Upon the subject of writing fictionA Story by Mrs Edith HatUpon the subject of writing fiction. By Edith Hat When I first began upon this website, I had
visions of displaying my own writing. ‘My
Love Story.’ ‘My Poetry’. ‘My biting political analysis’. However, I have discovered, through both the
reading of others and discussion with several writers, that I am indeed
dreadful. I seek no false reassurance, nor entreaties
to publish. It is a bald fact that I am
a dreadful writer of fiction. While in
my mind, I create unparalleled worlds of love, devotion, self-sacrifice and
passion, in actuality the works read more akin to a knitting pattern. Having engaged upon a course of action
however, it is not within my nature to disengage from the conflict. My husband sees this as a strength. Mine employee, a character flaw. Obviously I chose to accredit my husband with
more astute observation that my lackey.
Therefore I shall continue to practice the process until I achieve an
item I deem suitable for publication here.
In betwixt times I shall continue with commentaries, partly to gain a
degree of practice in typing for an audience, and partly to annoy mine
employee. The later a suitable rationale
enough. I have come to notice, during my short time
within this website, two notable areas of concentration. Firstly that for every single talented
writer, there are at least ten absolutely dreadful ones. Some, I would go so far as to say sodomise
the English language, whilst claiming a geographical distance from England
sufficient reason to misspell a simple word such as ‘colour’. Surely it cannot be that difficult for
supposedly educated people to place an extra vowel into the correct position. I have great respect for several writers who
have chosen to take risks with style, form and structure. Things I cannot do myself. Ladies and Gentlemen who choose not to follow
the rules, rather set out to break them.
I have significantly less respect for the rest who seem either to be plagiarising
other authors, or engage upon an on line copulation, through alleged erotic that
frankly is about as stimulating as weak, milky tea. Yet, even the ‘Porno People’, as mine
employee insists upon calling them, are able to construct a workable fiction
that, be it good or bad, is better than mine own. It would be delightful however if they
refrained from trying to draw me into their little games. If I want sex, my Husband is only too willing
and able to oblige. In addition, his
touch is real, not imagined. I have fallen into discussion of late with
mine employee. A most appalling man,
who, nevertheless, has some skill with words and story construction. Putting it bluntly, a story requires some
form of beginning, middle and end. While
artistic pretention may allow one to mix these three elements to a degree, they
are considered good form. My issue, it
seems, appears to be in the construction of the middle section. While able to establish a base line for the
opening, and a final summation, the mid-section escapes me. It seems a redundancy. A man and woman meet upon a train. They talk, and realise they have a lot in
common. They fall head over heels in
love with each other. A year later they
marry. A simple story. Why should I be compelled to create a fiction
where some sort of tension occurs to jeopardise their relationship? Frankly the only friction I can ascertain may
occur is what colour to paint the Hallway.
After all, that is what happened.
My husband and I have not had a single cross word in thirty six years,
bar that on the breakfast table and whenever we try to agree upon a colour
scheme. Obviously, during that time, he
has learned to defer to myself. Why does a relationship require friction to
work? If one reads the ‘work’ of XXXXXXX,
one see’s nothing but friction. A
continual stream of foul mouthed aggression.
I feel comfortable in discussing his work as we have become friends of
sorts, and he is well aware of my views upon his style. A perfectly loathsome writer, but a tolerable
person. Where is the humour in the use
of profanity? Where is the humour in
physical assault? I despise slapstick in
the cinema. What is funny about being
hit by a custard tart? A waste of good
food. My Nanny would have been appalled. My Husband has not had a single cross word
to say to me since I informed him of our engagement. So again, I ask the question, ‘Why must
Fiction rely upon Friction?’ Even
Damnable Jane Austen allows it to slink in upon its belly. Frankly I see more than enough friction in my
day to day working life. I do not
require that I experience it upon a daily basis within my reading at home. Mine Employee does not agree. Consequently I have sent him upon a nice
little trip to Afghanistan. The change
of scenery will do him good, and teach him that I do not tolerate argument nor
disagreement from people I employ solely for a certain skills base. Not as an editor, nor reviewer. Sometimes it is important to chastise those
who work for you. Perhaps one would be better in writing
straightforward reality pieces. However
restrictions prohibit. Consequently one would
consider work more in keeping with a social diarist. However, one must have an open mind to all
aspects of society to effectively comment upon it. According to Mine Employee, during his last
interview with myself, I am a ‘Closed Minded Xenophobic Harridan.’ He was
somewhat taken aback that I viewed this as a compliment. While I have considered poetry as an art
form, I quickly dismissed it, having read a percentage of the quantity that
exists upon here. When encouraged to
join this site, as a therapeutic measure against mine retirement, I mistakenly thought
a wide cross section of writing styles would be evident. However, poetry infests the place like scabies. Of the poetry, one may break it down as
follows. Excellent, approximately
1%. Good, approximately
9% Tragic, approximately
25% Masturbatory
65% As, at my best, I would fall into a
miniscule percentage of the tragic percentile, of which My Husband referred to
as excreta (a comment which has led to him spending the last week sleeping in
the spare bedroom, with only a flatulent Siamese for companionship). Therefore, poetry and I shall maintain a
respectful distance from each other, and keep our brief dalliances to simple voyeurism
of the one percentile. I
therefore shall content myself with reading, commenting and perhaps attempting
more of this form of, well, one could call it ‘commentary’. Partly because it kills the loathsome hours
that were once taken by work, but now endlessly drift ahead as spiteful
retirement. It also serves to irritate
mine employee. This is not an
opportunity to be wasted. Loathsome man
that he is. © 2012 Mrs Edith HatReviews
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