A Cold NightA Chapter by GoodStuffChapter 1 of a story that I have almost no idea where its going.I stand, staring, into the cold rainy
night. The raindrops bounce over the frozen puddles scattered across the broken
white stone of the street. To my right, a floating glass orb illuminates the
night. There is no moon. There are no stares. I feel my breath freeze as it
leaves my mouth. Its warmth blows off into the wall of darkness surrounding of
me. Now the breeze blows harder and the rain falls faster, and I pull the hood
of my coat further over my face. But through the cold and the rain, another
presence reaches my awareness. It does not physically impose on me, but instead
exists only because I know it to exist. I look out, towards it, into the
darkness in wait of its arrival--for gradually it approaches at a steady
walking pace. Finally; a shaded figure appears. “Hello,” his deep raspy voice announces.
The cool air steals the warmth from his greeting. In reply I give a slight nod, keeping
my eyes fixed on his figure. He is cloaked, much as myself, in a thick dark
overcoat. The street light illuminates his worn face under his hood"with dark
eye sockets, heavy brows, sunken cheeks, pale blue eyes. All are plagued with age. “I don’t believe we have much to say
tonight,” his voice continues, his words spilling into the night. “Everything
is in the package.” Looking down, I watch as withered hand
extends a grey envelope out to me. It is sealed with black wax, stamped with
the imprint of a hand. A few drops of rain land the opportunity of hitting its
course paper before I have the envelope safely tucked deep inside my coat. Then, looking up, I see the man’s slim silhouette
fade into the darkness. I take a deep breathe of the cold, heavy air before
turning away as well.
***
It’s morning. I wake to the dim light
of dawn trickling through the lone small window pressed high into the wall
across from me. Rolling out of the forgiving warmth of my bed I place my feet
on the cold stone floor of the small dank room. The bed creaks loudly. After igniting a fire in a small shabby
stove, I sit at a table and eat a dry starch bar in enjoyment of the stove’s
feeble warmth. In front of me is the envelope, with its black seal glistening
from the fire’s light. Finishing my breakfast I tear off this seal and draw out
the contents. For a few minutes my eyes follow the typed print of the coarse
paper. After reading most of the content, my
gaze drifts off. I stare blankly into the rising flames of the fireplace. For a
moment I let the letter escape my mind, but eventually my thoughts drift back
and I lean over to the stove. For a time I hold the paper over the dancing
tongues of the fire; but then I let go. The letter leaves my hand and
falls--floating down, catching aflame and withering away. Standing, I move a large ebony trunk
sitting firmly at the edge of my bed. The wooden sides show age, but are firmly
held together by a cast iron frame. I kneel and lift the lid, the hinges
creaking loudly, and I reach in to retrieve its contents. A dark cloak"still
damp from the prior night--I throw around me. I then stamp my feet into a pair
of heavy boots. Then the trunk closes and I turn to the door. As I leave, the
fire presses itself out. In the narrow corridor it is dark:
pitch black. Six, seven, eight steps, I reach out and find the iron ladder
bolted to the wall. Three, four, five steps up and I stop and reach up with my
hand. I touch wood, and then give a large upward shove. Bam! The trapdoor swings open, the slam reverberating in the room
above. I step out. My eyes adjust and the usual surroundings come into focus. It’s a church. The small room holds
roughly twenty or so pews, facing the raised platform on which I stand. All are
basked in an array of soft colored light: blues, yellows, reds. I turn and look
up at the looming colored glass window from which the light comes. A giant
cross also looms over and above, casting a shadow across the room. The atmosphere could be described as unreal,
if not for the soot. In a thick, grey layer it covers the broken pews and the
tiled stone floor. It would cover the altar, too, if there was one. Whatever
altar that may have existed is gone, exposing the probably once-hidden trap
door. Then at the back of the church, the great oak doors are boarded over.
Entrance to the church would be impossible if not for a crumbling corner. After descending the stone steps of the
raised platform, I pace down the center aisle. Arbitrarily I select a pew and sit, the shade
of the cross over me. The bench gives a weak groan as I settle. Then silence.
Pure silence. The sun rises through the colored glass and colors dance more
vividly across the room. It’s uncanny that the only untouched magnificence left
of the dilapidated church is the great oak cross and the colorful stained glass
window behind it. Then the thought occurs to me how a place that once held
countless firm believes, now holds a single disbeliever. Hah, religion. I stand and make my way through the
crumbling corner into an alley. Trash is
shoved to one side or the other. A few cardboard boxes are here, a broken chair
there, some old rags. A cold, motionless pair of feet peek out from under one piece
of cardboard. I walk down this ally until I emerge out of its shadow and into a
narrow street, flooded with a cool morning breeze. The breeze fills my cloak as
I turn and begin my walk over its broken white stone. With the old church behind me, to my
left and right I pass a jumble of small steel structures, shoved up side by
side, and haphazardly built one on top of another. Un-homely doorsteps and dark
windows face the street. These are Homes; and Splitting through them is the
narrow street that I walk. In the street walk a fair amount of pedestrians,
their attire consisting mostly plain clothing in various dull shades of grey. They
walk one way or another, for their blue collar or white collar jobs. Overall
it’s fairly quiet, but this changes when after a few blocks I turn left down a
wide boulevard. Here, a mass of people crowd the street. Most houses are gone,
replaced by various commercial businesses. As I jostle through the crowd, I pass
my favorite pub, The Greyer. Its
fluorescent blue neon sign hangs above a dark doorway. Next to it lies a an
open garage repair shop, and after that, a laser skin marking studio. The
largest complex, a store titled All
Cosmopolitan, faces the street with a huge sheet of glass, stretching several
stories up and maybe 50 yards or so across. Towering shelves of inventory can
be seen within. Then below me rambles a light
mechanical hum from the street. If I were to stand still long enough, I would
feel its vibrations as well. Then from above me comes an irregular whrring sound, coming from a multitude
of sleek objects flying by. Skimming by at such high speeds, all the eye picks
up are small white blurs. Depending on the amount of skimmers, the magnetic
vibrations in the street strengthen and weaken. Eventually I veer off from the crowd
and turn down a narrower street. Here the streets are much less crowed, and I
escape the headache of so many people. Now all there is to do is walk. It’s a
long walk, and it is early afternoon when I arrive at my destination.
***
Thud. Thud.
Thud. I pound my fist on the smooth steel
door before me. The house it belongs to is slightly larger than most the other
houses around. Most the afternoon I’ve been observing it, stooping against a
complex on the other side of the street, waiting for day to grow dark. Now I
stand on the building’s doorstep, illuminated only by a thin sliver of a moon
in a clear night sky. There are no rainclouds, but a cold wind blows hard. Then
suddenly the door slides open. A slight man stands just beyond the doorframe. He
has curly hair, glasses, and a hand posted
on the door frame. “Good evening,” I say, with a smile. “Cold
night, huh?” The man frowns. “Excuse me, sir, but do
I know you?” “No. You do not,” I reply. The man
stares, continuing his frown, so I repeat, commenting again, “It is a cold night though. Do you mind if I
come in?” “I’m sorry, sir, but I do not know you,
and I’m going to go bed. Good night.” The man then turns to close the door. “Dr. Hayart, “ I say, in all
seriousness, “I said that it is cold
outside.” At this the man stops. Slowly he turns back around to face me. His
face is blank, the frown gone, but only for a moment. A smile soon lights up,
erasing any awkwardness. His mouth then opens to speak, “Your
right. It is a cold night. Would you
like to come in?” I return his smile. “Yes. I would,”
I reply, stepping in and passing the man’s stiff stature. Entering the central
room of the house, I take a seat on a rather hard but warm black chair. Looking
around, I notice that most of the furniture is black, the floor tiles as well,
though the steel walls have been painted white. Overall the room is simple and
plain. On the table beside me is a picture of a woman, smiling. From what I
read, this is most likely the man’s deceased wife. “Please, have some water.” The man
enters the room with a bottle. I reach out to grab the bottle. “You
have a beautiful wife,” I comment, after a few sips. The man takes a seat on the chair
across from me. “Yes, thank you,” he says, turning his gaze to the photo. After
a sigh, he says with a rather straight face, “She died several years ago. Killed,
I still argue…” I watch him as he continues to examine the picture. “And you,
are you married?” “No.” I pause before saying, “I can’t.” “Oh, I’m sorry,” the man replies. “Though
I must ask, do you mean to say that you can’t, or you don’t want to?” “Can’t. Follows the Job.” The beginnings of a frown tweak the
corners of the man’s mouth. “Well, can I can I ask what job that may be?” “No,” I say, keeping a straight face.
“But you… you write for the Daily
Express.” “Why, yes I do,” he says with a hint of
pride. “Yes,” I continue, “You write for the Daily Express, about the growth of crime
in the lower districts. Your argumentation for the increase in action against
organized crime is very well respected. Too respected.” The man suddenly stands up, his face
in a frown of surprise and fear. “Hey, sit down!” To this the man
sits without second thought. “Your wife’s work was good as well. It’s
unfortunate that you had to assume her line of work after she was killed.” The man attempts to stand up again,
shifting his weight around in his chair, though he fails to part his arms and
legs from the chair. Realizing that his situation is rather helpless, he stops
moving. “Who the hell are you!” I lean back in the chair and rest my
boots on the glass table in front of me. “Like I saying before, I can’t tell
you my job but I’ll give you a hint--I have to stop you from doing yours.” Realizing what the situation might be
coming to for him, the man again attempts to stand up--with much more force and
urgency than before. Although still it is futile. “Ah, sit still. It’s no use trying to
run away.” I thought my words wouldn’t have any effect on the man, but I was
wrong. He stops and looks at me with a helpless look of fear on his face. “I’ll
just get to the point,” I inform him. “We have before us two choices. The first
of which, you may probably prefer. This choice is that you simply abandon your
career, and give me your word that you will not mention this meeting to another
soul.” The man only continues to sit, looking
on at me with sad, begging eyes. “Unfortunately, what will most likely
occur if we do choose to follow this plan is that you will eventually fail to
uphold your part of the deal, and I will find myself with a fair amount of more
work. So that is why I will choose for you the second choice. You’re a smart
man. You can probably guess what it is.” “Please… don’t,” mumbles the man. But it is too late. From my seat, I fix
a grip on the man’s last pleading thoughts, racing around his mind at
abnormally high rates. I bring them together, squeezing hard. Across from me
the man winces in pain, the muscles in his neck standing out. He does not cry
out, taking his suffering in a death quiet house. Eventually the thoughts stop.
They break apart, and I release my hold. The man slumps in his seat and his
head falls loosely back. I stand to leave, and begin my walk to
the door, but I realize that my job is not yet done. There is someone in the
room above. I climb a sleek black staircase to the second level and walk down a
narrow hallway, taking the second door to my left. It’s a bedroom. The room is
dark, except for the small stars dancing across the ceiling. Lying in the bed
is a boy, oblivious to the occurrences below. His serene face reflects that of
the darkness around him. I stand for a moment, then another. The boy is
dreaming about his mother. I stand for another moment, then don my hood and turn
to leave.
***
The Greyer is in its usual
dark shade of grey, with its lack of decent lighting. The place is quite large,
though the low ceiling gives the place a small, cramped feeling. Scattered
about are much of the habitual faces. Taking my usual spot at the bar, I nod to
a man wiping glasses"Joe. Joe is the owner of the pub. He’s a
tall thick man, though his strength stops after his broad shoulders. Above
that, a skinny neck holds up small shaved round head. “I’ll take the usual, thanks.” “No problem.” Joe makes up the drink,
and places the glass on the counter in front of me. He sets the glass down, and
I eye the dark marks on his forearm. As I watch, a thorny vine twists about, wrapped
around his bulky forearm. I then pick the glass up off the
counter take a deep swig, the warm liquid burning slightly as it goes down. Immediately
I enjoy a warm and relaxed sensation. Joe speaks up: “You keep coming back
and drinkin’ that stuff as often as you do, you’ll be regretting it soon.” I give a slight grin. “No, I’m not too
worried about that.” Joe chuckles a bit at this and goes back to wiping
glasses. Turning to the girl a few seats to my
right, who had turned an ear towards my conversation, I give a little further
explanation: “And no, I’m not dying,” I tell her. The girl turns away,
startled, as if her thoughts had been pulled right off the top of her head. When the drink is gone, I blurt out, “Hey
Joe, I have a question for you.” Joe continues to wipe glasses, but looks up
for a moment to acknowledge me. “What’s the favorite part about your job?” I inquire.
Joe keeps quite for a mement, shrugs,
then declares in all seriousness, “Well there’s free drinks.” I smile a bit at
this, but Joe finds this quite funny and lets loose another chuckle. But I
wait, and eventually he continues, “No, I do it for the people. They interest
me.” “Yeah,
I agree,” I say, “They’re interesting all right.” He looks up at me. “Some more than
others,” he states, with a wide grin. I think about what Joe had said for
a while; then, realizing the time, I make my way back out to the cold night.
***
It’s dark, as I stand in the same
spot as the night before. The wind is still blowing, and the moon has remained
unhidden by clouds. Right on time, the old man steps out from the gloom into
the light. He looks content. Speaking up, his rough hoarse voice breaks the
silence. “Another job well done, my boy.” He reaches out to give a hard pat to
my shoulder. “Quick and easy.” My eyes wonder off into the dark. “Yes,
well, there was only the one man.” “I suppose so…” he replies. We stand for a moment in silence. Then the old man says, with a
straight face, “You know, you’ve proven yourself a valuable asset the society. I’m
pulling you in to the center district.” This takes me back a step. I didn’t
see this coming. Of all the thoughts I feel flying around; those of the old man
always eluded me. © 2013 GoodStuffAuthor's Note
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Added on January 8, 2013 Last Updated on January 8, 2013 AuthorGoodStuffScottsdale, AZAboutI want to write, because being an author takes both brains and balls. Currently I probably suck at writing, but you gotta start somewhere. more..Writing
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