CONTINUED: 8. AMY
Twenty nine seconds sister. You
lose. BETH
I call your bluff. You could just
make up any time.
AMY
I could but I didn’t. This doll is
accurate always.
BETH
How do you know?
AMY
Because the watch used to be
fathers and he put a time
manipulation curse on it. Which
means nobody can alter it’s time
readings.
Amy drops it on the floor and leaves with her head high.
Beth hits the wall with her fist causing a small crack.
BETH
(Mimicing Amy)
It used to be fathers.
She sits by her giant glass window and stares out into the
foggy night.
INT.ENWOOD HOUSE-MEG’S ROOM.NIGHT
Meg is getting all dressed up in a gorgeous emerald green
Victorian dress. Her hair looks glamorous in curls that flow
down her back.
Jo enters dressed in a Maroon Victorian dress and her hair
tied in a sensible pony tail. She doesn’t look anywhere near
as girlie as her sister.
Meg looks at her and gasps.
MEG
Where are your gloves?
JO
Don’t have nor do I need any.
(CONTINUED) CONTINUED: 9. MEG
A balls attire is never complete
without gloves.
JO
No. Your attire is never complete
without them. Mine is fine.
Meg lets out a small yell of frustration and takes off one
of her gloves handing it to Jo.
Jo looks down at it and drops it on the floor. Meg becomes
angry.
MEG
Pick it up!
JO No. MEG
Pick up the glove (a beat) now.
JO
I don’t want it.
MEG
Josephine Enwood. You pick up that
f*****g glove or I will tear off
your hands to save you the trouble!
JO
Listen you little germaphobic
b***h. I’m not going to pick up the
glove because I don’t want to wear
the f*****g thing alright and
tearing off my hands would do you
no favors because when they grew
back I would only use them to
properly slaughter you with.
MEG
Fine but just know how good and
clean a glove makes a girl look.
Easier to attract food.
JO
I don’t need a glove to attract my
prey. They seem to have a thing for
girls with purple eyes.
Jo twirls around in front of Meg and leaves. Meg’s fangs pop
out and when she turns to her mirror all that is seen is a
dress floating in thin air.
(CONTINUED) CONTINUED: 10. MEG
Mirror Mirror on the wall whose the
fairest of them all. Megan Enwood.
INT.BALLROOM.NIGHT
A crowd of kids dance with each other under a grand looking
disco ball. The ones who are not dancing are seated alone or
in small groups mingling.
All four Enwood sisters enter and attract the attention of
many. Especially the male attendees.
They stop and stare at the people before splitting up. Beth
heads over to a small table and sits. Amy goes straight for
the bathroom while Jo heads for the punchbowl.
Meg scopes out the dance floor and begins dancing alone.
Soon Jo is joined by a young teen BOY around her age. He
moves closer to her with every step.
BOY
The punch is good. I think it’s
apple and currant.
JO
(Sarcasm in her tone)
Yay. She clears her throat realizing her opportunity. Jo’s
attitude towards the Boy increases for the better.
JO
(Pleasantly)
I mean. I don’t think I’ve tried
that flavor before.
BOY
Oh here let me get a glass.
The Boy fills up two punches and gives Jo hers. Jo raises
her glass to him and him to her. They cheers and drink.
BOY
Pretty good huh?
JO
Yes. The best I’ve had in a
millennium. The Boy gazes her with a weird gesture after her last
comment.
(CONTINUED) CONTINUED: 11. JO
I mean it’s be so long since I’ve
had punch this good.
BOY
Oh. Beth is intruded upon by two BOYS. One around her age and
the other much older.
OLDER BOY
Well hi there pretty thing. Care
for a dance? BETH
I’d rather just sit and talk.
OLDER BOY
Oh alright. I guess that could be
fun. YOUNGER BOY
So are you here alone?
BETH
More or less. Say would one of you
mind getting me some punch?
YOUNGER BOY
I’d be happy to.
He rushes over to the punch table. The Older Boy sits and
smiles at Beth.
BETH
You have a nice complexion in your
skin. YOUNGER BOY
Why thank you. So do you.
BETH
I bet you taste good.
YOUNGER BOY Excuse me. BETH
I mean. The skin absorbs what you
eat and drink. I’m just assuming
your eating habits are mostly
sweets.
(CONTINUED) CONTINUED: 12. OLDER BOY
How did you know that?
BETH
Call it an educated intuition. All
young boys like sweets.
Beth winks at him and blushes. The Younger Boy returns with
Beth’s drink.
YOUNGER BOY
Here’s your punch.
Beth takes it and sips it sexily. The Boys watch on in a
trance state.
Thanks. INT.BATHROOM.NIGHT
BETH Amy stands in front of the mirror but her reflection is not
cast. The sound of the door opening causes her to hide in a
cubicle.
Two YOUNG STARLETS come prancing in. They begin fixing
themselves in the mirror.
Amy stands silent in the cubicle.
STARLET 1
I do declare. Did you see that
other grotesque looking girl out on
the floor.
STARLET 2 Which one? STARLET 1
The one with the really pale skin
and the maroon dress. Who do she
think she is Dracula’s bride.
The Starlets laugh while Amy listens in looking angry.
STARLET 2
Your kidding. Even Dracula would
dismiss her. Amy loses it and slams her fist on the cubicle. The Starlets
turn to see one door closed.
(CONTINUED) CONTINUED: 13. STARLET 1
Excuse me in there. If your
struggling with a push please keep
it to yourself thanks. It’s not
proper to expose those kind of body
functions.
STARLET 2
Maybe she’s related to Dracula’s
nightmare. They laugh and exit. Amy comes out and catches a glimpse of
the flower on the back of Starlet 2’s gown. Amy’s eyes turn
red.
INT.BALLROOM.NIGHT
Amy finds Jo in amongst the crowd.
AMY
We need to talk now!
JO
What’s the matter no luck with
attracting prey.
AMY
Oh no. I’ve found the perfect prey.
You should have heard how they were
talking about Meg.
JO Who. AMY
Two bimbos. One had a flower on the
back of her dress.
JO
I’ll keep my eye out.
AMY
When you find them. Lure them the
bathroom. Amy storms off and Jo goes on the hunt. The ballroom doors
open and in walks Hannah.
She is dressed provocatively and heads right for the punch.
She begins walking around on the dance floor until she is
approached by Beth who just finishes wiping her mouth.
(CONTINUED) CONTINUED: 14. BETH Evening.
Hannah turns around startled by her.
BETH
Sorry I didn’t mean to scare you.
HANNAH
Oh it’s alright. A fascinating
night is it not.
BETH
Oh yes quite.
Hannah sips her punch and notices the two Boys Beth was with
laying face down on the table.
HANNAH
Did they smuggle in something they
should not have?
BETH
I don’t know. We were chatting and
they both suddenly fell asleep.
Weird.
Jo sneaks up behind Beth.
JO
Who’s your friend Beth?
HANNAH
Oh Hi. I’m Hannah.
Hannah extends her hand to Jo who does not shake it.
HANNAH
I work for the newspaper. I am
writing a report on the murder of a
mother and daughter recently.
JO
Oh charming.
HANNAH
Yes. They were dumped in the snow
outside our branch office three
days ago.
Jo and Beth look to each other knowingly. They manage to
remain calm.
(CONTINUED) CONTINUED: 15. JO Is that so. BETH
Do the police have any leads?
HANNAH
At this stage I can’t really say.
Everything is being kept under
wraps quite tightly. Do you ladies
know anything.
JO
(In Denial)
Not really. Only what our mother
has read thus far.
Meg joins the circle with a LAURIE (26) a man with his long
hair in a pony tail and wearing a masquerade mask.
BETH
Meg! This is Hannah she is a
newspaper reporter.
MEG
How do you do.
JO
She is investigating the recent
murder victims dumped outside the
Chicago news office three days ago.
Do you know anything about that?
Meg swallows hard obviously hiding something.
MEG
No not at all. This is Laurie.
Laurie these are my sisters
Elizabeth and Josephine.
LAURIE
Pleasure my ladies.
JO
I’m sure it is.
HANNAH
Hi I’m Hannah.
LAURIE
I know who you are. I must say your
reports do intrigue me sometimes.
(CONTINUED) CONTINUED: 16. HANNAH
Why thank you.
LAURIE
Any luck on the recent murder case.
HANNAH
Not as yet sadly. Police are being
very tight lipped.
LAURIE
Oh. Well I look forward to reading
what you do come up with.
MEG
Laurie and I are heading out back
for some fresh air. Would you care
to join us?
Beth and Jo decline along with Hannah. Meg and Laurie stride
off together.
HANNAH
Your sister seems nice.
JO
Oh she’s a real gem.
BETH
Speaking of sister we must be going
off to find our youngest Amy.
HANNAH
Oh there are four of you.
JO
Yes and sometimes four is a crowd.
Goodnight. HANNAH
Goodnight.
Beth and Jo take off through the crowd. Hannah watches them
leave.
HANNAH
(To herself)
Other worldly much?
Jo stops Beth outside the bathroom.
(CONTINUED) CONTINUED: 17. JO
Why would Amy and Meg dump the
bodies in a public setting?
BETH
I don’t know. Do you think she
suspects anything.
JO
She’s a reporter. They always
suspect. Amy asked me to find these
two girls for her and lead them
here. Help me? That is of course if
your not still looking.
BETH
Oh no. I’m quite full.
Beth looks over to the two Boys she was with who are still
laying on the table.
JO
Risky much?
BETH
What’s a hunt without a risk.
JO
Just help me find them. One has a
flower on the back of her dress.
They split up and look.
EXT.BALLROOM.NIGHT
Meg is outside with Laurie.
MEG
A fine night out. Wouldn’t you
agree? LAURIE
Yes. I cannot remember the last
spent with a girl as beautiful as
you.
MEG
You flatter me you do. Why don’t
take off that mask and show me your
beauty.
(CONTINUED) CONTINUED: 18. LAURIE
Do you not like mystery?
MEG
I like to look my lovers in the
eye. LAURIE
Then peep through the slits my
dear. Peep through the slits.
Meg smiles at him and the two become close. She peers into
his eyes.
MEG
You have innocent eyes. I admire
that. LAURIE
Your eyes are very blue. Almost
like a summer sky. I admire that.
MEG
They say that the eyes are the
window to the soul. They tell no
lies. Yet your mask says different.
You need not be low on self esteem
with me. I won’t bite.
LAURIE
Your right. The eyes are the window
to the soul but eyes can lie.
MEG
If you believe that. It means your
hiding something.
LAURIE
I believe we both are. After all
the only true honesty is a lie.
Laurie reaches into his jacket and pulls out a stake. Meg
looks at him then steps back.
MEG Slayer! LAURIE
Meg goes on the attack and a fight between them breaks out.
Monster! INT.BATHROOM.NIGHT
Jo and Beth enter the bathroom with the two Starlets. The
group all laugh and joke.
STARLET 1
So I said to her. How fat do you
need to be in order to be
considered a cow.
STARLET 2
She actually answered. She said big
enough so a scale rejects you.
They continue laughing.
BETH
Oh you two are extraordinary
company I must say. Wouldn’t you
agree Jo.
JO
Oh yes. Quite the pair of
princesses. This girl your talking
about. What did you say she looked
like again?
STARLET 1
Why. She was the one on the dance
floor in the Maroon dress and
looked like Dracula’s daughter.
JO
Oh you mean Megan. Our sister.
The mood switches at the word SISTER. The Starlets become
shocked and guilt stricken.
Amy slowly walks out of the cubicle and the Starlets are now
surrounded.
STARLET 1
Now hold on a minute. We can all
talk this through.
AMY
Oh I think you’ve done your fair
share of talking tonight.
JO
Agreed. Besides I’m starved.
19. The Starlets try to run but Jo and Amy pounce on them and
begin their feeding. The Starlets scream and blood paints
the walls.
INT.BALLROOM.NIGHT
The ball rages on until Laurie comes flying through the
doors. Everybody stops instantly.
Meg stands tall showing her fangs and red eyes to a peering
crowd. Laurie gets up slowly.
MEG
You were going to stake me!
Insidious human!
LAURIE
I am not the insidious one. You
monster. Hannah looks on in shock. Jo, Beth and Amy join Meg by her
side.
MEG
It would seem you are greatly out
numbered. Drop your stake and
surrender to an honorable death.
AMY
That means. We will kill you fast.
LAURIE
Did you kill my mother and sister
fast? Hannah gasps in awe. The crowd becomes scared and start to
flea. Jo and Beth run to the exit with incredible speed and
begin feeding on the fleeing people.
Laurie goes at Meg with his wooden stake but she out
maneuvers him with speed. Meg picks him up as if he were
cheese and throws across the floor.
Hannah runs over to aid Laurie.
HANNAH
Are you alright?
MEG
Foolish woman. This is all your
fault! If you and your paper
buddies would just leave well
(MORE) 20. (CONTINUED) CONTINUED: 21. MEG (cont’d)
enough alone we wouldn’t be in this
situation right now.
HANNAH
Why would you do such an evil
thing. She was just an innocent
little girl.
AMY
So was I a long time ago but then I
was given a gift and I grew up.
HANNAH
You are a monster.
AMY
With all due respect. We are all
monster it’s just some of us don’t
know it yet.
Suddenly a stake comes tearing through Amy’s stomach. She
screams in pain and Meg looks to her.
MEG NO! Amy’s eyes start to bleed then like a giant water balloon
she explodes sending blood and gore everywhere.
Meg yells in dissary. Jo and Beth rush over to her and find
a pile of blood on the floor and Amy’s dress laying in it.
JO Amy? Laurie looks up with a smile on his face. Meg turns and sees
DARLA (17) a pretty young girl dressed in ocean blue holding
a crossbow.
MEG YOU! Meg goes for Darla. Laurie gets up but is knocked back down
by Jo. Beth grabs Hannah and lobs her across the room.
BETH
How’s this for a story. Stupid
reporter found gutted and drained
at ball by vampire slayer. Oh I can
see the headlines now.
(CONTINUED) CONTINUED: 22. Beth jumps on top of Hannah and bites her. Laurie throws his
stake at Jo who catches it she tosses it back and Laurie
opens his legs so that it misses his groin but only just.
JO
You’re going to have to do much
better than that slayer.
Combat begins between Jo and Laurie. Darla is circled by Meg
and Beth.
DARLA
Either of you ladies got a light?
MEG
Our sister is dead because of you.
DARLA
So I can’t have a cigarette?
MEG
I am going to tear out your f*****g
throat! DARLA
Ooh why so nasty?
Meg and Beth go on the attack. Darla fights with them.
Hannah runs over to the exit but is stopped by a deeply
aggressive Jo who knocks her to the floor.
JO
Where you might you be going?
HANNAH
Please let me go. I didn’t do
anything to you.
JO
Oh but you did. It was you who
exposed our crimes to the public.
It was you who made up constant
lies about our persona’s and it was
you who collected the royalties
from it.
HANNAH
It’s my job. I was only doing my
job. (CONTINUED) CONTINUED: 23. JO
Well your job just got you killed.
Jo goes to attack Hannah but Laurie pushes Meg out of the
way and throws his stake like a dagger. It impales Jo right
through the heart.
Jo stares at him for a moment before exploding into blood
much like Amy. Hannah is covered in it.
BETH
Josephine!
Beth takes Darla’s crossbow and throws it across the floor
then using one of the arrows she stabs Darla in the throat.
BETH
Now you experience true death like
my sisters. Beth punches a hole right through Darla’s stomach and she
drops dead at Beth’s feet.
Laurie looks concerned and Meg takes advantage and hits him
hard.
MEG
Beth we must get out of here!
BETH
What of him?
MEG
Let mother deal with this.
BETH
(Referring to Hannah)
And this one? MEG
Finish her and lets go.
Beth picks Hannah up by the hair and lifts her against the
wall by her throat.
Beth bites Hannah on the neck.
Meg heads for the exit. Laurie begins to stir and picks
himself up. He grabs the crossbow near Darla and loads it.
Beth takes Hannah’s neck in her hands and is about to snap
it when. THUNK! An arrow is shot right through her head.
(CONTINUED) CONTINUED: 24. Beth turns to Laurie and rips the arrow out. Meg also sees
him standing.
MEG
Okay slayer you obviously want to
die. Beth! End him.
BETH
With pleasure.
Before she can make a move Hannah reaches up with a piece of
broken wood and stakes Beth right through the back. It
passes through her heart.
Meg gasps in shock.
MEG
NO! BETH
Hold (a beat) me.
Beth explodes. Meg bursts into tears.
MEG
YOU B***H!
Meg leaps into the air and takes flight at Hannah. Hannah’s
eyes grow and Laurie dives in front and fires a triple shot
of arrows.
Two arrows miss Meg but the third hits her in the eye. She
falls out of the air and Laurie rushes over to her with
Hannah’s stake in hand and plants it right through Meg’s
heart.
Meg squirms around for a moment. Laurie stands above her.
LAURIE
That is for my mother and sister.
Meg takes a final breath and like a balloon meets the same
gory explosive fate her sisters did. Laurie is covered in
blood but stands proudly.
Hannah walks over to him holding her neck and ribs.
HANNAH
The papers are going to be
ransacked after this.
Laurie looks to Hannah, drops the stake and heads for the
exit.
Hannah wipes the blood off of herself and follows him.
INT.CHICAGO-NEWSPAPER OFFICE.DAY
"2 months later"
Hannah is working at her desk when a Woman enters and sits
across from her.
HANNAH
Hello. How may I help you?
The Woman lifts her head up and reveals herself as Myra.
MYRA
I was wondering if you might be
able to tell me where I could find
this man.
Myra shows Hannah a picture of Laurie. Hannah takes great
interest.
HANNAH
That’s my fiance. Why would you
want him? MYRA
I am a distant cousin and need to
talk with him about some recent
money events.
HANNAH
That’s funny he’s never mentioned
you. What did you say your name was
again?
MYRA
Myra (a beat) Myra Enwood.
THE END © 2013 Kevin DeanAuthor's Note
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Added on November 15, 2013 Last Updated on November 30, 2013 Tags: Vampires, Dark, Horror, Supernatural Author
Kevin DeanSydney, New South Wales, AustraliaAboutAt only 24 years old Kevin has already got four Self-Published Novels in the world wide market. Writing since the age of six has kept him busy for more than twenty years. His signature style is a comb.. more..Writing
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