A Girl Can't Always Have Everything

A contemporary, musical tale about an old fashioned premise, Love.

A Girl Can’t Always Have Everything (A Musical)

Brief Synopsis:

‘A Girl Can’t Always Have Everything’ plays out like a classic, love triangle thriller of ages past, set in the mid nineties. It tells the story of four women and the lengths they go to to win the love of a man.
Although this is an old fashioned premise, our females, despite making some bad decisions, should be viewed as heroines. The men’s stories throughout the show are secondary to the narratives of the female characters who each have strong, independent personas.

Sally and Suzy are two best friends in their late twenties. They are dancers and actresses featuring in a tired, touring musical where, Maggie, a seasoned leading lady, is the ageing star whom audiences are flocking to see.
Although Maggie appears as a tour de force onstage, offstage she is threatened by the two younger, prettier girls, noticing the special treatment they receive from their flirtatious stage manager, Patrick.
Sally and Suzy’s relationship shifts when Herbert Millette, a rich theatre fan, takes a liking to Suzy. Suzy then begins to flaunt their relationship in front of her friend.
Suzy completely exploits Herbert’s affection by accepting all the expensive gifts he gives her yet still taking lovers, including continuing a long term fling with Patrick, behind his back.
Sally begins to develop feelings for Patrick herself but is warned by Suzy to steer clear.
Suzy agrees to marry Herbert if only to continue living a life of luxury. She gives up the stage and is replaced by young newbie, Louise.
Louise and Sally bond over several lunches together.
Meanwhile, Maggie struggles to find a precious anniversary gift her husband gave her years ago and is scared that it’s loss signifies the beginning of the end of her marriage.
Maggie over hears one of Louise’s and Sally’s personal conversations and becomes suspicious that her distant husband, Don, is having an affair with the more desirable, Louise.
Confused and full of doubt, Maggie becomes hysterical and lacks control over her actions resulting in Louise’s demise.
Suzy falls from grace when Herbert catches her in the act with another man. With no where to go and Herbert no longer to depend on, Suzy visits her old friend Sally and comes up with a plan to get Herbert back.
She plans to fake her own suicide, pretending to be jilted by love and regretful for her actions. The hope is that Herbert is convinced to give the relationship another go.
Sally plays a vital role in the plan; her orders are to give Herbert Suzy’s suicide note and to push him out the door to her. This is in order to save Suzy before a lethal dose of sleeping tablets take their toll.
Sally, hard done by, decides to not follow through with the plan, leading to Suzy’s legitimate suicide and Sally being the only shoulder left to cry on for poor Herbert, proving that a girl really can’t have everything.

Cast Of Characters;

Suzy Starr

Sally Lewis

Maggie

Patrick

Herbert Millette

Louise/ Maggie’s Dresser

Kelly

Nicole/ Waitress

Donald

Alex/ Jeweller

(Company, Backing Vocalists etc. are all made up of actors not being used in the main action. It is encouraged that the ensemble be in charge of physical theatre, dance and transitional elements within scenes. They sometimes appear to be present in numbers as anonymous entity’s and are never just offstage when they are required to sing)

Musical Numbers;

Act 1
#1 Number One…. Company

#2 Boyfriend…. Maggie

#3 Number One (Reprise 1)…. Company

#4 Window Shopping…. Sally, Backing Vocalists

#5 Window Shopping (Musical Interlude 1)

#6 Waiting On Him…. Suzy, Kelly, Nicole, Sally, Backing Vocalists

7# Our Paths Have Crossed…. Herbert

8# Careless…. Kelly, Nicole, Sally, Suzy

9# Careless (Musical Interlude)

10# Never Say Never…. Suzy, Patrick, Backing Vocalists

11# Boyfriend (Reprise)…. Maggie

12# Number One (Reprise 2)…. Company

13# Number One (Musical Interlude 1)

Act 2
14# Number One (Musical Interlude 2)…. Company

15# Window Shopping (Reprise)…. Suzy, Backing Vocalists

16# Compatible…. Nicole, Sally, Herbert, Maggie

17# Boyfriend (Reprise 2)…. Singing Crowd

18# Lone Wolf…. Suzy, Backing Vocalists

19# The Power Of Three…. Maggie, Donald, Backing Vocalists

#20 Window Shopping (Reprise 2)…. Sally

#21 Window Shopping (Musical Interlude 2)

#22 Number One (Reprise 3)…. Company

Act 1

Scene 1- Onstage and Off, The Peacock Theatre, Evening

(Tonight marks another opening night in a new city for a touring musical show. The ‘Company’ sings)

#1 Number One

Company:
Chew your ket, smoke your leaves
We've no regrets, painful industries
We don't fret that we're not high
Just as long as we can look up to the sky

don't need no rum
As long as we can feel the beat of the drum
Bodies and dances
Exchanging glances
See the love that's in our eyes

Deeper and deeper still
We are the shadows
We are the shadows
That dance on heat
the heat of the sun

This shows our number one
Number one
Number one
Number one
Number one

#2 Boyfriend

(Maggie, the leading actress, wearing working class, Victorian attire, sings overzealously 'onstage'. She is a seasoned pro but struggles to move around in her big dress. Suzy and Sally, two younger chorus dancers watch from out front)

Maggie:
You breathe life into my lungs
I want you and all your charms
And I will throw up both my arms if you say you love me
We hold hands in all my dreams
I see your face when I'm asleep
And il go weak in both my knees if you say you love me

And I won't let my past get involved
The memory of a man up the river I sold
He left me in the night and that took its toll
From that moment I was alone
My heart hardened like Gold

But now it's soft again
Will you be my boyfriend?
And my eyes are a little wider
And the stars shine a little brighter
You are a god send
Will you be my boyfriend?
Will you be my boyfriend?

(Music continues. Lights out on Maggie and lights up on the girls in the auditorium)

Sally: What's she got that we haven't?
Suzy: Other than an extra fifty years?
Sally: She can't act and she can barely move but they eat her up!
Suzy: If you've been in the Biz as long as she has the great British public will learn to love you.
Sally: Even if you're bad at it?
Suzy: Oh Sal; especially if you're bad at it.

(Sam, a stagehand, pokes his head round a door and interrupts them)

Sam: Are you girls supposed to be here?
Suzy: Will you spank us if we say no?

(Sam gestures and the girls follow him off. Suzy spits her chewing gum out and puts it in Sam’s Palm, winking. They exit)

Maggie:
And my heart beats a little faster
With you, a beautiful disaster
You are a god send
Will you be my boyfriend?
Will you be my boyfriend?

(The Number onstage finishes. Rapturous applause. Curtain. Sally and Suzy cut across the stage; Patrick, the stage manager joins Sam side of stage. Maggie’s dresser rushes to Maggie with towels)

Suzy: I think it's a close thing.
Sally: What?
Suzy: Who dies first; Patti Lupone or the tour.

(They Exit. Maggie has overheard them)

Maggie: Patrick, I need a word in my dressing room.
Patrick: Can it wait Maggie?

(Maggie flashes a terrifying look at Patrick. He is taken aback and nods immediately. All four exit)

#3 Number One (Reprise)

Company:
Deal your crack, swallow your pills
They got a knack for making miracles
They Wont get under our skin
Perform each night like its the beginning

don't need no rum
As long as we can feel the beat of the drum
bodies and dances
Exchanging glances

See the love that's in our eyes
Deeper and deeper still
We are the shadows
We are the shadows
That dance on heat
the heat of the sun
This shows our number one
Number one
Number one
Number one, one, one

Scene 2- Lounge, The Peacock Theatre, Later that Evening (The Opening Night Party)

(The scene transitions into a buzzing opening night party. Sally, Suzy and Patrick reappear, dressed in cocktail attire, propped up against the bar, observing. The ‘company’ are dressed smartly. They chat, laugh and drink)

Patrick: How about we kick it and go somewhere for dinner tonight? Both of you?
Sally: And who'll be paying?
Patrick: It's on me.

(Suzy notices Herbert, a newly single, heir to an empire, standing awkwardly among the familiar faces at the party)

Suzy: Who's that Pat?
Patrick: That is Herbert Millette. He's a local theatre buff. Never misses a show.
Sally: He looks so awkward, bless him!
Suzy: He's cute. Single?
Patrick: Mm not sure. I could introduce you?
Suzy: Don't worry about it. Come on Sal, let's do it for England.

(Suzy takes Sally firmly by the hand. They walk over to Herbert to introduce themselves)

Suzy: Hello!
Sally: Hello!
Herbert: Hello Ladies. You were sensational tonight. Both of you.
Suzy: Thankyou. How lovely. So glad you enjoyed it.
Sally: I'm Sally Lewis.
Suzy: And I'm Suzy Starr.
Herbert: Yes, it's my pleasure. I'm Herbert Millette.
Suzy: Millette as in Maize?
Herbert: What?
Suzy: Well, it was a pretty corny joke anyway.
Sally: Don't make a meal out of it.
Suzy: Can I get you a drink Herbert? A G&T?
Herbert: Yes, thankyou.

(All three walk over to the bar. Patrick catches the girls eyes and smiles. He backs off)

Suzy: Coming right up.

(Suzy orders the G&T)

Herbert: You and Miss Starr seem very close Miss Lewis.
Sally: Please call me Sally! Suzy and I went to drama school together and we've been inseparable ever since. What do you do Herbert?
Herbert: I'm a toy manufacturer.
Sally: Really?! I'm bet that's a very satisfying job.

(Suzy overhears, with drinks)

Suzy: And profitable?
Herbert: If you do it on a large enough scale.
Suzy: And do you? Do it on a large enough scale?
Herbert: You could say that. I happen to have an associated company and distributer in every country in the world.
Suzy: Do you now?
Sally: Congratulations.
Herbert: Thankyou. Look, can I get you two a drink?
Sally: I've not finished mine.
Herbert: Miss Starr?
Suzy: Please, call me Suzy. I hardly touch the stuff; [Sally sniggers] but seeing as we're celebrating I'l have the tiniest sip of yours? [she does so seductively, Herbert still clutching the glass] Cheers.
Sally: Up yours!

(They toast)

Sally: Do you come to the theatre often then Herbert?
Herbert: Yes Absolutely. Its become a hobby of mine. I've recently separated from my wife.
Sally: Oh you poor thing.
Suzy: I'm so sorry.
Herbert: Ive always enjoyed the theatre and I needed an outlet.
Suzy: Yes I can totally understand. I'm a very intuitive person.
Herbert: Yes?
Sally: Yes?
Suzy: I felt a sense of loss about you the moment I saw you across the room.
Herbert: Isn't that amazing?
Sally: [deadpan] Amazing.
Herbert: Well I hope you don't mind me saying but I've felt drawn to you all evening. I was wondering if you'd join me for supper tonight? Both of you, of course.
Suzy: Oh?
Sally: Lovely.
Herbert: Café Bleu sound alright?
Suzy: My favourite restaurant!
Sally: Wait a sec Suzy, what about dinner with Patrick?
Suzy: Oh he's your date darling, not mine! It was sweet of you to ask me to tag along but if Herbert wouldn't be too bored with just me for company?
Herbert: Oh not at all.
Suzy: You sure?
Herbert: Certain.

(Beat)

Sally: I see.
Suzy: Give Patrick a kiss from me darling! [she kisses Sally on the cheek] Ciao!
Herbert: Goodnight Miss Denning.
Sally: Goodnight Herbert.

(Suzy and Herbert exit)

Suzy: [O.S.] Have a good one Sal! Don't do anything I wouldn't do!
Sally: [calling after them] What wouldn't you do?! Oh and Herbert, don't let her have anything with dairy! She gets gassy!

#4 Window Shopping

Sally:
Don't like the cards I've been dealt
Can't keep my eyes off the shelf
I always find myself

Backing vocalists:
Window shopping

Sally:
Can't keep these thoughts in my mind
I wonder who I might find
Il cut the ties that bind
I'm

Backing vocalists:
Window shopping

Sally:
Need a man not worth fighting for
Need a man that won't walk out my door
And I am built to stray
But my hearts in the right place
Need a man not worth fighting for
Cause I won't fight it at all

Don't need no man to hold me tight
Don't want the same man every night
I always spend my time

Backing vocalists:
Window shopping

Feels like I'm living in a maze
Where commitment is just a phase
A part I play upon the stage
I'm

Backing vocalists:
Window Shopping

Sally:
Need a man not worth fighting for
Need a man that won't walk out my door
I fill the void that's in my soul
With the only thing I can control
Need a man not worth fighting for
Cause I won't fight it at all

(The Number finishes. Alex, the stage hand, jovial, approaches Sally)

Alex: Sally, wanna come play poker with the boys?
Sally: No thanks, [she spots Patrick who is nearby and takes his arm] I've got a date.

(Sally and Patrick exit. Maggie calls her husband, Don, aside. She holds her phone in one hand and a champagne glass in the other)

Maggie: [On her phone] Hello, Don? How are you? It was wonderful, Thankyou darling. I wish you were here. Oh.... but they kept you late last night? Well, don't work too hard. Il be heading back soon. I'll get a taxi. Yes it really was wonderful. I love you Don. I said I love you Don. Yes, Goodnight Darling. I shall see you on Sunday.

(The phone call ends. Maggie spots Sam and goes to talk to him)

Maggie: Ah Sam, I need you to check for something in lost property tomorrow.
Sam: What is it?
Maggie: It's an extremely expensive watch my husband gave me for our tenth wedding anniversary. It's so precious I can't bring myself to tell him I might've lost it.
Sam: Well, what does it look like?
Maggie: It's gold with a round face surrounded by diamonds. It's very distinctive. I'm hoping to god someone's picked it up and handed it straight in.
Sam: Okay, il check tomorrow Maggie.
Maggie: Thankyou Sam.

#5 Window Shopping (Interlude)

Scene 3- Ladies Dressing Room, The Peacock Theatre, The Following Day

(Suzy sits reading a magazine with her feet up looking very pleased with herself. Kelly and Nicole do their makeup. A hard done by Sally enters. She has done a coffee run. She hands them out. Last is Suzy's)

Suzy: You're not still mad at me?
Sally: I have every right to be mad.
Suzy: Oh Sal I'm sorry. I couldn't resist. He is loaded! Champagne until it was coming out of my ears and Duck a la ronge and crepes for Suzy's dessert!
Sally: I Bet you had to sing for it.
Suzy: I went back to my digs in a Rolls the size of this room and no funny business!
Sally: You mean after all that, Millette didn't even get his oats?!
Suzy: You can be so dirty sometimes.
Sally: [huffs] I wonder where I get it from.
Suzy: All he wanted was a goodnight, well, good morning kiss.
Sally: And that's all he got?

(The girls laugh. Suzy cuts them off)

Suzy: Of course!
Nicole: Well well well.
Suzy: I am pure as Snow White as far as Herbert's concerned.
Sally: Oh come off it. You've been known to jump into bed for the promise of some rehearsal room coffee.
Suzy: Well, that's the Robin Hood in me. Take from the rich, give to the needy.
Nicole: Everyone's maid Marian.

(The girls laugh again. Suzy is oblivious, sipping her coffee)

Suzy: The difference is though, Herbert’s respectful. He even showed me a picture of his wife.
Sally: Dog?
Suzy: Cruft's darling! Not that he's exactly Colin Firth.
Sally: Well you know what they say;
Sally, Nicole, Kelly: [gleefully] A girl can't always have everything!
Suzy: Ain't that the truth.

(Sam knocks on the dressing room door. Sally opens it. He is carrying a bouquet of flowers that is bigger than he is)

Sally: Ow, for me?
Sam: [he reads the label] Suzy.
Sally: Ah, not for me. Thanks. [She takes them. Sam exits] Who's a clever girl then?

(Sally sets the flowers up at Suzy's station)

Suzy: Wow!
Sally: Herbert?
Suzy: [She reads the label and nods] He doesn't do things by halves does he? Would you say he was hooked?
Sally: I'd say he's yours for the taking. And I'm green with envy.
V.O.: [On tannoy] Ladies and Gents, this is your fifteen minute call. You have fifteen minutes.

(The girls start to get into costume. Patrick, without knocking, enters, aggregated)

Kelly: Hi Pat.
Patrick: [he speaks to Sally and Suzy] Girls, I put up with your fun and games last night because it was opening night but I warn you; if you start causing trouble in the wings again, they'll be trouble.

(He exits)

Suzy: What's gotten into him?
Sally: Hm. He's in the dog house.
Suzy: Why?
Sally: He told me he loved me last night.
Suzy: What? Ugh.
Sally: I told him I don't do love. And then we didn't.. You know. It didn't feel the same.
Suzy: Good, because he's one of us. If you want some good advice; get yourself a Herbert.

#6 Waiting on Him

Suzy:
I found the man of my dreams but I wasn't looking for him
This Angel flew into my life and cleansed my soul of its sin
I Wasn't sitting alone feeling sorry for myself
I was fine with just me, heartless, had no one else

All Girls:
Didn't believe in those fairytale fantasies

Suzy:
I didn't think they were real
And I didn't think I was worthy

But now Il be waiting on him
I've been waiting all day
For him to call me
And sweep me off my feet

And Il be waiting all night
Until tomorrow
Until my phone blows
Until our time comes

Kelly:
And my handsome prince, he may not ride a horse
But he has more of a fortune than any man before

Nicole:
Sometimes you're needy for something but you don't know what you need

Girls (Spoken):
Put a rich man in my life, and I know I will succeed

Kelly and Nicole:
Didn't believe in those fairytale fantasies

Nicole:
I didn't think they were real

Kelly:
And I didn't think I was worthy

Girls:
But now Il be waiting on him
I've Been waiting all day
For him to call me
And sweep me off my feet

And Il be waiting all night
Until tomorrow
Until my phone blows
Until our time comes

Sally:
We're like two forbidden fruits
Fallen from the same damn tree
I feel myself falling for you, Pat
The moment you said that you love me
But before we get things moving
There's a few things that I gotta make clear
I'm not good at this love thing
Was always used to just a quick fling
But I don't want you to disappear

Backing vocalists:
But now Il be waiting on him
Been waiting all day
For him to call me
And sweep me off my feet

And Il be waiting all night
Until tomorrow
Until my phone blows
Until our time comes

Scene 4- The Jewellers, City Shopping Centre, The Next Morning (+Limbo)

(Maggie, in a coat, enters. The bell above the shop door rings. A jeweller stands behind the counter)

Jeweller: Can I help you madam?
Maggie: Yes, I'm looking for something specific. I need to replace a watch that I've lost. I've got a photo of it here, I don't know if it'll be any help. [She pulls out a small Polaroid picture from her handbag and hands it over] Don't look at me, I look awful. Some unbearable business do; wives on parade.
Jeweller: [examining photo, carefully] Yes. No, I'm sorry madam. Clearly it was a very unusual and attractive time piece but we haven't got anything like it I'm afraid, not in that style.

(The jeweller hands back over the picture. Beat)

Maggie: Well, Thankyou.

(Maggie exits the Jewellers. The stage is in a limbo state. She reaches for her phone and calls Don)

Hello Darling. No, no luck. Listen Don I've got some good news. Ive got the whole weekend off. Remember I told you that was coming up? That means I can come home. Some home cooked meals and early nights. And you know what day it is on Saturday don't you? Yes. It feels like we've been apart for so long. Oh okay, darling, well don't work too hard. I love you. I said I love you? Do you love me Don? Well, I like to hear it sometimes. No I'm not being silly. Don? Hello?

Scene 5- The Chorus Girl Dressing Room, The Peacock Theatre, That Evening

(During the interval, Suzy flaunts a diamond necklace in front of the girls. Piles of presents fill her make up station)

Suzy: It's real.
Kelly: It's gorgeous.
Sally: Are you sure you've only held hands?
Suzy: We're just friends. [The girls snigger. She reaches for a white box on her counter. Inside is a white mink coat- she tries it on] Wow.. Do you like this with the collar up or down?
Sally: I'd like it better on me.

(Patrick appears in the open doorway)

Patrick: Knock knock.
Sally: Oh, it's you.
Patrick: Suzy, there's a surprise for you outside stage door.
Suzy: What?
Patrick: See for yourself.
Suzy: I can't wait!

(Suzy grabs Sally's hand and they hurry toward the window, Kelly and Nicole go too, excitedly. A car horn can be heard below. It’s a Convertible Mini, decorated with a huge bow)

Kelly: Get outta here! Nice!
Suzy: Oh my god! Shall we see if it works?!
Patrick: But the curtain goes back up in 10 minutes?!
Suzy: We'll only take her for a spin! I think I've forgotten how to drive! Come on Sally!
Sally: I wonder what the catch is?!

(Suzy and Sally rush off and exit. Patrick calls after them)

Scene 6- Limbo State, Partially The Jewellers, City Shopping Centre, The Same Day

(Herbert can be seen purchasing another gift for Suzy; this time it's an engagement ring. He sings)

#7 Our Paths Have Crossed

Herbert:

And I know our paths have crossed
Our stars have aligned
Been dreaming of a world where your heart is always mine

And know it's all a test
But she's taught me to love again
My wife's a memory of a friend
Got my life on track, I'm stronger in the end

(An instrumental interlude continues into the next scene- it’s now faint background music from a vinyl record)

Scene 7- Front Room, Maggie and Don's Home, The Next Evening

(Maggie enters to see Don sitting on a comfy chair, reading the newspaper. It's getting late)

Maggie: I thought you said you were tired?
Don: Yes I am really.
Maggie: Will you get much sleep in Paris?
Don: [immersed in his reading] Hmm?
Maggie: Never mind.
Don: Still no luck with the watch?
Maggie: No. I've been to five different jewellers and I can't find anything like it. I hope it's not an Omen.
Don: A what?
Maggie: Losing your tenth anniversary present on our eighteenth. I still think it was one of the cleaners at the theatre.
Don: You should have left it here with me.
Maggie: I like to take it with me wherever I go. It's romantic.
Don: But not sensible.

(Beat. Maggie turns to go suddenly)

Maggie: Well, I'm going to bed.
Don: [startled] Maggie?
Maggie: Will you be long?
Don: Five minutes at most.

Scene 8- Onstage and Off, The Peacock Theatre, A Few Evenings Later

(Another performance takes place 'onstage'. Kelly, who plays the young, romantic lead in the show, sings with the other chorus girls, Nicole, Suzy and Sally; they are her backup. They are all dressed in Victorian gowns. They dance with library books on their heads)

#8 Careless

Kelly:
You are my man
You are my boy
You've taken my life
And filled it with joy

And it isn't short lived
You ease my mind
And the time that you give
Makes me feel alive

And I Been thinking about you lately
Thinking about your touch
Know that you'd never play with me
And that I cannot get enough

You are a special kind of beautiful
It shines out from deep within
It was a special kind of wonderful
That day you let me in

Kelly and Girls:
You make me careless, careless, careless, careless
And I couldn't care less, care less, care less, care less
Been thinking about your caress, caress, caress, caress
And how it makes me careless, careless, careless, careless

(Kelly continues to sing. Every time Suzy and Sally are out of the spotlight they chat to each other. Maggie, Patrick and Sam watch them from the side of stage, angrily)

Suzy: The catch is; he wants to get married.
Sally: Can't say I'm surprised. He seems like the old fashioned type.
Suzy: I think it's a nice way of asking for his presents back.
Sally: I thought he was already married?
Suzy: He was! Apparently his wife has agreed to a divorce.

Maggie: Chatting on stage?!
Patrick: Il speak to them.
Sam: Sure you will.
Maggie: I could kill them.

(Lights fade out ‘offstage’ and Maggie, Patrick and Sam make their exit)

Kelly:
And Ive Been thinking about you lately
Thinking about your touch
Knew that you'd never play with me
And that I couldn't get enough

You are the only memory of love
I have stuck within my head
You will always be a cut above
The below average rest

Kelly and Girls:
You make me careless, careless, careless, careless
And I couldn't care less, care less, care less, care less
Been thinking about your caress, caress, caress, caress
And how it makes me careless, careless, careless, careless

Sally: Do you want to marry him?
Suzy: Of course not. I don't even fancy him. But on the other hand I don't want to lose him.
Sally: You can't eat your cake and have it.
Suzy: Why not?

Kelly and Girls:
He makes me careless, careless, careless, careless
And I couldn't care less, care less, care less, care less
Been thinking about your caress, caress, caress, caress
And how it makes me careless, careless, careless, careless

(The number 'onstage’ finishes)

Scene 9- Maggie’s Dressing Room, the Peacock Theatre, a few Mornings later

(Maggie has arrived early at the theatre. She calls Don's work)

Maggie: Yes Hello. I'm looking to speak to my husband, he's not picking up his phone. I expect they're all at lunch now. Yes I thought as much. I'm.. Well it doesn't matter. Thankyou.

#9 Careless Interlude

Scene 10- Ladies Dressing Room, The Peacock Theatre, That Evening

(Suzy enters. She has just performed for the last time. She packs up her stuff from the dressing room and puts on lipstick. Every one else has gone home. She is wrapped in her mink coat ready to leave. Patrick peeks round the door and then enters)

Suzy: [noticing Patrick] If you've come here to try and change my mind, it won't work.
Patrick: I've come to say goodbye. [he takes Suzy gently in his arms and kisses her] Well, all good things have to come to an end.
Suzy: Is that all you've got to say?
Patrick: Il miss you of course. But if this is what you want.

(They kiss again but a lot more passionately. Sally's forgotten something. She rushes in only to go unnoticed by the pair locked in an embrace. She backs away but remains by the door, listening)

Suzy: Sally told me about what you said to her.
Patrick: What did I say?
Suzy: You told her you loved her Pat. Don't play games with her.
Patrick: I say a lot of things.
Suzy: It makes no difference to me.

(Beat)

Patrick: You're good you know. Too good to quit.
Suzy: It's not over Pat. There'll be other shows and other stages.
Patrick: Will I ever see you again?
Suzy: You and I both know I can't stay away. But it will be different now. I’m going to be a married woman.
Patrick: Is that really going to stop you?

#10 Never Say Never

Suzy:
It's just the way I am
Could never let you go
Though it's impossible
Il never let him know

That i'm already accounted for
With you I feel so immature
Like a weight up off my shoulders
Like I deserve to have it all

So I never say never
We could still be together
I know it seems hopeless but
Nothing lasts forever

And if the stars they align
We will have our time

So I say never say never
We could still be together

BV’s join:
Never say never
Never say never
Still be together
Still be together

Patrick:
It's just the way I am
I always think of you
I know I'm greedy but
I spread thin for a few

Should I listen to my heart or my head?
They both tell me to choose different

BV’s:
Choose different

Patrick:
But God knows it's not that easy
Cause you'll be lying there in his bed

So I say never say never
We could still be together
I know it seems hopeless but
Nothing lasts forever

And if my dreams they come true

BV’s:
Come true

Patrick:
I will wake up next to you

So I say never say never
We could still be together

BV’s join:
Never say never
Never say never
Still be together
Still be together

Sally:
We're like two forbidden fruits
Fallen from the same damn tree
I know that I am into in you Pat
The moment you said that you loved me
But before we get things moving
There's a few things I gotta make clear
I'm not good at this love thing
Was always used to just a quick fling
But Don't want you to disappear

(Sally exits)

Suzy, Patrick & BV’s:
So I never say never
We could still be together
I know it seems hopeless but
Nothing lasts forever

And if the stars they align
We will have our time

So I say never say never
We could still be together

Scene 11- The Honeymoon Suite, Savoy Hotel, London, A Week Later

(Patrick exits. The scene changes around Suzy and she opens her coat to reveal a very understated, smart outfit. Herbert and Suzy have just got married. Sally, their witness, has drinks with them in their hotel room. Herbert admires his new wife while Sally tries on Suzy's coat)

Suzy: [to Sally] It looks really good on you.
Sally: Leave it to me in your will.
Suzy: Of course.
Sally: [raising a glass] To the bride and groom!

(They all toast)

Suzy: [to Sally] You'll be next.
Sally: Where are you going for your honeymoon?
Herbert: We're staying here actually.
Suzy: The Barbican penthouse is being redecorated.
Herbert: Suzy wants it turned into an Arabian nights fantasy.
Suzy: But Herbert..
Herbert: Just teasing darling. Suzy didn't want to stay too far away in case the decorator wanted to see her.
Suzy: Well, I have to make myself available.
Sally: That's the wonderful thing about Suzy. I've never known her not make herself available.

(Beat)

Herbert: I'm going to get some more Champagne.

(Herbert exits into the kitchenette)

Suzy: Wait till you see him.
Sally: The decorator?
Suzy: A Mediterranean Adonis. You know I've left my agent don't you?
Sally: Suzy?
Suzy: And I've handed in my Equity card.
Sally: So much for combining marriage with a career. I thought you loved all this.
Suzy: I did but the wonderful thing about being married to a rich man is the rat race loses its appeal.
Sally: Well I can't pretend I wouldn't do the same if I had the chance.
Suzy: Your turn will come.
Sally: I'm not so sure.
Suzy: Oh it will and when it does you need to milk it for all its worth.
Sally: I'm not an expert at all this, like you.
Suzy: Well then you better learn from the best; Grab the goodies while you're young.
Sally: But you grabbed this particular bag of goodies from right under my nose!

(An awkward beat. Suzy reaches for the mink coat)

Suzy: Does this make it any better?

(She drapes it over Sally)

Sally: Oh my god, Suzy are you sure?
Suzy: Think of it as a parting gift.
Sally: Oh, Suzy. Don't say that.
Suzy: Il hardly see you now il no longer be on tour.
Sally: Well, Thankyou.
Suzy: I do have a heart in here somewhere you know.

Scene 12- Onstage and Off, The Playhouse by the Lake, A Matinee Performance, The Following Week

(Suzy and Sally exit. Maggie performs her triumphant 'Boyfriend' number ‘onstage’ again, this time in a new theatre. This theatre is back in town; somewhere in the greater London area. Louise, a young and skilled dancer, has replaced Suzy)

#11 Boyfriend (Reprise)

Maggie:
You breathe life into my lungs
I want you and all your charms
And I will throw up both my arms if you say you love me
We hold hands in all my dreams
I see your face when I'm asleep
And il go weak in both my knees if you say you love me

And I won't let my past get involved
The memory of a man up the river I sold
He left me in the night and that took its toll
From that moment I was alone
My heart hardened like Gold

But now it's soft again
Will you be my boyfriend?
And my eyes are a little wider
And the stars shine a little brighter
You are a god send
Will you be my boyfriend?
Will you be my boyfriend?

(While Maggie sings, just as before, Sally and Louise have crept out front to watch. Lights up on them while Maggie continues in darkness)

Louise: What's she got that we haven't?
Sally: An extra fifty years. It's the British disease. If you've been in the business as long as she has the great British public will learn to love you.

(Beat)

Louise: Do you want to grab a bite to eat with me between shows later? There's a new place in town that's just opened up. A friend told me about it.
Sally: I'd like that Louise.

Maggie:
And my Heart beats a little faster
With you a beautiful disaster
You are a god send
Will you be my Boyfriend?
Will you be my Boyfriend?

(The number 'onstage' finishes. The curtain falls and the lights come back up. Maggie, dripping in sweat is assisted by stagehands and her dresser with towels before all exiting. Sally and Louise cross the stage)

Sally: You're very talented you know. You've picked everything up so quickly. And so young. You're fresh out of school right?
Louise: This is my first year out, yes.
Sally: And how do you know our Choreographer, Ang?
Louise: Angela was my dance tutor for many years growing up. When she asked me to step in with you, I jumped at the chance.
Sally: Of course you did!

(Patrick crosses the girls. He looks at Louise with a twinkle in his eye)

Patrick: Good job ladies!

(Sally huffs)

Sally: How do you find Patrick?
Louise: Well he's a man. One of the few straights. At least I presume..
Sally: No he is. I can attest to it.
Louise: Oh? Spill the beans when we get to our room.

(They exit, headed for the dressing room)

#12 Number One (2nd Reprise)

Company:
Don't need no rum
As long as we can feel the beat of the drum
Bodies and dances
Exchanging glances
See the love that's in our eyes

Tearful when the curtain falls
And hearing the crowd roar
Hearing the crowd roar
Then hit the street
Under the heat of the sun

This shows our number one
Number one
Number one
Number one, one, one

Scene 13- The Black Cat Restaurant, Late Afternoon, A Few Days Later

(Sally and Louise sit at the bar munching on baguettes during their dinner break between shows. This has become a regular occurrence for the pair. Maggie enters alone. A waitress approaches her)

Maggie: Table for one please. This must be the place Don mentioned.
Waitress: (smiling) I'm sorry?
Maggie: Oh nothing. Thankyou.

(The waitress leads her to a seat directly behind the girls. Maggie doesn't notice them. The waitress sets a menu down in front of her, smiles and mulls around the restaurant)

Maggie: [looking at the menu] Oh my goodness so much to choose from. Too much.

(Maggie begins to overhear the conversation behind her. She slowly recognises the voices)

Louise: We've been talking online for 6 months and seeing each other for the last couple of weeks while the shows been in town. I know it sounds crazy Sally, but I really think he's the one.
Sally: Do you really?
Louise: Got no real hold on him though because.. Well, he is married.
Sally: Oh Louise, I can't believe you're telling me this.
Louise: All the good ones are!
Sally: You sound just like Suzy.
Louise: Don's more mature than anyone I've ever been with. And more established. A business man.
Sally: You sure you can't just settle for a bit of fun? You're still so young.

(The waitress reappears at Maggie's table)

Waitress: Are you ready to order madam?
Maggie: [engrossed In the conversation behind her] No, not yet Thankyou.

(The waitress walks away)

Louise: Donald is very generous. We had a night in Paris together last week.
Sally: Oh how lovely.
Louise: I'm still exhausted. I mean who goes to Paris to sleep! He knows I'm desperate. But he says there's no way he's getting a divorce.
Sally: Why?
Louise: Because it would kill his wife. I don't know who she is but one thing's for sure, I bloody hate her.
Sally: You'll just have to keep putting the pressure on. Do you know much about her?
Louise: No. He tells me very little. I know she's much older than me, pretty and fragile. Like an iron butterfly he says.
Sally: What does she do?
Louise: He doesn't say. But I've hardly been a hundred percent truthful. He thinks I'm a secretary. An actress sounds so corny.
Sally: Oh Louise.
Louise: Well, it's halfway true. I temp between contracts.

(Maggie stands as if about to reveal herself to the chatting girls. She has turned very pale. The waitress comes back over, concerned)

Waitress: Madam?
Maggie: I'm not hungry, I'm sorry.

(Maggie rushes out)

Scene 2- A Limbo State, Directly afterwards

(Maggie hastily rummages through her handbag to find her phone to call Don. She hesitates and speaks to herself)

Maggie: Don, I.. I'm probably being silly. But.. Is there someone called Louise? I'm being silly I know I am, you're a workaholic. Do you love me Don? Because if you loved me you'd tell me. I just want to know. She has someone called Don and you went to Paris... No. There's no way. That's not my Don. I..

#13 Number One Interlude

(End of Act 1)

Act 2

#14 Number One (3rd Reprise)

(Act 2 opens in the same fashion as Act 1 with the ‘Company’ singing)

Company:
Pay us the minimum you’ve got,
We don’t mind because it’s soon forgot
And we’ll give it everything
Perform each night like its the beginning

Scene 1- The Front Room of Sally's Flat, London, Evening Of The Same Day

(Suzy and Sally sit on Sally's decrepit student sofa sipping red wine. Suzy is dressed to the nines)

Sally: So what's the trouble?
Suzy: Anniversary dinner last night. One week of happy marriage.
Sally: And they said it wouldn't last.
Suzy: Soft lights, champagne and Herbert announces he wants to become a father.
Sally: What did you do?
Suzy: I almost threw up.
Sally: How are you going to wriggle your way out of this one then?
Suzy: Well, his ex wife couldn't manage to get pregnant through all those years right?
Sally: Right..
Suzy: So, I'm going to have to tell Herbert the same sad story.
Sally: Yes, but there's all those tests and things.
Suzy: I'm going to have them all. Do you remember our, ever so touchy feely Harley Street gynaecologist?
Sally: Doctor Octopus?!
Suzy: Well he owes us a favour doesn't he? He's going to have to tell Herbert the bad news. He can't be a daddy! Except to me of course.
Sally: Oh Suzy! I do feel sorry for Herbert you know.
Suzy: Well I might.. if I hadn't met this tennis player who looks just like Tim Henman. You know what Sal, play your cards right and a gal just might have everything.
Sally: One day Herbert's going to rumble you.
Suzy: Oh, Bull! The husband is always the last to know.

Scene 2- Dining Room, Maggie and Don's Home, The Following Evening

(Maggie and Don sit opposite each other at their large dining table. Maggie looks shifty and shaky. Don is, again, engrossed in his newspaper)

Maggie: I tried out that restaurant you recommended at Dinner yesterday.
Don: Oh good. It's nice that the show is back in town.
Maggie: Yes.

(Beat)

Maggie: Don?
Don: [not looking up] Hm.
Maggie: If you were describing me to someone, what would you say?
Don: What do you mean?
Maggie: Do you think I'm pretty?
Don: [he looks up] What's the matter, you alright?
Maggie: I just want to know.
Don: Well, of course you're pretty. You've always been pretty.
Maggie: Fragile?
Don: Fragile? [he loosens his tie and looks at his wife] Maggie you've been looking at me funny ever since you got home. As if you're wondering who I am and what I'm doing here. I know we've not seen each other as much lately but..
Maggie: More wine?
Don: Yes, please.

(Maggie goes over to refill Don's glass)

Maggie: Don, have you ever described me, to anyone, as pretty and fragile?
Don: Have you had too much to drink?
Maggie: Just answer the question.
Don: Alright then! Of course I've told other people that you're pretty!
Maggie: There's no need to be angry.
Don: But not fragile! Fragile sounds as if you're ill or an invalid.
Maggie: Oh?
Don: But you're not fragile. Mind you, these past weeks..
Maggie: Don!

(Beat)

Maggie: I'm sorry I asked.
Don: What is it Maggie?
Maggie: I must be tired.
Don: Yes. I think you must be.
Maggie: I've got a headache.
Don: You shouldn't be drinking wine if you've got a headache.

(Maggie exits. The Door Slams)

Don: Darling?

Scene 3- An Airport Lounge, England, A Few Days Later

(Suzy joins a handsome, French man she's met in Paris and brought back with her. She
Links his arm. They are pursed by a porter carrying a trolley full of Suzy's luggage and around them is a small group of travellers who sing BV’s. Her Parisian lover kisses her, they dance and she sings;)

#15 Window Shopping (Reprise)

Suzy:
Don't like the cards I've been dealt
Can't keep my eyes off the shelf
I always find myself

BV’s:
Window shopping

Suzy:
Can't keep these thoughts in my mind
I wonder who I might find
Il cut the ties that bind
I'm

BV’s:
Window Shopping

Suzy:
Need a man not worth fighting for
Need a man that won't walk out my door
I find that I am built to stray
And my heart won't get in the way
Need a man not worth fighting for
Cause I won't fight it at all

Sally: [spoken] Now remember, you are my distant, French cousin who'll be staying with us for a few weeks. Be quiet and timid, like butter wouldn't melt and he won't suspect a thing.

(She reflects)

You know, If he wasn't as boring as hell I'd be fond of Herbert. He is so gullible. He wanted me to go with him to a toy fair this weekend. Can you imagine me at a toy fair? That's why I invented this elderly aunt in Wales.
French Man: Did he believe you?
Suzy: Of course! he bought it, hook, line and sinker.

Suzy:
Don't need no man to hold me tight
Don't want the same man every night
I always spend my time

BV’s:
Window shopping

Suzy:
Feels like I'm living in a maze
Where commitment is just a phase
A part I play upon the stage
I'm

BV’s:
Window Shopping

Suzy:
Need a man not worth fighting for
Need a man that won't walk out my door
And I know all is well
As long as he stays under my spell
Need a man not worth fighting for
Cause I won't fight it at all

(The Number comes to an abrupt finish. As Suzy dances, she spins directly into Herbert, carrying a bouquet, who has unexpectedly come to meet her off her plane. He takes one look at her and one look at her French lover)

Herbert: Suzy?!
Suzy: [defeated] Herbert.

Scene 4- Ladies Dressing Room, The Playhouse By The Lake, The Same Evening

(Sally, Nicole and Kelly, in full costume, console Louise, who is clearly upset, during the moments before their beginners call)

Sally: What happened?
Louise: We had lunch yesterday and he broke it off.
Sally: I knew you were upset the moment I saw you.
Louise: I'm more than upset. Telling me he couldn't hurt his wife. Thankyou and goodbye. That he loved me but his loyalty's to her.

(Maggie is seen passing the ladies dressing room. She hesitates and begins to listen to the girls conversation at the door)

Sally: I bet you want to kill him.
Louise: Well, Kill her!

(Beat)

Kelly: I suppose you could arrange something? Where she catches you in the act? Or is that too dramatic? She'd have to divorce him then.
Louise: Hmm. It's something to think about. I can't help but laugh imagining the look on her face. He's promised me one final night together after the show. Let's hope he sticks to his word.

(Nicole glances toward the door. Maggie is revealed)

Nicole: Oh... Maggie?
Maggie: [thinking fast] Hello. I'm sorry for disturbing you ladies. I just wanted to come and congratulate Louise. You've picked up all of Suzy's stuff so well, especially considering you're the youngest member of the company.

(Maggie and Louise awkwardly hug)

Maggie: You're very talented.
Louise: Thankyou Maggie.
Maggie: Have a good show.

(She looks intensely at Louise. Beat.)

Maggie: All of you.

(She exits)

Nicole: What was that about?

(Patrick pokes his head round the door)

Patrick: That's beginners ladies.

(The Nicole and Kelly start to file out. Patrick stops Sally. He speaks softly so Louise won’t hear the conversation)

Patrick: Wait a minute Sally, I want to talk.
Sally: There's nothing to talk about Patrick.
Patrick: Then why do you tense up every time you see me?!
Sally: I hadn't noticed.
Patrick: Look, why don't we go to dinner tonight and talk it over?
Sally: That's your solution to everything isn't it?
Patrick: It usually works.

(She reaches up for a kiss but pulls away when he comes close. Beat)

Sally: No more dates Patrick.

(She exits. Patrick follows)

#16 Compatible

(During the song, Louise laments into her makeup mirror)

Louise:
You crossed the line
It took a toll on me
I won't cry
Your face is still all I see

It's no lie
So quick to tear my world apart
Yet takes time
To heal the pain of a broken heart

Been staring out my window
Searching through our info
Trying go back to see the signs

And when a brand new flame comes
I see red flags and hear battle drums
Got me questioning it every single time

Are we compatible
Are we compatible
Are we compatible
Do your pieces fit with mine

Are we compatible
Are we compatible
Are we compatible
Can I make it work this time

Sally [reentering the dressing room to change]:

My futures bright
I will look ahead despite this
Still on my mind
Total denial I've yet to accomplish

But I will try
To open up and try again
You were my high
Sometimes I crave a fix, I won't pretend

Louise and Sally:
Been staring out my window
Searching through our info
Trying go back to see the signs

And when a brand new flame comes
I see red flags and hear battle drums
Got me questioning it every single time

BV’s [softly while the phone call scene takes place, into Herbert’s bridge]:
Are we compatible
Are we compatible
Are we compatible
Do your pieces fit with mine

Are we compatible
Are we compatible
Are we compatible
Can I make it work this time


Scene 5- Maggie's Dressing Room, The Playhouse By The Lake, The Interval, Evening (+Limbo)

(Maggie sits at her mirror fixing her makeup. Unexpectedly, Don calls her)

Maggie: [answering phone. She sounds confused and hurt] Hello Don. Yes I'm alright. I'm fine. What? Tonight? Oh I see. I should have known. How kind of you to tell me.

(She hangs up the phone abruptly. She looks into the mirror and speaks to herself)

Think. Come on think. You've got no real proof have you. But look at me and look at her. Look at her. Don how could you do this to me?

(The Song continues and Herbert appears in limbo. He joins the singing;)

Herbert, Sally, Louise, Maggie:
And I know our paths have crossed
Our stars have aligned
I Dreamt of a world where your heart was always mine

But I know it's all a test
And i can learn to love again
you'll be a memory of a friend
Get my life on track, I'm stronger in the end

(End of Number)

Scene 6- The Ladies Dressing Room, The Playhouse By The Lake, Later That Evening

(The Show has finished for the night. Louise is alone in the dressing room. Maggie is changed and is pacing in her room. She finally decides to go and speak to Louise. She enters the girls dressing room)

Louise: [seeing her visitor in the mirror] Hello Maggie.
Maggie: I know Louise.
Louise: I'm sorry?
Maggie: I overheard what you've been telling Sally.
Louise: What have I been telling Sally?

(We see Louise's wrist shimmer. She is wearing the exact type of watch Maggie has been searching for. Maggie becomes hysterical. She grabs Louise’s hand)

Maggie: My watch?! That's my watch!
Louise: This is my watch Maggie. This was a gift. What is this all about?
Maggie: Did Don give you that watch?!
Louise: How do you know Don?!

(Beat)

Louise: Maggie?
Maggie: [a sudden change] It's nothing I..
Louise: Tell me what's going on!

(Maggie begins to mutter to herself)

Maggie: It's you or her... You or her..
Louise: Maggie!
Maggie: You've been laughing about this. Behind my back. For all this time.
Louise: What are you talking about?
Maggie: [a sudden change, again] It's nothing. I'm sorry.

(Fearful, Louise runs past Maggie and exits. Maggie hesitates for a second then she turns and exits too, hot on Louise’s trail)

Scene 7- Limbo and Blackness, Night

#17 Boyfriend (2nd Reprise)

(Limbo. We see Maggie fight through a singing crowd, in pursuit of Louise)

Singing Crowd:
You breathe life into my lungs
I want you and all your charms
And I will throw up both my arms
If you say you you love me

(We hear Maggie through the dark, in a crazed voice)

Maggie: You w***e! You Liar! You Cow!

(Maggie lunges forward. Blackness. Sounds of a violent car collision can be heard; smashing glass and a screeching car alarm slowly fade the next scene)

Scene 8- Front Room of Pats Flat, London, The Following Afternoon

(Suzy and Sally are back sitting on Sally's decrepit sofa. This time, Suzy is not looking so glamorous. They drink tea. Suzy has been talking about herself for the past thirty minutes)

Sally: What did you say?
Suzy: What could I say? I mean even I couldn't convince Herbert I'd been to Wales, not with Paris plastered all over my luggage.
Sally: How did he take it?
Suzy: He turned very nasty. He wants a divorce. And much worse than that; he wants me out of the Penthouse. And no maintenance. He's even going to sue to get back his presents.

(Beat)

Sally: [sipping her tea] Well you did ask for it didn't you.
Suzy: There's no need to sound so happy about it! I looked after you when the going was good.
Sally: No.
Suzy: How can you say that?!
Sally: Because it's true. Every time we've spoken all you want to go on about is your presents and how you're running rings about Herbert.
Suzy: Well, il make up for it.
Sally: Are you even going to ask me how I am? Or the show? Or why we've been given the week off?
Suzy: Well I was wondering.
Sally: Suzy, Louise.. Your replacement.. She's dead.

(Beat)

Suzy: What?
Sally: She fell into the road as she was leaving the theatre last night. She was hit by a car.
Suzy: That's terrible. So young and beautiful, the poor girl. How has everyone taken it?
Sally: We're all in a state of shock. Especially Maggie. She was there when it happened. Couldn't stop crying and screaming. I've never seen her like that.
Suzy: And you?
Sally: I liked her very much.
Suzy: I hope you can find a replacement.
Sally: Is that all you care about?
Suzy: No of course not! I just think about these things. I don't want Patrick or anyone else crawling back round me because I'm not interested.
Sally: Well you are officially unemployed now.
Suzy: Don't say that! Il make it work, I always do.
Sally: People like Herbert don't grow on trees you know.
Suzy: I know. Hence my master plan to get him back; for which il need your help.
Sally: Oh here we go. Now what?
Suzy: [dramatically] My attempted suicide!
Sally: Il help with that gladly.
Suzy: I've had this brilliant idea- the sinner repents!
Sally: You?
Suzy: Yes. Here's my suicide note. [She pulls a piece of paper from her purse]
Sally: I hope you remembered to make your hand shake.
Suzy: Yes, it's even tear stained. I can't afford to screw this up. Where else would I find a cash dispenser like Herbert?
Sally: [muttering] A girl can't always have everything.
Suzy: Listen, tomorrow I'm booked into a honeymoon suite at The Savoy Hotel because it's only a few minutes from the Penthouse. You're going to come with me. Herbert's home at seven so you start calling him at six forty-five.
Sally: What for?
Suzy: To make sure he's there! When he answers you're going to hang up. Then I can start timing everything.
Sally: Like what?
Suzy: Like, [she hesitates] swallowing a whole bottle of sleeping pills.
Sally: Suzy?! Don't mess around with that stuff, il be too scared to go through with it.
Suzy: Well I'm scared, a bit.
Sally: Then let's forget it.
Suzy: What?
Sally: Don't take them, just pretend too.
Suzy: I've got to! It's got to look as real as possible. Herbert's a lot of things but he's not stupid.
Sally: What if something goes wrong?
Suzy: That's why I've worked on every detail. The moment you know Herbert is home you rush over and give him this. [she pulls another piece of paper from her purse]
Sally: And what do I tell him?
Suzy. You tell him that you found this [she hands Sally the suicide note], along with this. [another note. It reads;]
Sally: 'Dear Sally, please make sure Herbert gets this.'

(Beat)

Suzy: Of course you're very concerned and confused but you know how upset I've been from the breakup and that's why you rushed over. And the minute he opens that letter...
Sally: Yes..
Suzy: You've got to make sure Herbert gets to me in time to slap me awake. [she mimics Sally's voice] 'Hurry, you've got to save her, call a doctor!'
Sally: And to be on the safe side I will call a doctor.
Suzy: [very pleased with herself] Doctor Octopus!

(Suzy acts out what she hopes will happen, a la Romeo and Juliet)

Suzy: ‘Forgive me Herbert.’, ‘There's nothing to forgive my darling it was all my fault.’ ‘Oh Herbert.’ ‘Oh Suzy.’ Fade out. Academy Award.

(Sally looks at her, stunned)

After a shock like that, I don't think Herbert will ever question a thing I do again. Il be able to eat my cake and have it too.

#18 Lone Wolf

Suzy:
He could never cut me down
This body's tough as wood by now

He could never break me in
He'll some come crawling back again

I'm a lone wolf
A savage, strayed far from the pack
And all my battles I won
When no one would have my back
Cause I'm a survivor, born a fighter
Many sides you haven't seen
Guess he's on my radar
He woke the monster
I'm a storm, I'm a machine

Now hear me roar
Hear me roar

BV’s:
Now hear me Roar
Hear me Roar

(Suzy gets up and starts posing in front of the hallway mirror, envisioning how she will look for Herbert)

Suzy: [spoken] I'm thinking of having my hair down like this. Do you think I should wear a sexy black nightie or something white and virginal?
Sally: Oh the virginal look. Definitely.

Suzy:
He could never cut me down
In losing him, I found myself

He could never break me in
Still feels my touch upon his skin

I'm a lone wolf
A savage, strayed far from the pack
And all my battles I won
When no one would have my back
Cause I am much stronger, I have the power
Many sides he's yet to face
Guess he's on my radar
He woke the monster
I'm a storm, I'm a disgrace

Now hear me roar
Hear me roar

BV’s:
Now hear me Roar
Hear me Roar

Suzy:
I'm gunna say this once
And say it loud and clear
You won't make me weak
And I won't shed a tear
Cause I can get back up
And get back up with no fear
You woke a savage in me
And it just won't disappear

And You are lousy
But I got way too cosy
Wanna wipe that smirk right off of your face

Cause you are way too comfy
Just made my road a little bumpy
Like I said I'm just a disgrace

Now hear me roar
Hear me roar

BV’:
Now hear me Roar
Hear me Roar

Scene 9- Maggie's Dressing Room, The Playhouse By The Lake, Early Evening (+ Limbo)

(Despite being given the week off to mourn the passing of Louise, Maggie is back at the theatre. She has brought a large suitcase with her and is packing up her things. Alex and Patrick are desperate onlookers, standing in the doorway)

Patrick: Please don't do this Maggie.
Maggie: I can't stay here. You wouldn't understand.
Patrick: The company has already suffered so much loss over these past few weeks.
Maggie: Please don't try and stop me. I've made up my mind.
Patrick: Louise would have wanted you to stay. And for the show to continue in her honour.
Maggie: You don't know anything! You weren't there Patrick. You didn't see what I saw.
Patrick: It was an accident, there's nothing you could have done.
Maggie: I could have stopped it.
Patrick: Maggie you can't blame yourself. Please. Reason with us. There's no show without the star.

(Beat. Maggie considers)

Patrick: What do I have to do to change your mind?
Maggie: [with a deep breath] Just please leave me Patrick.
Patrick: Promise me you'll reconsider?

(Silence. Patrick and Sam have given up. They slowly exit. Maggie is left alone. She continues to pack her belongings from the dressing room; she is full of thought. Her phone suddenly rings in her hand and startles her. It's Don. At first she ignores it but after three rings she gives in and picks up. Don appears on the other end of the phone, in Limbo)

Don: Maggie you there?
Maggie: [hesitantly] Yes.
Don: Now listen. Since you've got the week off I thought we could go to Munich for a couple of days. Business and pleasure. I'd have told you last night but you were asleep. Where are you?
Maggie: I'm at the theatre.
Don: Well when you get home pack some things for me would you please. Il be home around 5 alright?
Maggie: Alright.
Don: Well aren't you pleased? Don't you want to go?
Maggie: Yes of course. It's just with everything that's happened..
Don: I understand. That's why I think you need a break. Well, we both do darling.

(Beat)

Maggie: Darling..
Don: What?
Maggie: It's nothing.
Don: Alright then, il see you at 5. And don't forget to pack my cashmere sweater, it can be chilly in Munich this time of year. Bye.

(Maggie stares blankly out front. She doesn't know what to think. She continues to pack up, robotically. She reaches onto the shelf above her mirror and an item falls onto her lap. It's her gold and diamond watch. Don's anniversary present. It really was an omen all along. She sings;)

#19 The Power of Three

Maggie:
Every Sunday night I'd see those blank eyes
That empty smile under the dim supper lights

And when I'd say I love him, he'd say 'you too'
I had to believe him, but his words felt untrue

Cause when a day at work leaves him cold and mean
Id clean up all his mess and leave it squeaky clean
Could never turn to him when times got rough
Cause I never felt good enough

The power of three
One two three
That's how he loves me
One two three

The three rings that buzzed within my palm
Proved it was all a false alarm

And he does love me
one, two, three
The power of three

BV’s:
Roar
Roar

(Don reappears in Limbo, aside)

Don:
Every Sunday night we’d always argue
And Maggie would cry and I'd be left confused

But if she calls for me I'd not turn my back
She's afraid that's why she's always on the attack

And when a day at work leaves me old and grey
I'd think of us and it brightens my day
Finding lipstick stains on my coffee cup
She’s always doubting that she’s good enough

The power of three
One two three
That's how she loves me
One, two, three

I dialled her phone, I let it ring
Let's start over everything

And she does love me
One two three
The power of three

BV’s:
Roar
Roar
Roar
Roar

Scene 10- The Honeymoon Suite, The Savoy Hotel, London, Late Afternoon- The Following Day

(Sally and Suzy are anxious. Suzy is dressed in a white, fluffy robe with her hair perfectly tousled to one side. It's six forty five and Herbert isn't home yet)

Suzy: Ring him again.
Sally: I only rang him five minutes ago.
Suzy: I can't stand the suspense.
Sally: I've never known you have first night nerves?
Suzy: I've never had a first night like this. Ring him!
Sally: Okay! [She pulls out her phone and calls Herbert. He answers. She quickly hangs up;] Let's get this show on the road kiddo!
Suzy: [suddenly nervous] You think it's going to work?
Sally: Yes why wouldn't it? Il ring you as soon as he starts leaving the flat then you can start taking the pills.
Suzy: You've got the suicide note?
Sally: Yes.
Suzy: And the note to you?
Sally: Yes.
Suzy: Well, we’ve never had parts like this before. Wish me luck!

(Sally heads for the door)

Sally: Oh I do Suzy.

(Sally leaves. Suzy, still anxious, titivates the room. She sprays herself with expensive perfume and practices her forlorn faces in the mirror. Her phone rings. It's Sally. She picks it up)

Suzy: Yes Sal?

(Sally appears in Limbo out of the darkness)

Sally: Suzy I've been thinking.... I don't think I can go through with all this.
Suzy: I knew you were going to say that but I'm not backing down now. Have you pushed that creep out the door?

(Beat)

Sally: Yes. He's on his way.

(Sally hangs up. The lights fade on Suzy. Sally pulls the two notes from her coat pocket. She sings;)

#20 Window Shopping (2nd Reprise)

Sally:
Need a man not worth fighting for
Need a man that won't walk out my door
I fill the void that's in my soul
With the only thing I can control
Need a man not worth fighting for
Cause I won't fight it at all

(She tears the letters up into tiny ripped pieces and let's the wind carry them away. Lights back up on Suzy who is doing her final adjustments)

#21 Window Shopping (Interlude 2)

(Suzy daintily unscrews the bottle of sleeping tablets nearby. She swallows with gulps of water from a water glass. She then reaches for a picture of Herbert, which she has placed in a heart frame, and clutches it to her own heart, in preparation for her noble steed to come rescue her. She takes the picture and goes into the bedroom, exiting. The lights fade out slowly and it soon becomes apparent that nobody is coming for Suzy anytime soon)

Scene 11- The Honeymoon Suite, The Savoy Hotel, London, Some Days Later

(Herbert and Sally stand solemnly, glancing out of the hotel room windows at the streets below. They both wear black. Sally is wearing Suzy's white, mink coat over her dress)

Sally: I feel terrible wearing this.
Herbert: [affectionately] I know Suzy would have wanted you in it.

(He pours himself and Sally a drink)

I still can't quite believe it. Suzy, of all people. I never imagined her killing herself.
Sally: [under her breath] I don't suppose she did.
Herbert: I feel terrible.
Sally: These things happen, you mustn't blame yourself.

(Sally strokes Herbert on the cheek. She's learnt from the best)

Herbert: You know Pat, you really are a wonderful person. You've stayed so strong over these past weeks considering everything you've had to go through.
Sally: I just don't know how I would have gotten through all this without you Herbert. Thankyou. I mean it.
Herbert: I only wish I could have done more to help.

(Beat)

Herbert: Would you like to have Lunch with me?
Sally: Thankyou, that would be lovely.
Herbert: Café Bleu alright?
Sally: My favourite restaurant.
Herbert: I hope I won't be too dull for you. I'm not back on top form yet.
Sally: A girl can't always have everything.

(Sally takes Herbert's arm. They walk slowly towards the door and as they turn out of the hotel room and into the distance, Sally rests her head on Herbert's Shoulder. We hear;)

#22 Number One (Final Choral Reprise)

BV’s:
Number one
Number one
Number one
Number one
Number one

(End of Act 2)