CHAPTER VI - "DRUMS OF THE MIND"A Chapter by P_F_COGANa Horror/Science Fiction crossover short story with a modern day moral and twist.DRUMS OF THE MIND In thirty years in engineering I've met some weird people, but nobody quite like Jason. Only Jason Logan would turn up at an interview dressed in jeans and an old suit jacket. Beneath the jacket he was wearing a T-shirt with the profile of a head on it, the outline marked off in the phrenology departments of Hope, Secretiveness and Despair. Jason was never one to overdress. Nevertheless I'd made him a job offer on the spot, I knew he was who we needed. As he was leaving, meandering in what I would come to know as his usual stooped preoccupied fashion, he barged straight into my boss. He backed away muttering something, maybe it was an apology, maybe not. Afterwards Troy, my boss, came over. He said, "Mr. Jason Logan, the saviour of the project I presume. Do you want to buy my company shares?" Yet of the engineers that I've known, and there have been some good ones, Jason was miles ahead. In his subject he was brilliant and in key areas self-taught. Jason had started out doing neurological research. He'd studied the brain and its anatomy, in this field he'd done very well. But it was the Broca drum that had got everyone's attention. Jason had taught himself software and hardware, all to design a drum that could be played without touching. To play his drum you wore a helmet containing super conducting quantum interference devices, - SQUIDS. All the player had to do was 'hear' internally, what he wanted to play. The SQUIDS monitored the micro electrical signals in the brain; Jason's system turned it into music. My interest in Jason was rather different. I was a project manager at Douglas Avionics and we were developing what would surely be the last of the manned military aircraft. The project was in trouble, I needed Jason and I thought we'd be lucky to get him. Jason was qualified, had all the skills we needed, and he was available. Only later did I discover that his abrasive style had made him persona non grata at most of the decent universities. Now this was a huge project with hundreds of engineers, but in all that talent, there was nobody who could do for us what Jason could do. I told him what the main issues were. "The project is struggling and if it fails there are lots of jobs at risk. If we don't get this one delivered we'll be out of the manned aircraft business for good. "We need to get our PSI control system working reliably. "There is just one remaining tactical need for keeping a man in the cockpit. This is in controlling swarms of MUAVS. Micro UAV swarms are a very hot idea but they don't lend themselves to total autonomy." I said. "To simultaneously fly the plane, and control the UAVS you need PSI control I take it," Jason said. "Correct," I said. I was encouraged by how quickly he caught on. "Why don't you just get into the MUAV business," he said. "The MUAV field is the domain of small, fast reacting companies. The surfer dudes we call them. They work out of garages, hack systems together in days, do it all on a shoestring," I said. "They sound like my kind of people," he said. "Don't even think about it Jason, I saw you first." I was proud of the fact that the PSI control system had been, up to then, a successful project. Over the years numerous problems had been solved, and we had reached the flight test stage on budget. And with a product that bore a pretty close resemblance to what we had presented to the Air Force five years earlier. - We'd had voice control in aircraft for years, now we were moving to thought control, unlikely as seems it could work well. We were using a special helmet to detect mental activity to produce the control we needed. We'd built a device that was a miniature brain scanner. With the right kind of software, we could monitor the brain and extract control signals for anything we needed. The pilot could control his aircraft, and control a swarm of MUAVS, just by thinking. "Things have been going well in lab testing but now we have shifted to the flight test phase. This is very expensive, things are going wrong and we just don't have a way to investigate during flight," I said. "You are building this thing for a single seater jet fighter right?" Jason said. "Not much room for guys with debug terminals then." "I've read your PHD paper on extracting internal monologue, the system you call Marvel. It sounds like what we need to get into this problem, if you can get it to run on our hardware." "I'd be willing to give it a try. I know your hardware set-up must be pretty close to mine, anyone trying to monitor neurological behavior for control has got to be using SQUIDS right?" "Yes. We have a special training technique we put the pilots through. They learn to mentally manipulate a new part of the body - the aircraft, and when they can do that, they get to mentally fly a swarm of MUAVS as well," I said. "It's a mans life in the Air Force right." With Jason on the payroll I started him off with a look at our previous test run. We had hours of video that had been taken at the test range in Canada. We'd taken our test aircraft, the 'Fighter' up there, along with a transport plane and two pods full of MUAVS. "Each MUAV is about a metre wing span. It has a foam plastic airframe, a single chip GPS, a radio receiver and a few servos. There's a stripped down computer out of a fast games machine to bind it all together. It would make a pretty good model plane, if it wasn't for the warhead." I started the video replay. The camera was in the transport aircraft. Under each wing of that plane was a long square container - the UAV pod. This was the point where the MUAV swarm was dispensed. The doors of the pods opened and the UAVS started dropping out. They fell like leaves ripped from a tree in a winter storm. The camera followed one as it dropped away from the transport. After it had been falling for a second or two it settled into a stable dive. "This is the power up phase; it needs to get up to speed to spin up the jet motor. Once it's diving fast enough the computer will switch on the fuel and ignition," I said. The camera pulled back and we saw that all the other UAVS, about fifty of them, were pulling up out of their dive phase and starting to form up into a swarm. Once in a group the UAVS behaved like a flock of birds, swerving this way and that yet all the time maintaining a metre spacing from each other. "Now they are waiting for commands from the Fighter pilot," I said. Another camera picked up the Fighter fighter. It had flown non-stop from Spain refuelling in flight from the transport plane, which also served as a tanker. The transport was twelve thousand metres above the snow covered Canadian prairie. The sky was clear and the ground revealed none of the works of man. So barren is it here that the ground looks as weird as the top of a brain - with no references it was difficult to estimate how high the view was. The Fighter started its dive and the UAV swarm went with it. Only now did it become apparent how high the camera was, the descending Fighter became a glinting dot pursued by the UAV swarm - looking like a liquid cloud of insects. The view changed to a camera mounted on the pilot's helmet in the cockpit of the Fighter. He was searching the sky; in his field of view was a pointer telling him where to look. His view panned rapidly as he followed the target pointer. The target box brightened up as he lined up on the target. A caption popped up. It identified the target as a military bomber. In fact, the bomber was being simulated by another UAV. But to radar it would look just like a real, full-sized bomber. It was time for the pilot to direct the UAV swarm towards the target. The warhead equipped versions would move in and take out the engines. "Why not use a good old fashioned heat seeking missile?" Jason asked. "More flexibility - with this set up we can change the attack pattern, right up to the last second," I said. This was where it all started to go wrong. The swarm had identified the target but it repeatedly refused to execute the kill. We watched as the swarm passed on repeated chances. Every time it looked as though one of the red painted 'lethal's' had got within reach of the target's engines the swarm veered away. "I can see why this is so complicated," said Jason. "They've implemented a bird flocking algorithm. The control commands will defy normal analysis. What do the UAV people say?" "They insist that they are following our commands; they have data logs that seem to verify that. But as you've realized it's very difficult to sort out the command stream from the collision avoidance." "The UAV swarm are like a group mind, like insects. You can't make much sense of examining the behavior of just one; they operate as a cluster. Its fundamental to how the swarm works. "Moreover it's a proprietary system built by the UAV manufacturers, they are scared shitless of telling us exactly how it does work. We just use their transmitter box, it sends commands to all the swarm elements," I said. "And the transmitter gets pilot commands straight from the SQUID decoder," said Jason. "Right again, that's why we need Marvel." ** The problem of any testing is one of measuring without changing what you are measuring. But after a short time Jason came up with a way to break into the problem. We had a group of SQUIDS built into the pilot's helmet. These were focused on the Broca region of the brain. When you perform a conscious action the Broca area communicates with the left frontal lobe. The signals then go back to the Broca area and eventually to the nervous system to become muscle movements at the limbs. In our case, they were controlling virtual limbs - the aircraft controls and the UAV swarm. I knew from my reading of Jason's PHD paper that there was a lot going on in the Broca region. The Broca area is the speech centre of the brain, it seems to be the home of our internal monologue, that silent voice that plays constantly; when we are driving, flying, walking, doing just about everything. The SQUID processing was done within a three dimensional array of DSP chips. These were inside the pilot's helmet. Jason would convert his software to run in spare time within this array. This new software would tease out the internal monologue - the stream of consciousness. The processors would identify its characteristic signature and turn the signals into audible speech. Jason had built a similar system for his PHD dissertation; he should be able to port much of this to our hardware. This would give us a stream of information on what the pilot's intentions really were, far faster, and more complete than any normal report. I had arrived at the lab at just the right time - the first time he got it working. Like Isaac Newton Jason used himself as a test subject. He had the system rigged to a loud speaker and had an unfortunate habit of switching the audio to his drum set-up. For about the millionth time I heard the drum introduction to Bowie's, 'Rebel - Rebel' and then abruptly... "One more frigging time then I quit and order a pizza-hey what the screw it-there's that frigging idiot project manager-" Came briefly from the loudspeaker in the lab, then dissolved into static. "Jason what was that? Sounds like you had something going there?" The speaker started up again, "Screw off, I'm thinking here-I have to concentrate a little-maybe if I change to a broader focus it will come more natural-just a delay to rebuild-maybe I can just change data-what did the spec say-." Then it became static again. This, at last, was our test tool working, an audible narration of an individual's internal monologue. Despite this breakthrough, Jason had trouble generalizing his setup to work with just anyone. Somebody suggested that with Jason his internal monologue and his speech were near indistinguishable, his impetuous tongue knew no self-editing. Perhaps that made his internal monologue easier to lock to. However, what has been done once can be repeated. The military processors that Jason had to use in our system were slower than the games processors that he had used for the prototype Marvel. But second time through he was able to come up with a number of speed-ups. Even a genius like Jason can do better on the second bite. A few weeks later, after many late nights, Jason had a generalized solution running. It was fascinating to eavesdrop on someone's thoughts as they relaxed and let their minds run. Jason had got someone to help him with the calibration. The guy drove his car up and down his route to work, we listened in on his stream of thoughts. "must stop for gas on the way home-it seems this chick really knows the score-she won't get home until ten tonight time tough-wonder if this car will last another year-must make a dentist appointment-wonder what's on the menu," so related the Marvel voice. Stray thoughts, fragments of song, all were rendered tonelessly. The Marvel produced a flat colorless voice, as if the proceedings of a mind emotionally neutral. We had a meeting with the boss the next day. "So Jason," Troy said. "How long before we have a solution and can sign off some software?" "It's no use asking me. I'm just building you a tool. But I should have thought it was obvious that you'll still need to do more testing. Then implement a fix, then another flight test before there is any bloody possibility of signing anything off." Too bad Jason hadn't stopped himself at, 'It's no use asking me.' I don't know what shocked Troy more, the news that he would have to fund another air test or, being spoken to like a screw head. I knew we'd need another air test, I'd been waiting for the right moment to break the news to Troy, now Jason had preempted me. But it was Friday, and I just wanted to get away from Jason, Troy and all this stuff for the weekend. It had been months since I'd been down to the boat, I'd promised the family a trip. I put Jason's latest report in the converter and made a voice copy of it to listen to in the car on the drive home. As I was leaving Claire called up from payroll. They were looking for Jason; there was a problem with his security clearance and the form was needed right away. I knew Jason had gone for the day, all this week he'd been in early and hadn't left before nine at night. I looked up Jason's address and decided I would swing by his house and get the form completed. I could send it to security from home. It was a tidy detached house in a leafy suburb. Jason's mum answered the door; she was a lady in late middle age, she had moved to England from Belfast when Jason was a child. As soon as I got through the door she started to tell me about her life. "Of course after young Ryan got sick, I had to give up work, he needs constant care. Jason was a wonder of course, I always told him not to neglect his studies, but he did everything for Ryan, their father was no frigging use, pardon my French, never got a penny out of him, after that bloody hospital ruined poor Ryan.." So it went on. Eventually I discovered that Jason had taken Ryan, his brother, out for the evening. Ryan was the musician for whom Jason had developed the Broca drum. "Of course Ryan didn't drive, what could I be thinking of?" Mrs. Logan said. "Jason didn't tell me that," Jason had never mentioned Ryan or his mother to me. Finally I got Mrs. Logan round to the matter of Jason's security form. "Well I'd best be getting home myself Mrs. Logan I expect Jason and Ryan will be back pretty late?" I said. "That they will, Ryan loves his music nights," she said. "Jason loves music, he fills the lab with it quite frequently." "That machine he made for Ryan, the Broca thing, he's made a tidy sum out of it. A strange thing to come out of such a tragedy," she said. I wished later I'd tried to find out what she was talking about but the enigmatic Mrs. Logan was wearing me out. It had been a long week, and I had a curry and a big gin and tonic waiting. Monday morning, Jason was in the lab. He was wandering around with a SQUID helmet on, and Marvel was running and his thoughts were pouring out of the speaker. "nice to get a bit done while the labs quiet-Ryan enjoyed his Friday-she still blames me for Ryan-he's frustrated now by the system response-I never can do enough for him to get her off my back-maybe I can transform his code to the lookup table scheme like on Fighter-frigging-tom sneaking in like that," the speaker abruptly went silent as he hit the cut-off. "Sorry Jason I didn't mean to startle you," I said. "I had a nice little chat with your mum on Friday evening." Jason can be pretty difficult at times, and I'd no idea how he would react to me dropping by his house. If he was going to act like an a*s about it I'd as soon get it over with on a Monday morning. "Oh yes she said you'd been around. She seemed quite taken by you, wanted to know if you were married an all." I had to give Jason a long look to decide if he was joking. I mentally took a deep breath and played it back to him. "Please tell her that I am happily married, thank you. In any case I see quite enough of you during working hours." Jason grinned and turned back to his work. Now that the Marvel was starting to work we set up a test run in the simulator. The set up called for a re-run of the Canadian flight test. Rick, our chief pilot would be flying and Jason had spent a day with him tuning the Marvel. The run started from the last of the air-to-air refuelling sessions. The refuelling system could work entirely automatically, but on this occasion we simulated a sensor fault on the automatic pilot. Rick had to fly the Fighter mentally. As Rick closed in on the transport to refuel, the Marvel vocalization of his thoughts streamed out. "transport at two miles-too fast-too fast-is better-better-probe extension-buffeting's way too much tell lab people-why is he climbing- better-better-speed brake in-in the pocket- contact light-fuel-lovely" Now Rick had the Fighter settled in the flow field, the zone behind a big aircraft where the air becomes very stable, this is the region known as the 'pocket'. Now it was a case of keeping station there and the Marvel voice quietened as Rick settled into a Zen like state. Now he was making a stream of instinctive corrections as he flew close in behind the tanker, constantly adjusting pitch and roll and slowly increasing the power as tons of fuel flowed from the transport into the Fighter. When the refuelling was finished the session moved on to the UAV release. We had planned another intentional fault, this time we would fail the control system of the UAV swarm. The Marvel burst back into life as Rick mentally shifted gears to his new task. "-pod dispersal a little early-screw it they're rattling around like-falling way too fast-should power up much quicker than that-" The UAVS had dropped from their pod, started their engines and climbed back up to form the swarm alongside the Fighter. All this had been accomplished successfully, then control of the swarm switched to Rick. Most pilots used the mental strategy of 'seeing' the swarm as being physically attached to the aircraft, like an external fuel tank or an old style missile. It was like riding a bicycle while holding an umbrella, but easier than controlling the swarm separately. Nevertheless, that phase was unavoidable, eventually the swarm needs to go off and attack something. "-heavy transport fifty miles-too high-too high-closing-closing-tally-deploy-" and the swarm had set off towards the target. "-swarm down-slower-slower-down-down.." We watched as the swarm dropped way below the target. This was the failure that we had introduced, the control transmitter of the UAV swarm was considered failed and all the little aircraft were falling to the ground unguided. Finally Rick switched his radio on and announced, "Swarm failure, aborting." Later with Rick out of the cockpit we sat and watched the replay together. "I could see as soon as the swarm started to deploy that it was in trouble, it started dropping immediately," he said. Jason laughed at him. "You may be remembering it like that now, but at the time Marvel reported something different," Jason said. "If it did, it's wrong Jason. I don't care what that zombie voice box of yours says, I know what I saw." "You're remembering wrong. Marvel reported what you thought at the time," said Jason. "I'm not listening to anymore of this screw ball Tom. I'll be in my office. Call me when Jason gets his bag of tricks sorted out, if he gets it sorted out," Rick stormed out. Then Jason said. "I have to leave too Tom, I have to take the rest of the week off." "What! It's Monday, what the hell am I supposed to do now? You just called our Chief Pilot a liar, we need to prove it," I said. Yet I could hardly refuse Jason a break, he'd been working eighty-hour weeks for me for the last six months. "I need to get something sorted at home, it'll probably take all week, I'll call you, soon as I know." "Come on Jason, you really are leaving me in the lurch." "You need to look at the interval between the PSI commands and Marvel's narrative, get John and Roger to help you." "I don't understand," I said. "I know. You'll have to set up something simple. We are into basic research here. Get Roger to set up a rig where someone has to mentally direct a point of light around, then record the command signals from the SQUID. John can do that, and log it against the Marvel narrative. Then, if you want to get really clever, change the sign on the light point director at random," he said. "Good grief Jason, what the hell is that going to do for us? We were mentally controlling light points five years ago," I said. "Try it Tom, then call me and tell me what you got." With that he left. Sandy my secretary watched him go. "Jason off to sort his brother out then?" she asked. "I have no idea, what's the story with his brother?" "Ryan is very sick, wheelchair bound. Virtually a vegetable from all accounts," she said. ** We got started with the testing immediately. I realized that we could use the training system we use to get the Fighter pilots converted to PSI controls. This was a rig connected to one of the SQUID helmets. Trainee pilots sit at a workstation and a point of light appears. Learning to control the light point is a bit like moving your eyes around; once you can do it you don't have to think about it. In adults at least, - babies have to learn how to do it in infancy - a new pilot has the same problem with PSI controls. For our test, we used a pilot who had already learnt the light control trick. Then we let him make a voluntary choice over where to put the dot, he had to decide where the dot would go, then 'steer' it to that part of the screen. The Marvel was running as well, we took its output and feed it straight to the data logger, along with the steering signals for the dot. "up-centre-down-1-3-4-6-centre," said the Marvel while the pilot directed the spot to the various numbered parts of the screen. I watched the log file as the test went on. It soon became clear that something weird was going on. The start of the dot movement was preceding the Marvel voice by about a tenth of a second. It seemed like the dot was moving before the pilot had decided where to put it. We stopped everything and checked the lot, nothing wrong. Then we built another rig using old-fashioned analogue electronics; we got the same tenth of a second shift. The dot always seemed to move before the pilot decided where to put it. The only thing that made any difference was when we changed pilots. We put a woman in and her Marvel stream was a little quicker, with her it was just less than a tenth of a second between the dot started moving and Marvel declared where it was to go. We ran numerous tests, none of it made sense. It seemed that always the pilot's conscious intention, as reported by Marvel, came after the spot had started to move. I needed to speak to Jason about this. It didn't matter what family emergency had come up; these results were ridiculous. It seemed as if the brain was making unconscious choices, and the consciousness, as announced by Marvel, was merely producing an after the fact commentary. I asked Sandy to track Jason down. She traced him eventually, but the most she could get out of him was a cryptic text message. I could meet him at the Old Winery pub at eight o'clock tonight; he'd talk to me then. The last time I'd been at the Old Winery had been twenty years earlier and that had been to see a live band. I hoped that tonight was going to be a bit quieter or I wouldn't hear much from Jason. I was wrong, Friday night was still live band night and the Winery was packed. Back in the day, the place was a very smoky venue. Now it was overflowing with kids of eighteen and up, yet it was smoke free, aside from the kids around the back sharing a draw. A band's equipment was set up, but no one was on stage. Music was playing over the PA, an old blues classic. I got myself a drink and while looking for somewhere to park my briefcase I spotted Jason. Just then a great cheer went up and rolling on stage were four individuals in wheel chairs. Jason was behind them; he was working on the equipment. The MC was an old geezer of my age who came on stage to introduce them. "Ladies and Gentlemen, lets give it up. Please welcome Ryan Logan and Music of the Mind." Then the music started, four wheel chair bound guys, without an instrument between them, producing the most amazing sounds. There was a striding bass in the best rock tradition, thumping drums and a wailing lead drum. All the sounds were being produced by the Broca system that Jason had invented, with a percussion variation for the paraplegic drummer to use. The crowd were loving it and shouts of 'come on Ryan' were ringing out at every drum solo. I could see Jason but he was occupied at the back of the stage, I knew that if he was busy there would be no point in trying to get him to talk to me. Besides this was the best band I'd heard in twenty years, I wanted to enjoy it. My eye kept being caught by a sweet young thing. She was familiar from somewhere, I wasn't smart enough to think that she was turned on by me; perhaps she also worked at the labs? The band took a break and the volume dropped to conversation level. The girl came over, "Mr. Drake isn't it, I'm Claire, I used to go to school with Beth. Remember? We all went to Disney World together when Beth was nine," she said. My daughters school friend, oh dear. "Hi Claire, well, well, well. You do look well, fine I mean," I said. She smiled; perhaps she was used to middle aged men tripping over themselves when they spoke to her. "What brings you here?" "One of my friends actually, Ryan Logan's brother." "Jason works for you, wow, Beth always said you had a neat job." My face took on the sort of look that indicated that managing Jason was no picnic. "I know Jason can be a real handful at times, but he thinks the world of his brother," Claire said. I said nothing and Claire continued. "It's his mum's fault you know." "What? His mum treasures him." "She does, but when Jason was tiny Ryan got sick with meningitis. There was a delay getting him in for treatment, then a screw up at the hospital. "Jason knew that there was something wrong with his brother that night, but his mum and dad were dead drunk. Jason tried and tried to wake his parents but he couldn't. When his mum finally woke up, she told him he hadn't tried hard enough," by now Claire had tears in her eyes. I said. "He's been making up for it ever since." She nodded. The MC was back on stage, "Ladies and gentlemen thank you very much. Tonight, for the first time ever, we have a brand new addition to the worlds greatest instrumental band. Lets give it up Jacky, Music of the Minds brand new vocalist." Jason was on stage; he was assisting a new figure in a wheelchair. He got her settled, and I could see that she too was wearing a SQUID helmet; it looked very much as if it might once have been lab property. The band started up with a modern rock number that I didn't recognise. Then the vocal came in, it was the voice of a Marvel but the usual dead tones were transformed - the sound was pitch perfect. Perhaps Jason had added a pitch follower to modify the vocal to follow the tune. Then Jacky started pitch jumping in a way that no automatic system could ever do. She was singing it that way - Jason must have found a way to decode another aspect of the neurological message. So it went on, and eventually the rock numbers turned to slow ones, and the kids got a chance to smooch. Claire was off dancing with someone and then Jason appeared beside me. "Good work Jason, you've done it again." "Thanks to your antiquated hardware. For your system I had to convert a lot of floating-point stuff into table look-ups. If you run the new version of Marvel on a fast machine the pitch intonation occurs automatically. "I had to stay home to do a bit of tuning for Jacky, and Ryan has just got back out of the hospital. I've been getting him settled again. Mum thinks the world of him, but she drives him nuts," he said. I nodded. I told him about the testing we'd done this week. "I'm not too surprised. I was seeing the same sort of thing when these guys were rehearsing. Ryan is used to the speed the SQUIDS translate his thoughts to music; he's never played a normal instrument. But Robbie was a bass player before he had his bike accident, he had a hell of a time adjusting, he had to learn to come in behind the beat. Jacky now, had to learn to think her vocals early," he said. "Behind the beat?" I queried. "Just think about it Tom," Jason said. "Anyway you still need to do that polarity reversal test I mentioned, I'll see you Monday, all being well." With that he went off back stage again. Most of the kids had paired up now and were slow dancing. I was being swept out of the door on a tsunami wave of pheromones; I went home. Jason was back at work on Monday looking happier than I'd ever seen him. He soon got a polarity reversal scheme in place. The idea was that the pilot would get accustomed to directing the training spot around the screen and then at random intervals the control sense would be reversed. What had been a command to move the spot left would now move it right. We would see a marker in the log file when the reversal was active. We started up and the pilot's Marvel began its customary, Up Down monologue. "Everything's still working as normal Jason. Pilot decides up, dot goes up, all the time, every time," I said. "But the log is showing that the polarity reversals are occurring. Look," he said. "Never mind the log, what's the output doing?" I never trust anything with software. But Jason proved me wrong; the polarity reversals were occurring. I believed him, but only after we'd implemented the change on the analogue rig as well, this with a physical switch that I could press whenever I wanted the polarity to change. Yet we got exactly what we had before; if the dot went up, even if it should have gone down, up was how the Marvel reported it, just as if that had been what the pilot wanted. "This is crazier than I thought. It seems as though the consciousness is only reporting what as happened. It's not a true commentator on the what the 'self' chooses. It's not reporting what was wanted," I said. Jason said, "That's about what I expected." Once we'd realized what the Marvel was actually telling us, we found another way to debug the problem. We produced our own emulation of the MUAV swarm; the algorithms are simple and are all in the public domain. It worked properly. Then we showed it to the UAV people, and they conceded that what we had was good, then they went back to their system and tore it apart in private. They found a problem in the UAV that created the same sort of control reversal that we had been introducing intentionally on the test rigs. The Marvel narrative had all the time been announcing the swarm behavior as seen, and announcing it as if that's what the pilot had intended. The UAV problem was fixed quickly; their test rig was flawed, it was a fault that had led them to make a mistake in their software. But they'd never have caught it until we showed them their problem. I prepared a presentation for Troy and the other executives. "A guy called Benjamin Hamilton performed a set of experiments regarding consciousness about fifty years ago." I said. "Hamilton noticed that movement always preceded conscious intent, he didn't have the kind of kit to prove it that we have, but he made the same observations we have done." I selected the next slide; titled Choice Blindness. The slide showed a cute blond girl and an attractive brunet. "In a classic experiment, a subject is presented with two cards. Different faces on each and the subject is asked to choose which one he finds the most attractive. "Sometimes the subject was given the card he chose and sometimes the card was switched, - he was given the face he didn't choose. "Most subjects failed to notice the switch, and when asked to comment on 'choice'. A subject would say, 'I preferred this one because I like blondes.' Even in the case where he had picked the dark-haired woman." Troy asked. "How does this relate to our control problem?" "With the MUAV swarm, because of its erratic behavior swerves were often perceived by the pilot as a conscious demands. Its only after it had all gone totally wrong that the pilot actually recognized it," I said. Jason decided to leave as soon as we had corrected the UAV control problem. He came to see me on the day he tendered his resignation. "It's all a lot better now Tom, seeing that choice reversal put things in perspective for me," he said. "How so?" "Mum always blamed me for Ryan getting sick, I know Claire told you this. If Mum hadn't blamed me, she'd have had to blame herself, and she's just not equipped to do that. It was her way of protecting herself, perfectly understandable. But inside some part of her knows how hard I tried to wake her." I nodded, "I know how hard you must have tried. Everyone who knows you, knows that you never give up." "How else can you live? Nobody ever did anything worthwhile by sitting around dreaming up excuses."
© 2008 P_F_COGAN |
Stats
482 Views
Added on February 21, 2008 Last Updated on February 21, 2008 Author
|