I wrote this some years ago, but it was never more appropriate than it is today. I performed this in various venues in Texas; it should be read/performed with a "beat," kinda jazzy.
It takes big bucks
cause the luck's with the clucks with the cash, the stash of tucks in the pocket. That's the socket " the clock to set the rocket of success, luck's best with big bucks sucked in trucked in shucked an' jived by ducks in dives, in smoke filled back rooms, company cars, bars and stars wave to wars of campaign cash.
Politico's noses shows they knows it grows on bottom lines, in gas pump lines, and prices rise with doves' demise.
The war's the star and the star's on the cap of the man with the cup and the cup has the cash and the cash makes the man and the man is the company's -- and the company is measured by all the men it keeps.
If ya gotta go politico ya oughta know the rules It's the clues of the ruse that the ruler rules the fools schools the tool that cues the jewels. That's the cruelest rule of ruses, raises rows of purses roses, fills the pool of fuel he uses; but the one who sings the blues's he that blew the rule of ruses, drew the cruise of gruesome bruises, cries accrued until he boozes. 'cause the wisest rulers realize the rules rule the rulers. And the wiley ruler rarely rules relying on his muses, skews the views of qued abuses, hews the noose of grue he fuses, screws the few his crew accuses, whose neuroses fire the fuses, stews the boos, the don'ts and do's, and the ruler who peruses which issue best confuses when he waltzes wows and woos us rules the gooses whey they chooses or the news is:
I used an accompanying soundtrack with one vocal track by me to which I harmonized with a combination of spoken and sung words. If you choose to perform it yourself (which I wholly support), do it as you feel it -- and please let me know! And if anyone knows how to get this to John Stewart, please do! I'd love to see him do it on his show!
My Review
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What I find interesting about this piece is how you can almost feel a tempo/cadence? that escalates and drops (I am not a musician...not sure what the correct terminology for that sensation would be...)But there are definitive places throughout where this happens and the sensation became almost palpable in the last 6 lines...interesting that i read in your notes at the end that you had performed this to music...I can completely see that...
Its surprising to me, bc I don't ordinarily enjoy this style of in-your-face mayhem of frenetic political jargon, but this really works here. I mean, I'm sure it always "works" for folks who love it, but the fact that I found it palatable is atypical for me...Nicely done...John Stewart would tear this s**t up too, fo sho! (That's a compliment, btw...)
What I find interesting about this piece is how you can almost feel a tempo/cadence? that escalates and drops (I am not a musician...not sure what the correct terminology for that sensation would be...)But there are definitive places throughout where this happens and the sensation became almost palpable in the last 6 lines...interesting that i read in your notes at the end that you had performed this to music...I can completely see that...
Its surprising to me, bc I don't ordinarily enjoy this style of in-your-face mayhem of frenetic political jargon, but this really works here. I mean, I'm sure it always "works" for folks who love it, but the fact that I found it palatable is atypical for me...Nicely done...John Stewart would tear this s**t up too, fo sho! (That's a compliment, btw...)
Former performance poet, actor and singer.
I was injured in 2004 and no longer perform.
I have written for many years, mostly performance oriented material. My injuries have caused me to be restri.. more..