Sex and LoveA Story by Alex P.Currently under dispute. See ACIn a comparative study of two
readings: “The Cult of Virginity” by Jessica Valenti and “Romance: Sweet Love”
by bell hooks, one finds that both deal with a form of sexuality. Although there
were no cross-references between the two, there were definite indications of
one commonality that seems to perpetuate through not only these two articles,
but throughout many feminist writings. This underlying similarity is that women
have been, and still are, controlled and manipulated to behave according to
ideas of traditional ruling patriarchies, and the most-often unchallenged
acceptance of those views is by women themselves. This essay will bring to
light how women have evolved through different levels of male ownership, from
being considered a commodity to eventually being controlled by the manipulation
of their self-worth through and for purposes of consumerism. Forcing the
concept of virginity or of a single type of love upon women is a form of
oppression against women, through control and manipulation of action and
thought. For instance, Jessica Valenti
cites in The Cult of Virginity that
there are no medical or scientific definitions of virginity. In fact, dictionaries
explain virginity exclusively in terms applied to females and females alone. There
are no similar definitions of male virginity, “outside of the occasional
reference … in the form of a goofy movie about horny teenage boys.” (Valenti
182) So, if that is the case, why is there such emphasis on this non-existent
medical definition of virginity? Perceived and misunderstood notions such as
the mentality that a woman is only considered “good” if she is still viewed as
virginal, or the expectation that women are to lose themselves completely to
the concept of romantic love, have endured because of generational and media repetition.
These supposedly desired ideals are so ingrained that they are accepted as fact.
Virginity has been interpreted by
society to be the ‘chaste’, physical expression of a woman’s sexual behaviour. A woman is defined in this way as either being
sexually active, or “saving herself,” and subsequently becomes defined by that expressed
sexuality (or lack thereof) and what she does with it. She can flaunt her
sexuality (suggestive) or she can tease (coy), but the minute she participates
in a sexual act, or is even alleged to have done so, the social meaning
defining her changes. She is no longer the ideal, and therefore is classified
as “damaged goods”; the ‘bad’ girl. Historically the concept is simple,
as Valenti explains: “If a man marries a virgin, he can be reasonably sure the
child she bears is his.” (Valenti 183) The concept of heirs and succession was
very important in the past, and still is, to a point, in modern days. Because
of this, men who owned property needed to be assured that once they passed on,
that property would stay within the control of their bloodline. Thus, it was
necessary that the brides of these men were virgins, so as to ensure the
probability that the first born was the groom’s heir. The result of this
practice, as Valenti goes on, citing Hannae Blank was that “raising daughters
of quality became another model of production, as valuable as breeding healthy
sheep, weaving sturdy cloth, or bringing in a good harvest.” (Blank, Valenti,
183) Women were a commodity,
breeding stock that were bought or sold for the benefit of the patriarch, while
the female usually had no choice in the matter. The father (the sire) would ‘give-away’
the woman as a bride to complete a business transaction between the father and
groom. Therefore, the woman was no different than any of the cattle bought and
sold in the market. This practice is continued in some marriage ceremonies
today, within which the father or other family patriarch traditionally ‘giving the
bride away’ to the groom. Today this practice is more symbolic, but there
remains the underlying suggestion of transference of ownership. Attitudes of women as
possessions have been written into the dogma of religion to further instill the
belief that this is the way it should be. The ideals of the control and
ownership of a female’s virginal state is propagated in Western religions by
the portrayal of Mary’s virginal birth of Christ, and of Eve’s giving into the
temptation of the forbidden fruit. The sexual connotations in the metaphor of the
forbidden fruit as the first interaction of intercourse, and the resulting
banishment from Eden is all blamed on Eve, because historically, women were not
viewed as sexual beings, and were therefore not supposed to have such erotic
thoughts as desiring to have sex. Adam’s participation is unquestioned as a
man’s God-given right, and he remains conveniently blameless. Being chaste applies
to women only, and this stance teaches us that female sexuality, and therefore any
woman that personifies this sexuality, is bad. The acceptance of these archetypes
remains widespread, which continues the control over the freedoms of sexual
expression for women. An example
illustrated by Valenti in “The Cult of Virginity” describes the 2006 Miss USA pageant case of contestant Tara Conner.
Donald Trump (co-owner of Miss USA) accused her as exhibiting un-virginal
behaviour, such as drinking, partying, and dating. She was nearly stripped of
her Miss USA crown for demonstrating the typical behaviour of a 20-year old.
Instead, she was publically ‘forgiven’ and “(Trump) was giving her a second
chance.” The press called her a “small-town girl” who “couldn’t handle
herself.” (Valenti, 185) The pageant rules remained intact, and the control
remained in the hands of men, to decide how women should behave and that their
sexual natures could not be expressed without a man’s permission. Society
continues to accept these regulations as unquestionably reasonable. Then in the interests of
business, Trump further exercised his control over Tara by ‘giving her permission’
to pose for Playboy Magazine. (Valenti, 185) The “good girl” is defined in her role
as a commodity. She cannot think, do, or accomplish for herself. She can only act
according to the ultimate purpose of man’s dominion over her. Donald Trump,
especially in this example, follows this attitude, which is maintained by many
men when it comes to women. Although he is a man of wealth and power, the
mind-set surrounding the belief that women’s sexuality is similarly controlled
by all men, regardless of socio-economic status or race. We have examined that there is no concrete definition of virginity, except
that which is defined by men. Let us now examine romantic love. Several concepts of romantic love are illustrated
by bell hooks in her article “Romance: Sweet Love.” However, as with virginity,
she cannot supply a clearly defined explanation of love, except that which is a
creation of the mind. The misrepresentation of romantic love is validated
through mass media and fairytales (designed by men), in order to show women
what the ideal is, and what they are subsequently missing out on. bell hooks states “true love has the power to redeem but only if we are
ready for redemption.” mostly because we “feel unworthy” or “(un)able to
receive love”. (hooks, 186) This mentality goes back to the traditionalist
attitude that women are not erotic beings, and that their sole purpose is for
the benefit and use of men. This is what connects with the original idea of
virginity, property and ownership. When women are told to aspire to the
romantic ideal, but feel unworthy, they further drive the economy, business and
men’s continued control by purchasing the paraphernalia that they supposedly
need to become deserving of love. However, this worth is unattainable, because
women are held to the antiquated standard of the virginal Madonna, and are
therefore never allowed to see themselves as perfect, desirable or valuable. When
bell hooks refers to our “false self,” (hooks, 186) she is referring to how we act
out the roles of a fabricated mold that is driven by men’s need for control and
economic gain. As per their religious doctrines, women historically were fed
the idea of dependency upon a man to survive. In time, women began to depend
less on men for their livelihoods, and concepts of romantic love were
introduced in order to redefine the roles that women were supposed to strive
for. This results in more control over women who believe that they have to fulfill
these imaginary roles in order to be desirable. The
control of women began with her role as chattel to be bought and sold for the
prosperity and economic gain of man. As women received increase in status with
the right to voice their own opinions, this control of man receded, to be
replaced by women’s consumerist need to try and achieve the ideals of concepts
like romantic love. By making women feel unworthy of being this ideal, men have
ultimately continued their control over women. No longer being bought and sold
as commodities themselves, women are now being used as consumers to drive the
wealth of men and their power by exploiting their pursuit of the perfection
required of them. The
concept of romantic love creates an image of a woman that does not reflect who
she really is. She tries to fashion herself into the expectations of beauty and
desirability, as described in stories of romantic love. This creates women in
makeup as actors on a stage. As bell hooks states: “In adult life, (people)
meet (other people) who fall in love with their false self … At some point,
glimpses of the real-self emerge and disappointment comes.” (hooks, 186)
Eventually, the act is over, and suddenly the real woman no longer resembles
the romantic ideal that she strove for. Disappointment is directed at that
woman. She is not actually what she was made out to be, and just like the
temptation of Eve, the woman is now blamed for this too. hooks does not stop with her description of romantic love, but continues
on to explain love through the eyes of two men, Fromm and Peck, who say: “we
choose to love” (Peck, hooks, 187) and that love is “essentially an act of
will.” (Fromm, hooks, 187) Fromm and Peck’s descriptions have been elaborated
to mean that love - real love - is based on will, choice, intellect and
judgement in addition to attraction. In other words, love is informed. Harriet
Lerner agrees with this idea when she states that: “few of us evaluate a
prospective partner with the same objectivity and clarity that we might use to
select a household appliance or car.” (Lerner, hooks, 187) hooks can be alluding in her own argument more to our biological needs
when she says that erotic attraction often serves as the catalyst for an
intimate connection between two people…” and then later that “we can only move
from perfect passion to perfect love when the illusions pass and we are able to
use the energy and intensity generated by intense overwhelming erotic bonding…”
(hooks, 187, 188) however the others (Fromm, Peck and Lerner) make love seem
more of a clinical nature. When the attitudes of these four individuals are
combined, it is as if there is a list of specifications meant for the idyllic
appliance that would fit those needs. So, this can easily be interpreted to
mean that with our list of specifications in hand, we go out to shop for the
product that meets our needs. We have gone from one extreme of a fairytale
concept of romantic love, to a seemingly clinical approach of purchasing a
consumer item. Is it any wonder that conditioning and
misinformation creates feelings of insecurity or fear in sexual encounters? The
confusion surrounding the ideal of romantic love on the one hand, and the
consumerism-type attitude toward love on the other, distracts people from the
basic, primal, biological urge of mating and procreation. Control and
manipulation within our species, mostly for economic gain throughout history,
have brought us to this point in time where basic drives of animal nature are
so distorted that the true meanings have become lost. There is no scientific
definition of virginity or romantic love. The controlling factors involve guiding
women to fit a mold of behaviour, appearance and attitudes that help perpetuate
subservience to patriarchies. These controlling factors completely disregard
the basic primal drive for existence and the continuation of the species. In instances of both virginity
and romantic love, we are required to meet the expectations of someone else by
their definitions. Virginity and romantic love are both defined by society and
religion, and both are based on the archaic mentality of ownership and control
of a possession, not affection for another human being. Ownership begins with
controlling a woman’s thought processes, basic needs, and sexuality, ultimately
for the profitable gain and socio-economic status of men. Women have been
controlled for so long, that few recognize it happening... Men’s control has evolved from
controlling women from positions of ownership to controlling women as
consumers, ultimately for the same goals, only through different avenues of
approach. Where is the woman’s responsibility in this? She has allowed this to
happen, and continues to do so. Women are not the perpetual victim, but rather,
we are an accessory to our own oppression. If the blame is continually given to
someone else, once again we remove the power from ourselves to decide what is
best for us. When the power to affect change or make decision is not in the
hands of the affected, then the affected remain controlled. © 2012 Alex P.Author's Note
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2 Reviews Added on March 23, 2012 Last Updated on March 23, 2012 Tags: virginity, romance, love, bell hooks, Jessica Valenti, capitalism, commerce, economy, men, chauvinism, feminism, misogyny, oppression, consumerism, control, chattel, commodity AuthorAlex P.AB, CanadaAboutAmateur Herbalist | Feminist | Social and Environmental Justice Activist | Entrepreneur --- The content of this profile and all other associated content are hereby strictly prohibited from disclosur.. more..Writing
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